6.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Jaded cabaret singer Mademoiselle Amy Jolly falls for Tom Brown, a devil-may-care private in the French Foreign Legion. After Tom overhears the wealthy man-of-the-world Monsieur La Bessier propose to Amy, he accepts a dangerous assignment, convinced that he cannot can give the beautiful chanteuse the life she wants. All proves fair in love and war, however, and Amy must decide which man she truly loves.
Starring: Gary Cooper, Marlene Dietrich, Adolphe Menjou, Ullrich Haupt (I), Eve SouthernDrama | 100% |
Romance | 42% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.19:1
Original aspect ratio: 1.2:1
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Josef von Sternberg's "Morocco" (1930) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include new documentary feature with film scholars Gerd Gemunden and Noah Isenberg; new program with film scholar Janet Bergstrom; vintage radio adaptation of the film; and more. The release also arrives with an 80-page illustrated book featuring essays by critics Imogen Sara Smith, Gary Giddins, and Farran Smith Nehme, as well as detailed technical credits. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
The singer
Presented in an aspect ratio of 1.19:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Josef von Sternberg's Morocco arrives on Blu-ray courtesy of Criterion.
The following text appears inside the book provided with this Blu-ray release:
"A new digital transfer of Morocco was created in 2K resolution on a Lasrgraphics Director film scanner at Roundabout Entertainment in Burbank, California, from a 35mm safety fine-grain held at the UCLA Film & Television Archive. The film's original monaural soundtrack was remastered from the 35mm safety fine-grain.
Transfer supervisor: Lee Kline/Criterion Post. New York.
Colorist: Keenan Novi/Criterion Post."
There are some minor density fluctuations but the overall appearance of the film is very good. Obviously, without age-related and source limitations clarity and depth would be better; delineation should be more convincing as well. However, there is a pleasing consistency in the visuals that makes it clear that work was done to ensure that given the available elements the end result is optimized as best as possible. This is essentially all that one can demand from a project of this nature because there are external factors that are responsible for the present type of visual appearance. The grading is very convincing as well -- there are nicely balanced blacks and whites with optimized natural gray nuances. There are no traces of sharpening adjustments. Debris, cuts, damage marks, an other conventional age-related imperfections are either minimized as best as possible or completely removed. All in all, this is a strong organic presentation of Morocco that will likely remain its definitive presentation on the home video market. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
The audio can be quite 'thin' at times, with sporadic 'flat' spots in the upper frequencies as well. However, you should keep in mind that recording equipment that was used during the production of Morocco was in some ways quite primitive, so what may seem like an obvious issue is usually a native source limitation. There is one particular sequence early into the film where background hiss also makes its presence felt, but after going over it a couple of times my opinion is that the hiss also appears to be a byproduct of the recording audio. The dialog is stable and easy to follow.
If you compare the first films that various European actors made in Hollywood during its early days you will quickly realize that Marlene Dietrich's arrival was amongst the most impressive. Obviously, her previous working experience with Josef von Sternberg certainly helped, but Morocco makes it quite clear that she did not have to undergo a sizeable transformation to have the proper star appearance. So, the Oscar nomination that she earned for her American debut is anything but surprising. (On the other hand, the fact that Dietrich never won an Oscar Award even though she appeared in plenty of better films is quite shocking). Criterion's release is sourced from a very good new 2K restoration of the film, and is included in the Dietrich & von Sternberg in Hollywood six-disc Blu-ray box set. RECOMMENDED.
(Still not reliable for this title)
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