7.2 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A melon farmer battles organized crime and a hit man who wants to kill him.
Starring: Charles Bronson, Al Lettieri, Linda Cristal, Paul Koslo, Lee Purcell (I)Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Romance | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
Richard Fleischer's "Mr. Majestyk" (1974) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the disc include archival program with cinematographer Richard Kline; archival program with actress Lee Purcell; archival audio commentary with author Paul Talbot; and more. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Mr. Majestyk arrives on Blu-ray courtesy of Kino Lorber.
Kino Lorber's new release is sourced from a recent 2K master, which isn't the same master that was used for the label's first release of Mr. Majestyk from 2014. I no longer have the older release in my library, but I have this Region-B release from Signal One Entertainment, which was sourced from the same older MGM master that was accessed for the U.S. release.
There are different areas of the technical presentation that I like quite a lot. For example, plenty of the daylight footage looks lusher and healthier, which is why it quickly creates the impression that it has a wide range of stronger organic qualities. Usually, but not always, this footage boasts superior depth as well. Most of the color values are more convincing, too. However, as it has been the case with other recent 2K masters, there is quite a bit of black crush that collapses existing detail and occasionally even destabilizes the native dynamic range of select visuals. The most obvious examples emerge during indoor and darker footage, but trained eyes will recognize the effects of the crushing even during well-lit and even outdoor daylight footage. I found this quite frustrating because a few times, mostly in darker areas, I had trouble seeing absolutely everything that was happening on my screen. Oddly enough, on the Region-B release, which produces plenty of dated visuals, the same footage was quite a bit better balanced. You can see examples in screencaptures # 15, 18, and 23. Additionally, the film can look slightly softer than it should, though the difference is largely insignificant and even on a very big screen delineation and depth remain very good. Image stability is excellent. A few specks and blemishes can be spotted, but there are no distracting large cuts, damage marks, warped or torn frames to report. So, I feel like this release offers a trade-off that was entirely avoidable. Most of the visuals look lusher and healthier, with the daylight footage producing the best results, but in darker visuals existing detail is lost because of moderate to strong black crush. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
I think that the lossless track reproduces the native qualities of the original soundtrack quite well. However, there are definitely some dynamic fluctuations that a proper restoration of the film would have addressed. From time to time it feels like the audio becomes a bit flat for no apparent reason, thought it could very well be that the unevenness is inherited because the film does have a certain 'kitchen sink' quality. If I had to guess, I would say that there is room for optimizations, but I am unsure how significant they might be.
Kino Lorber's second release of Mr. Majestyk is sourced from an exclusive new 2K master, which I think offers the healthiest presentation of the film that you can get at this time. However, I also think that this master -- and virtually all other exclusive 2K masters the folks at Kino Lorber have recently commissioned -- could have been graded better. For some reason, it tends to produce plenty of crushing in darker areas that eliminates existing detail. A minor adjustment can instantly make a pretty dramatic difference. The release brings to the U.S. the excellent, previously exclusive, programs with cinematographer Richard Kline and actress Lee Purcell, as well as the terrific audio commentary by author Paul Talbot, the ultimate authority on everything that has anything to do with Charles Bronson, that initially appeared on this Region-B release. HIGHLY RECOMMENDED.
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