7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A Welsh journalist breaks the news in the western media of the famine in the Soviet Union in the early 1930s.
Starring: Vanessa Kirby, Peter Sarsgaard, James Norton, Joseph Mawle, Michalina OlszanskaBiography | 100% |
Foreign | Insignificant |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.44:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 3.5 |
“Mr. Jones” presents the story of journalist Gareth Jones, who not only managed to make his way into the Soviet Union during the early years of conflict before World War II, he witnessed the ravages of the Holodomor in Ukraine, exposed to the horrors of a man-made famine utilized by Joseph Stalin to destroy the country, using its riches as “gold” to demonstrate power to the rest of the world. Such a dire tale of political exposure isn’t an easy sell, but in director Agnieszka Holland’s hands, the feature becomes a riveting study of reporting and corruption that mirrors the world’s struggles and horrors of today. “Mr. Jones” maintains a steady pace and sense of dramatic urgency throughout, giving Holland one of her most effective movies in years, and one smartly designed by screenwriter Andrea Chalupa (making a fine debut), who encourages suspense while delivering a powerful message on the value of the press.
The AVC encoded image (2.44:1 aspect ratio) presentation for "Mr. Jones" supports the feature's dark cinematography, offering deep blacks that largely keep away from solidification. The HD-shot picture retains satisfactory detail throughout the viewing experience, capturing weary facial textures and the fibrousness of heavy costuming. Office and house tours carry clear decoration, and exterior dimension is preserved. The endeavor favors a colder palette, with grays and blacks common, along with snowscapes and woodsy interiors. Reds often cut through grimness, and golden lighting sources are appreciable.
The 5.1 DTS-HD MA mix provides an immersive listening event for "Mr. Jones," offering active surrounds with atmospherics, community bustle, and room tone. Dialogue exchanges are crisp and emotive, handling a range of languages and accents. Scoring cues are sharp, with excellent instrumentation and emphasis. Low-end has some real heft at times, especially during sequences involving train travel. Sound effects are distinct.
"Mr. Jones" eventually makes its way into the thick of the Holodomor, with the reporter's eyes opened to the brutality of life in Ukraine, including cannibalism. This pain is skillfully managed by Holland, who delivers powerful imagery related to such bitterly cold suffering, while Norton offers the finest performance of his career as Jones's exhaustion turns to determination. Of course, sharing news of devastation isn't allowed by the Soviet Union, and the screenplay spends the final act highlighting the extent of corruption, pitting the truth about a seemingly prosperous egalitarian society against the might of its system of disinformation, with Jones facing an effective campaign to discredit him. While "Mr. Jones" explores such strife, it also celebrates the subject's drive to rage against the machine, aiming to find some way to deliver informational clarity in a world that's controlled by publicity. It's a powerful statement in a memorable film.
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Warner Archive Collection
1937
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