7.4 | / 10 |
Users | 3.5 | |
Reviewer | 2.5 | |
Overall | 2.6 |
The true-life story of Aileen Wuornos, a prostitute executed in 2002 in Florida after being convicted of murdering six men. While Wuornos confessed to the six murders, including a policeman, she claimed to have killed only in self-defense, resisting violent assaults while working as a prostitute. In 1989-90, a love story unfolds in the midst of the horrors and pathologies of two misfits: Wuornos (Charlize Theron), a drifter prostitute and Selby Wall (Christina Ricci), sent by her parents to live with an aunt in Florida in order to "cure her homosexuality". Nearing suicidal despair, Aileen wanders into a bar, where she meets Selby and falls in love. To keep her and Selby's relationship alive, she continues hooking, only to fuel an increasingly escalating deadly rage, a fury vented with a lurid string of killings and the media's sordid designation of her as the first female serial killer--a monster.
Starring: Charlize Theron, Christina Ricci, Bruce Dern, Scott Wilson, Pruitt Taylor VinceBiography | 100% |
Romance | 43% |
Thriller | Insignificant |
Drama | Insignificant |
Crime | Insignificant |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
English: Dolby Digital 2.0 (192 kbps)
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 2.0 | |
Audio | 1.0 | |
Extras | 1.5 | |
Overall | 2.5 |
Every movie fan has a certain selection of films they’re fine with viewing once, but never plan to see again. Since 2003, Monster has proudly held a spot toward the top of my list, burning images into my head that took years to force out. Now that I’m sitting down for my second viewing six years later, I’m reminded how vicious and tragic the film can be; never pulling punches in the delivery of a story that will naturally divide viewers into two camps. Was Aileen Wuornos a monster, or simply a woman guided down society’s chosen path for her life? Wherever you fall along the spectrum of opinion doesn’t have much bearing on the merits of the film itself, which remains a fascinating character study of the woman that came to be known as America’s first female serial killer.
A sad existance...
Presented in 1080p utilizing the MPEG-2 codec (at an average bitrate of 20Mbps), Monster is a disappointing upgrade on Blu-ray. Fine object detail barely exceeds the quality of an upconverted 480p transfer, making this a marginal improvement over the prior DVD release. I looked for textures in clothing and facial features, but despite the rough appearance of Charlize Theron's make-up laden face, there wasn't even a fraction of the clarity I've come to expect from the Blu-ray format. Additionally, black levels rarely exceed a dark shade of grey, and contrast demonstrates a dismal level of differentiation throughout nighttime sequences. As a result, shadow detail remains absent from many scenes (which isn't entirely bad when you consider the subject matter that takes place in the darker segments of the film). On the positive side, there appeared to be a degree of improvement in the richness of the color spectrum, which is especially noticeable during the skate rink sequence early in the film. I wish I had more positive elements to point out in the transfer, but fans of the film should know they'll probably be let-down by the video quality of this release, since it doesn't stack up well in the transition to high-definition.
Matters take a drastic turn for the worst when we delve into the quality of the audio tracks on the disc. I can't comprehend how this made it past the sound engineers over at First Look Studios, but there are some awful audio sync issues on this release (both tracks). If the delay were only a fraction of a second, it wouldn't be a huge issue, but I'd wager it's almost a full second behind the lip movements on the screen. Aside from that issue, this is a front-heavy experience with the majority of the audio track resting solely on the center channel. The occasional musical offering meanders into the side speakers, but I rarely noticed any activity from my rear speakers or subwoofer. Improving the audio score slightly, the clarity of the dialogue, music, and environmental effects demonstrate a nice level of proficiency, though I noticed at least three occasions where the dialogue dropped to a degree that made it necessary to turn up the volume beyond a suitable level compared with the rest of the film.
Although the quality of the audio track isn't dismal, I'm giving the overall audio score a dismal rating based on the level of annoyance caused by the sync issues. I'm not sure if First Look will take the time to go back and correct the problem with replacement discs, but consumers should expect more for their hard earned dollar.
Making of Monster (480p, Dolby Digital 2.0, 14:42 min): This intriguing supplement mostly consists of interviews with writer/director Patty Jenkins and Charlize Theron as they discuss the lengths they went to in order to bring the story of Aileen Wuornos to the screen. In addition, we're shown behind-the-scenes footage of the film crew on various sets and the physical change Theron went through to become her character.
Evolution of the Score (480p, Dolby Digital 2.0, 15:43 min): The composer of the musical score in Monster (BT) is interviewed intermittently with writer/director Patty Jenkins as they discuss elements in the film that became inspiration for the score. It was especially interesting to hear BT discuss his use of surround sound division in the musical creations, since I honestly didn't hear it in the final product on this disc.
Aside from those two featurettes, we have a couple of standard definition trailers for Monster, a strange mixing demo that lets the viewer pretend they're a sound engineer, and a brief collection of trailers for other films from First Look Studios.
Love it or hate it, Monster is a profound film that tackles difficult subject matter with a ferocious edge. I can't say I was too excited to ever view the film for a second time, but I was equally moved by the portrayal of Aileen Wuornos on this go around. If you've never seen the film, it's worth watching once, but plan to have a comedy on-hand to pull you out of the mild case of depression you'll experience as the credits roll. For anyone who's already a fan, you have a difficult decision from a technical standpoint. The picture quality is certainly subpar compared with other high-definition catalogue titles, and the audio experience doesn't help rectify matters in any way. So long as First Look chooses to not correct the sync issues with both audio tracks, I'll have to give a firm recommendation that you hold off on a purchase of this Blu-ray edition.
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