7.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Mouchette is a young girl living in the country. Her mother is dying and her father does not take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One night in a wood, she meets Arsene, the village poacher, who thinks he has just killed the local policeman. He tries to use Mouchette to build an alibi.
Starring: Nadine Nortier, Jean-Claude Guilbert, Marie Cardinal, Paul Hébert (I), Jean VimenetForeign | 100% |
Drama | 82% |
Coming of age | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.5 |
Robert Bresson's "Mouchette" (1967) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include vintage trailer for the film created by Jean-Luc Godard; archival audio commentary by critic Tony Rayns; Theodor Kotulla's documentary "Zum Beispiel Bresson"; and more. In French, with optional English subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 1.66:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Mouchette arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet that is provided with this Blu-ray release:
"This new digital transfer was created in 4K resolution on an ARRISCAN film scanner from the 35mm original camera negative. A full 4K restoration was made possible by CNC. The original monaural soundtrack was remastered from the optical soundtrack negative using Avid's Pro Tools and iZotope RX.
Transfer supervisor: Mylene Bresson.
Colorist: Christophe Bousquet.
Color correction facility: Eclair, Epinay-sur-Seine, France."
The release is sourced from a recent 4K master and as I expected now the film has a very solid healthy organic appearance. However, in 2014 we reviewed this Region-B release from Artificial Eye which also offered a very strong presentation of the film, so below I am going to highlight some of the discrepancies that I observed while comparing the two.
First, I must point out that there is plenty of footage that actually looks very similar, with the majority coming from indoor sequences where light is rather nicely balanced -- meaning evenly distributed, not restricted in any particular ways. However, when there is an abundance of light on this release delineation and sharpness become superior. (You should be able to see the difference if you compare screencapture #6 with the corresponding screencapture from our review of the other release). Furthermore, depth is improved, but I think that it also helps that the grading is more convincing as well. Blacks are solid and there are significantly better ranges of grays. The white and the existing ranges of white nuances are very similar, perhaps even identical. So, it is easier to have an overall improved perception of depth even in areas where the difference is actually quite small. There are no traces of problematic digital work. Image stability is excellent. There are no distracting large debris, cuts, stains, marks, warped or torn frames to report in our review. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: French LPCM 1.0. Optional English subtitles are provided for the main feature.
Robert Bresson's films do not have elaborate soundtracks. They welcome a wide variety of organic sounds and noises that usually produce all of the meaningful dynamic activity. In other words, you should not expect dramatic dynamic contrasts, even when there are busy mass scenes or shootouts. In Mouchette, the dynamic activity is extremely casual. Also, there isn't a lot of dialog, so the opportunities for the lossless track to impress are basically non-existent. What is important to underscore is that there are no age-related anomalies, so the lossless track simply replicates the film's original sound design.
If Mouchette was the only film Robert Bresson directed, he still would have been considered one of the true giants of French cinema. It is very simple but so powerful that once seen it cannot be forgotten. On the other hand, Mouchette is actually incredibly difficult, perhaps even impossible to like, for very obvious reasons. It was the film that introduced me to Bresson many years ago, and I have to admit that since then I have revisited it only a couple of times. Criterion's Blu-ray release is sourced from a beautiful 4K restoration and offers the best technical presentation of Mouchette that I have seen to date. VERY HIGHLY RECOMMENDED.
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