7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two six-inch twins, kept captive by an evil sideshow owner, pray to their god Mothra to save them. What comes out is a giant mothlike creature which inadvertently weaves a path of destruction over Tokyo on the way to its rescue mission.
Starring: Hiroshi Koizumi, Kyôko Kagawa, Yûmi Itô, Emi Itô (III), Ken UeharaForeign | 100% |
Sci-Fi | 30% |
Supernatural | 15% |
Fantasy | 14% |
Adventure | Insignificant |
Drama | Insignificant |
Family | Insignificant |
Action | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
Japanese: LPCM 2.0 Mono (48kHz, 16-bit)
English: LPCM 2.0 Mono (48kHz, 24-bit)
Music: LPCM 2.0 Mono
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
As a typically ebullient Kim Newman gets into in a supplement included on this Blu-ray disc, there’s really no kaiju movie quite like Mothra. This weird and frankly kind of wacky movie was made in the wake of the incredible success of both the Godzilla franchise as well as Rodan, but it’s distinctly (and distinctively) different than either of those films and/or series in that it features a monster who’s a hero (and/or heroine, as the case may be), not to mention what Newman refers to as the “whimsy” of elements like miniature singing and dancing twin fairies who summon Mothra to its adventures. As Newman's analysis as well as two commentary tracks get into, Mothra was conceived at least in part to appeal to female audiences, which may account in passing for some of its obviously unique aspects, and it was an early example of what might be called "stunt casting" or at least "tie in potential" due to its featuring of sisters Yumi Ito and Emi Ito, then part of a popular singing group known as The Peanuts, as those aforementioned miniature fairies, who are referred to as Shobijin (Small Beauties).
Mothra is presented on Blu-ray courtesy of Eureka! Entertainment's Masters of Cinema imprint with an AVC encoded 1080p transfer in 2.35:1. Judging solely by screenshots, I'm not seeing any huge variances between this release and Mill Creek's Mothra Blu-ray for the North American market which came out a few months before this one did. That said, I'm not quite as generous as Marty was in his review of that version (that said, I evidently like the film a bit more than Marty, as I'm more generous with that particular score). While this often has commendable fine detail levels (look at the pattern on Kyōko Kagawa's dress in screenshot 2, or even Mothra's fuzzy "monobrow" — for want of a better descriptor — in screenshot 1), whatever element was utilized looks a bit faded to me on occasion, with flesh tones verging toward brown, and a just kind of slightly dirty, dowdy appearance. That said, some reds are quite evocative and bright blue outdoor skies tend to resonate extremely well. Some of the old style optical compositing doesn't look especially great (see screenshot 19), and there is pretty noticeable flicker in some of the effects shot featuring Mothra flying in particular. Grain is generally natural looking, but can attain pretty clumpy, chunky yellowish qualities at times, as can be seen in several of the screenshots accompanying this review. There are small but recurrent signs of age related wear and tear. I noticed no substantial image quality difference between the Japanese and English language versions, despite their content differences. The credits on the English language version do look anamorphically stretched for some reason.
Mothra features three tracks, all LPCM 2.0 Mono, the original Japanese, an English dub, and a music and effects track offered on the Japanese version. Marty wasn't especially impressed by the audio on the Mill Creek release, and this version has some of the same thinness, especially in the upper registers, that Marty mentions in his review of the Mill Creek version. That said, I was generally pleased by the overall fidelity of the tracks, though some effects can sound pretty boxy and shallow. Dialogue is rendered cleanly and clearly for the most part, but encounters a couple of minor prioritization issues. Optional English subtitles are available.
Godzilla: King of the Monsters may have helped rekindle interest in Mothra, but those who only know of the creature courtesy of that 2019 VFX extravaganza may be in for something of a shock when watching this decidedly lower tech 1961 film. That said, part of the charm of this enterprise is that very low tech approach (which was at least a bit more state of the art in its day), and this is certainly one of the weirder kaiju films to come out of Japan during this period. Technical merits encounter a couple of obstacles, but are generally solid, and the supplementary package is very appealing. Recommended.
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1975
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怪獣大戦争 / Kaijû daisensô / Godzilla vs. Monster Zero
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ゴジラ・エビラ・モスラ 南海の大決闘 / Gojira, Ebirâ, Mosura: Nankai no daiketto / Godzilla vs. the Sea Monster
1966
怪獣島の決戦 ゴジラの息子 / Kaijûtô no kessen: Gojira no musuko
1967
Uchu kaijû Gamera
1980