7.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Mountain explores our relationship to mountains and the powerful force they hold over our collective imagination. Footage of mountainous regions from Antarctica to Hawaii illuminates a philosophical look at why we are compelled to make the climb.
Narrator: Willem Dafoe| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.24:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 3.5 |
Mountain is a 2017 non-fiction creation by Australian filmmaker Jennifer Peedom, who primarily makes documentaries. But Mountain isn't a traditional documentary. It's more of a collage, assembled by Peedom from thousands of hours of footage collected from all over the world by Renan Ozturk, the cinematographer on Peedom's previous film, Sherpa . Peedom then collaborated with Robert Macfarlane on a narration to accompany the images, much of it adapted from Macfarlane's book, Mountains of the Mind: A History of a Fascination. The Australian Chamber Orchestra created a soundtrack to accompany the images that was itself a collage of selections from Chopin, Beethoven, Grieg and other classical composers (with some original scoring to connect them). The film debuted at the Sydney Opera House in June 2017, with the ACO performing the score live. It was then released to theaters and has now been issued by Greenwich, a specialty label under the MPI Media umbrella.


The list of cinematographers in Mountain's credits is a long one, and given the multiplicity of
sources, the consistency of the film's visuals is a tribute to its digital colorist. Renan Ozturk
(Sherpa) remains the credited cinematographer, but according to the extras,
much of his contribution consisted of providing access to the work of others. The image on Greenwich/MPI's
1080p, AVC-encoded Blu-ray glowingly reproduces the awesome splendor of the high altitude
images, some captured from helicopters, others from fellow climbers who added professional-quality digital cameras to the weight of their gear. The
colors are brilliant, from the bright whites and gentle blues of the snow and ice in the Himalayas to the rich, variegated earth tones of the
numerous peaks and rock formations from all over the world. (The credits list twenty-one
locations ranging from Antarctica to the U.S.) Detail is superb throughout, which is especially
important in long shots of climbers, skiers and other adventurers navigating perilous slopes like
toy figures. In closeups of rock climbers clinging to vertical surfaces without so much as a safety
line, the crystal clear juxtaposition of human and nature emphasizes the peril. The standard
anamorphic widescreen frame has been opened up slightly to 2.24:1, which is just fine. With a
film like Mountain, the more there is to see, the better.
The only flaw in the image (and it's a minor one) is occasional banding, usually in shots where
the light is changing rapidly. Mountain has been mastered at an average bitrate of 29.39 Mbps,
which gives ample breathing room to its complicated landscapes and photography that is almost
always in motion.

The two principal elements in Mountain's 5.1 soundtrack, encoded in lossless DTS-HD MA, are Willem Dafoe's narration and the Australian Chamber Orchestra's performance of the multifaceted score. Dafoe's voice remains at the center, but slightly away from the screen, while the ACO's instruments expand across the front soundstage and into the surrounds with excellent fidelity and wide dynamic range. Subtly layered into the mix at strategic moments are distant winds and other environmental sounds. (The re-recording mixer, Robert Mackenzie, was nominated for an Australian Screen Sound Guild award.) It must have been a thrill for the audience at the Sydney Opera House to experience the ACO's performance live and in real time, but the Blu-ray track brings you as close to that experience as is possible in a recording.


Lovers of nature documentaries will want to add Mountain to their collection, because the
footage is extraordinary (and heretofore unseen). Kindred spirits of the film's adventure-seekers
may be inspired to duplicate some of their feats. But anyone looking for philosophical insight
into mountains' majesty would be better advised to seek out Macfarlane's original text. The film
is an impressive panorama of natural wonders, but as a meditation it fails to soar.
(Still not reliable for this title)

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