5.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Two daughters of mobsters get out of the sanitarium after having killed a boyfriend in the shower, supposedly cured and on the right track. They hold a party and invite all their old boyfriends, making all of them think there is still hope for a relationship. Then the boyfriends start disappearing one by one.
Starring: Linnea Quigley, Lyle Waggoner, Karen Russell, Stephen Steward, Allen FirstHorror | 100% |
Erotic | 15% |
Thriller | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Enjoying a career playing teases and monsters, actress Linnea Quigley receives an opportunity to show off her thespian range in 1989’s “Murder Weapon.” Granted, director David DeCoteau (credited here as “Ellen Cabot”) still demands a substantial amount of nudity and sexuality from Quigley, but the actress gets to do a little more in this oddball thriller, trying out a few dramatic exchanges to help “Murder Weapon” achieve a small degree of gravitas it wouldn’t otherwise enjoy.
The AVC encoded image (1.78:1 aspect ratio) presentation is sourced from a 16mm original camera negative, and looks quite appealing with a thick but managed layer of grain, giving the feature a compellingly filmic presence. Detail reaches as far as it can, doing well with facial particulars on close-ups and textured costuming, while the picture's ample exploitative touches are open for inspection. Colors are compelling and natural, with more animated primaries and warm skintones. Delineation isn't problematic. Framing can be strange, exposing camera equipment and tight headspace. Title sequence shows off some mild banding, but the rest of the viewing experience is smooth and steady.
The 1.0 DTS-HD MA sound mix showcases a few seemingly inherent recording issues, finding balance between scoring cues and soundtrack selections and dialogue exchanges off, with music periodically overwhelming performances. Being a cheapie B-movie, there's no expectation of pristine quality, but the listening experience sounds crowded at times, also hearing ambient noise encroaching on exposition. The track has its moment of clarity, settling down long enough to enjoy what passes here for suspense.
"Murder Weapon" isn't particularly exciting. Heck, I'm not sure it even makes sense. It serves as an opportunity for DeCoteau to showcase nudity and bloodshed for the home video market, making the feature appealing for select viewers already tuned into this bottom-shelf frequency. It's worth a viewing to see Quigley move away from the norm for a brief moment, testing her skills with a few appealing dramatic passages, briefly exposing a burgeoning actress before DeCoteau returns her to bikini-removal duty, snapping "Murder Weapon" back to reality.
(Still not reliable for this title)
1989
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