7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prairie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
Starring: Lee Marvin, Jack Palance, Jeanne Moreau, Mitchell Ryan, Jim Davis (I)| Western | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
William A. Fraker's "Monte Walsh" (1970) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include an exclusive new audio commentary recorded by Lee Marvin biographer Dwayne Epstein and vintage trailer. In English, with optional English SDH subtitles for the main feature. Region-A "locked".


Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Monte Walsh arrives on Blu-ray courtesy of Kino Lorber.
In the United States, Monte Walsh made its high-definition debut with this release exactly a decade ago. This Special Edition is sourced from the same master that MGM supplied for the original release, but the technical presentation of the film is different.
On the previous release, the gamma levels are not set properly, and the entire film is placed on a single-layer disc. On this release, the gamma levels are set properly, and the entire film is placed on a dual-layer disc. Is there a meaningful difference in quality between the two presentations? And should you consider an upgrade if you already have the previous release?
Before I answer these questions, I would like to mention a few things. If Monte Walsh is properly restored in 4K and properly graded, it will look fresher and boast more attractive visuals. On the current master, there are tiny nicks and even a few marks that occasionally pop up here and there. Also, while I like the current master a lot, in a few areas some highlights could be managed better. At the moment, they are not distracting, but they are not ideal. I think that in a few darker sequences grain exposure could be more even, and if it is, density levels will benefit. Color balance is convincing and very good. While some primaries and supporting nuances could be more vibrant, the current look of the film is the correct one, so a 4K master should replicate it. There are no traces of problematic digital corrections.
Back to the two questions now. Yes, on my system, various sequences, featuring indoor and outdoor footage, looked noticeably better. If you have a big screen, this release is definitely the one to own now. For what it's worth, I also spent a bit of time upscaling to 4K and thought that the overall quality of the visuals was very, very good. My score is 4.25/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.
The lossless track is very good. It has a solid dynamic range and its upper register is very healthy. Even if you turn up the volume of your system quite a bit more than usual, you will not notice any age-related anomalies. Does this mean that there is absolutely no room for improvement? At the moment, I would say that there is no room for meaningful improvements. There could be a bit of room for rebalancing work, but I do not think that it would affect the current strength of the existing lossless track.


At the end, the great cowboys and gunslingers that roamed the Old West faced two options. They could adapt, grow older, and die in peace, or self-destruct as they ran out of time. This is what Lee Marvin's character realizes in William A. Fraker's directorial debut, Monte Walsh, a tremendous film about the final days of a glorious era. If you do not yet have it in your collection, I strongly suggest picking it up together with David Miller's Lonely Are the Brave, which is an even bigger and better film about another old-timer wearing a cowboy hat and trying to figure out his future. This Special Edition offers a different, superior presentation of Monte Walsh with a fabulous, exclusive new audio commentary recorded by Marvin biographer Dwayne Epstein. HIGHLY RECOMMENDED.

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