5.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Eight classic monsters fight to the death in an explosive wrestling tournament set inside an abandoned and cursed graveyard.
Starring: Dave Foley, Art Hindle, Robert Maillet, Lance Henriksen, Kevin NashHorror | 100% |
Martial arts | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.33:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 5.1
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Judged by the standards of even a low-budget studio release, Monster Brawl might be fairly criticized as an overextended comedy sketch that needed more development time. But those aren't the right standards. The film was the passion project of guerilla enthusiasts whose commitment turned a few hundred thousand dollars into a production professional enough to pass for something a studio might have released. Yes, it's essentially one joke repeated for 89 minutes, but there's a gleeful gusto with which writer-director-producer (and other jobs too numerous to mention) Jesse Thomas Cook keeps finding new wrinkles in the notion of classic monsters engaged in a pro wrestling tournament. As bout follows bout at the Necropolis Arena in Emmett County, Michigan, and the station bug for "Monster Brawl" (presumably on pay-per-view) keeps reappearing in the lower right-hand corner of your screen, while two adenaline-fueled announcers maintain a non-stop patter of ringside commentary, eventually you have to admire the dedication with which Cook and his cohorts have explored this loopy premise to its outer limits. Then you're watching one of the "interludes" between bouts (about which more below), and you see something like the headline crawl beneath a news broadcast that refers to a M.I.L.F., which is a "Mummy I'd Like to Find". If that kind of gag (one of dozens casually tossed away during the film) doesn't win you over, this clearly isn't your kind of movie. Cook and his co-conspirators shot Monster Brawl in and around their home town of Collingwood, Ontario, completing it in time to be shown at the Fantasia Film Festival in July 2011. From there it played additional festivals in Canada and Europe, then appeared on video above the 49th parallel in March 2012. It debuts in the U.S. three months later on DVD and Blu-ray courtesy of Image Entertainment.
Monster Brawl was photographed on the Red One digital system by Brendan Uegama, a young cinematographer whose credits to date are principally short films, but who obviously has mastered digital cinema. As presented on Image's 1080p, AVC-encoded Blu-ray, Uegama's images perfectly replicate the feel of live TV footage during the Monster Brawl sequences, even though he's working with a wider aspect ratio. When the film switches to the "origin" interludes, Uegama adopts a more cinematic shooting style that helps disguise the fact that all of the sets and locations (which are supposed to represent far-flung places) are situated within a few miles of each other. The image on the Blu-ray is clean, clear and detailed, which doesn't always work in favor of the budget-conscious make-up by the Gore Brothers (Jason and Jeff Derushie). Still, cheesy make-up is part of the great tradition of monster movies, and it does help that the colors for the nighttime Monster Brawl sequences are muted and washed-out—a deliberate choice, as is evident by the stronger colors in some of the origin sequences. Blacks, however, are strong and solid; as illustrated in the extras, the Monster Brawl set was carefully designed to have a sense of endless night surrounding it, and the Blu-ray's image conveys that. Since this is a digitally derived image with no analog stage in the process, high frequency filtering, artificial sharpening or other such tinkering does not appear to have been applied. Compression artifacts were not an issue, as they typically are not with Red One productions.
The audio for Monster Brawl has been well recorded and mixed, but surround effects on the DTS-HD MA 5.1 track are limited. The most obvious example is the reverberating impact of Lance Henriksen's voice, which seems to be everywhere when it speaks. Bass extension is strong and deep, both for effects and for the atmospheric music track by Todor Kobakov. The mixing philosophy seems to have been that, since wrestling is not a subtle sport, the soundtrack should be as "in your face" as possible, and deep bass is the quickest and cheapest way to achieve that effect. (For some reason, there is an alternate Dolby Digital 5.1 track, at the oddly low bitrate of 320 kbps. If the disc's producers were trying to help people without DTS capability, a higher bitrate would have been preferable. If they were thinking of people playing the disc through TV speakers, a 2.0 track would have made more sense.)
My goal in this review has been to provide an overview of Monster Brawl while leaving the details of its fighting matches and riffs on monster origins for the individual viewer to discover, if (and only if) the film sounds like something you'd enjoy. It's an obvious candidate for cult classic, designed to appeal to viewers who would enjoy the silliness of watching figures in heavy makeup engage in classic pro wrestling maneuvers, and who would also get the joke when one of the announcers pokes fun at people who pedantically insist that "Frankenstein" isn't really the name of the monster. If this sounds like your cup of witches' brew, by all means give Monster Brawl a look. If not, definitely skip it. Either way, the technical quality is beyond reproach.
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