7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
On the 31st December 2015, Mötley Crüe took to the stage of the Staples Center in their home city of Los Angeles for their last-ever live performance. It was the culmination of a farwell tour which had started in July 2014 and traveled around the world taking in North and South America, Japan, Australia and New Zealand, Europe and the Middle East. The band had signed a legally binding cessation of touring contract that prevented them touring as Mötley Crüe beyond the end of 2015 and so this concert truly was The End. Being Mötley Crüe, they did of course go out in style with a spectacular light show and stage set, pyrotechnics, Tommy Lee's incredible rollercoaster drum solo and a set list packed with Mötley Crüe classics. They may be gone, but they'll never be forgotten.
Starring: Vince Neil, Nikki Sixx, Tommy Lee (VI), Mick Mars, Allison KylerMusic | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.90:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English, French, German, Portuguese, Spanish
Blu-ray Disc
4K Ultra HD
Region A (B, C untested)
Movie | 4.0 | |
Video | 0.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 4.0 |
Eagle Rock Entertainment rebranded itself as Mercury Studios a few years ago, and now the (relatively) newly minted Mercury Studios is returning to older Eagle Rock 1080 releases and bringing them out in 4K UHD. This particular 4K UHD upgrade is an enjoyable Mötley Crüe concert which rather incredibly (at least for those of us with short attention spans) came out in 1080 almost eight years ago.
Note: Screenshots are sourced from Eagle Rock Entertainment's old 1080 release. This release does not include a 1080 disc, which
is why there is no 2K video score above.
Mötley Crüe: The End - Live in Los Angeles is presented in 4K UHD courtesy of Mercury Studios with an HEVC / H.265 encoded 2160p transfer
in 1.90. (I'll note that I have no simple way of measuring pixels on 4K discs where "unusual" aspect ratios can sometimes be altered from their 1080
releases, but I marked my display where the black bars were on the 1080 release and they were the same on this release.) There's no online data that
I could find mentioning whether this was captured at source resolutions over 4K, so I'm frankly not sure whether this is native or upscaled 4K, but the
look here is definitely sharper and offers some generally more precise fine detail than the already excellent 1080 release from years ago. The
tendency toward very slight instability issues with regard to some of the display material behind the band is largely ameliorated here, and
since this doesn't offer an Eagle Rock masthead, the really bad banding that was on display during that logo on the 1080 release is also
commendably missing. The biggest issue for some videophiles here may be the absence of HDR. That means that the palette for all intents and
purposes looks pretty much identical to the old 1080 release, and some of the passing deficits in shadow detail in the less well lit sections of the stage
are still in evidence.
This 4K UHD disc offers the same two audio options as the older 1080 release from Eagle Rock Entertainment. I'm just a little conflicted about Mötley Crüe: The End Live in Los Angeles' LPCM 2.0 and (especially) DTS-HD Master Audio 5.1 tracks, since, while fidelity is excellent and clarity also great, it seems that whoever mixed this wanted to give it more of a sense of how things sounded in the Staples Center, leading to a somewhat diffused and even phased ambience (especially in the surround track). There's a kind of peculiar "distance" that includes what I consider to be an overly wet (i.e., reverb heavy) sound for Vince Neil's vocals, and the audience sounds are often pretty overwhelming and some might consider intrusive. Take a listen over the band's exit and closing credits for this concert, when a cheeky use of Frank Sinatra's "My Way" is utilized. The phasing and distance are quite marked in the surround version, though it's notable that amplitude spikes noticeably once the Sinatra pre- record starts up. I have to think this was done purposefully, and some may actually like the "real" sounding ambience, but I found I had to crank my receiver up pretty high (much higher than I typically do) in order to fully enjoy the sonics on display here. Others' mileage may of course vary. Interestingly, Mercury Studios has ported over the many subtitle possibilities for the special features (see below), with English, French, German, Spanish and Portuguese options available.
The 1080 release offered a CD of the concert, which is not included here, though the disc offers the same bonus features as the 1080 disc did:
To kinda sorta paraphrase one Jim Morrison, this may or may not be "the end", but it finds Mötley Crüe in fine fettle, giving a huge and rapturous audience both an eyeful and an earful. This 4K UHD release may not be a "must buy" for fans due to the fact that it doesn't offer HDR and has no audio upgrade, but the increased resolution of this format does offer some noticeably improved fine detail, for anyone who may be considering making a purchase.
(Still not reliable for this title)
2010
2010-2013
1970
Super Deluxe Edition | Blu-ray Audio
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2014
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2011
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1978-2018
1995
Blu-ray Audio | Limited 50th Anniversary Super Deluxe Edition | The White Album
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1986