7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A neurotic, twice divorced sci-fi writer moves back in with his mom to solve his personal problems.
Starring: Albert Brooks, Debbie Reynolds, Rob Morrow, Paul Collins (I), John C. McGinley| Drama | Uncertain |
| Comedy | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Here's your probably completely useless trivia for the day: Albert Brooks' real life mother was a now little remembered actress and singer named Thelma Leeds who had a rather short screen career which probably had its single best showcase in what was RKO's biggest budgeted film of 1937, The Toast of New York, starring Cary Grant, Frances Farmer and Edward Arnold. Somewhat hilariously given Farmer's ultimately tempestuous reputation (she had just come off her star making turn[s] in Come and Get It, where lore has it she chased replacement director William Wyler around the set with a fly swatter), Leeds portrays a haughty dance hall performer named Fleurique, who temperamentally throws a vase at her maid, played by Farmer, in a scene in the film. Suffice it to say Fleurique makes a rather ignominious exit fairly early in the story, leaving Farmer as the sole main female in the cast, but Leeds still makes Fleurique a hilarious and kind of pathetic character despite relatively little screen time. Albert Brooks talks about Leeds in the interview with him included as a supplement on this disc, and there's even a brief PR picture of Leeds with Grant and Arnold from The Toast of New York shown during the interview, but suffice it to say if Fleurique was a handful, the actress who brought her to life was evidently one as well.


Note: Screenshots are sourced from the 1080 disc in this package.
Mother is presented in 4K UHD courtesy of The Criterion Collection with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Criterion's
foldout leaflet included with this release contains the following information on the master:
Mother is presented in the aspect ratio of 1.85:1. Supervised and approved by director Albert Brooks, this new 4K restoration was created from the 35 mm original camera negative. The original 2.0 surround soundtrack was mastered from the 35 mm magnetic track. Please be sure to enable Dolby Pro Logic decoding on your receiver to properly play the Dolby 2.0 surround soundtrack. The feature is presented in HDR (high dynamic range) on the 4K Ultra HD disc and high definition SDR (standard dynamic range) on the Blu-ray.As Rob Morrow addresses in his interview, Brooks is not an overly "showy" director, and in fact is kind of like the journeymen helmsmen from Hollywood's Golden Era who knew where to plant their cameras, and did so, without really drawing attention to themselves. The same unassuming quality might be mentioned in terms of the look of the feature in general. The transfer is essentially problem free, but there is simply not a ton of visual "wow" in this effort, completely by design, which means especially the HDR side of this presentation may not have all that much to "work with", though some of the brightly lit outdoor material probably pops at least a little better in this version. That said, the palette is very nicely suffused, densities are consistent, and detail levels on the admittedly mundane items in and around the family home do see at least marginal improvements from already generally excellent levels in Criterion's 1080 presentation.

Mother features an engaging DTS-HD Master Audio 2.0 track that offers the film's kind of frankly limited sonic aims without any issues. The bulk of this offering is comprised of Brooks' often deadpan dialogue, though there are a number of source cues, as well as Marc Shaiman's underscore, all of which help to energize the track. All spoken material is delivered cleanly and clearly throughout. Optional English subtitles are available.


As your resident Frances Farmer obsessive, I've long known about Thelma Leeds, and in fact have advocated quite strongly to several niche label owners I know to somehow license and release The Toast of New York on Blu-ray (it's probably going to be Warner Archive if it's anyone). But even those who have never heard of Thelma Leeds but who have had to contend with their own "parental units" will certainly find both humor and angst aplenty in this beautifully written and performed film. Technical merits are solid and the two main interviews very enjoyable. Recommended.

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