7.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Honest french teacher Auguste Topaze (Peter Sellers) is fired after refusing to alter the bad grades of a baroness' grandson. Sensing an opportunity, actress Suzy (Nadia Gray) convinces her lover, corrupt city council member Castel Benac (Herbert Lom), to hire Topaze as a managing director for one of his businesses, arguing that Topaze's well-known honesty will protect the company from suspicion. When Topaze learns he is being used, he decides to swindle his manipulators.
Starring: Peter Sellers, Nadia Gray (I), Herbert Lom, Leo McKern, Martita HuntDrama | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Perhaps surprisingly, Peter Sellers received only two Academy Award nominations for Best Actor over the course of his long and notable career. His nominated characterizations were for the memorable (and some might say legendary) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb in 1964 and Being There in 1979. Only diehard Sellers fans or perhaps lovers of Academy Award trivia may know that Sellers actually received a third nomination in a potentially surprising category, Best Live Action Short Subject, for having produced The Running Jumping & Standing Still Film (the title contained no commas, Oxford or otherwise, for any latent grammarians out there). That short actually was co-directed by Sellers (according to several online data aggregators, as well as Leo McKern’s daughter Abigail, who is featured in a really appealing interview included on this disc as a supplement). Sellers’ “co-director” on the nominated short was a guy who billed himself as “Dick” Lester, and the short’s madcap proclivities evidently caught the eye of an up and coming rock group called The Beatles or something like that, who a few years thereafter recruited the somewhat more formally monikered Richard Lester to helm A Hard Day's Night and Help!. Shortly after The Running Jumping & Standing Still Film Sellers, already something of a sensation in British television and film circles and about to explode on the international scene even more, undertook his sole credited direction of a feature film with Mr. Topaze (the IMDb suggests he worked uncredited on The Fiendish Plot of Dr. Fu Manchu). Some curmudgeons (ahem) may aver that Sellers might have been better served had he enlisted the aid (credited or otherwise) of Lester for Mr. Topaze, since the film rarely hits the giddy heights of some of Sellers' better remembered films, though that said, this film is probably better appreciated as more of a character study with some humorous interludes than a consistent comedy.
Mr. Topaze is presented on Blu-ray courtesy of Film Movement Classics, an imprint of Film Movement, with an AVC encoded 1080p transfer in 2.35:1. Film Movement's insert booklets frequently only contain brief comments like "new 2K restoration," which in fact this insert booklet does, though thankfully the label has provided a bit more information on another page in the booklet about the restoration:
Mr. Topaze has been scanned and remastered at 2K by the BFI National Archive from one of the few film elements known to exist and held by the BFI: a 35mm theatrical print. It is presented in its original theatrical aspect ratio of 2.35:1. Unfortunately this rare element has suffered from cyan and yellow layer fading which has led to a magenta bias in the color palette. Every effort has been made to minimize the magenta bias but unfortunately the image inevitably has a somewhat desaturated appearance. The optical audio track from the same 35mm element was scanned and remastered by the BFI National Archive.Even a cursory glance at some of the screenshots accompanying this review should make relatively clear the deficits in the color and general saturation this presentation offers, and I won't harp on them, other than to say things do improve a bit at selected moments, as in a big backstage scene with Topaze (after the nightclub scene featuring the song). But even the best looking moments here almost verge on monochrome at times, with only selected hues, notably some purples and blues, really resonating very strongly. The restoration has removed most major signs of age related wear and tear, though a few minor nicks and scratches are visible. Grain resolves naturally throughout the presentation.
Mr. Topaze features an LPCM 2.0 Mono track that capably supports the dialogue, occasional sound effects and the often jaunty score by Georges Van Parys. The film doesn't have an overly ambitious sound design, though some outdoor material at least offers a few ambient environmental effects. Dialogue is rendered cleanly and clearly throughout the presentation and there are no major signs of age related wear and tear. Optional English subtitles are available.
If you don't expect Mr. Topaze to be a shtick laden farce a la some of Sellers' collaborations with Blake Edwards, you may well find quite a bit to enjoy here. The film is very handsomely mounted, and Sellers, while certainly not an adventurous director by any stretch, frames things smartly and keeps the story moving along fairly briskly. Some of the performances are a bit uneven, which may be due at least in part to Sellers' approach, and as such the comedy, such as it is, can occasionally feel forced. The video presentation here has some inherent issues which are documented above and which can be seen in the screenshots accompanying this review, but audio is fine, and the supplementary package very enjoyable. With caveats noted, and for Sellers fans in particular, Mr. Topaze comes Recommended.
(Still not reliable for this title)
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