7.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Monsieur Hulot takes a holiday at a seaside resort, where his presence provokes one catastrophe after another.
Starring: Jacques Tati, Nathalie Pascaud, Micheline Rolla, Valentine Camax, Lucien FrégisForeign | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.37:1
French: LPCM Mono
English: Dolby Digital Mono
French: Dolby Digital Mono
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.5 |
Nominated for Oscar Award for Best Writing, Story and Screenplay, Jacques Tati's "Les vacances de Monsieur Hulot" a.k.a. "Mr. Hulot's Holiday" (1953) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include the original version of the film; video introduction by actor and comedian Terry Jones; new visual essay by Jacques Tati scholar Stephane Goudet; exclusive new video interview with composer Michel Chion; archival episode of the French television program Cine regards; and more. In French or English, with optional English subtitles for the main feature. Region-A "locked".
Monsieur Hulot
Presented in an aspect ratio of 1.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jacques Tati's Les vacances de M. Hulot arrives on Blu-ray courtesy of Criterion.
The release uses as a foundation the same restoration project which the British Film Institute accessed when they prepared their Blu-ray release of Les vacances de M. Hulot. This project was undertaken in 2009 and is based on the last version that Jacques Tati edited in 1978. The film was fully restored by La Fondation Groupama Gan pou le Cinema, Les Films de Mon Oncle, La Fondation Thomson pour le Patrimoine du Cinema et de la Television, and La Cinematheque francaise.
Please note that the screencaptures included with our review appear in the following order:
1. Screencaptures #1-19 are from the 2K restoration of Jacques Tati's 1978 rerelease version.
2. Screencaptures #21-26 are from the original 1953 version of the film.
Rerelease version: The film looks fresh and very healthy. The overwhelming majority of the close-ups boast fantastic depth and make it exceptionally easy to see even very small details, while the panoramic shots from the beach impress with excellent clarity (see screencaptures #2 and 3). Color balance is outstanding -- there is a wide range of nuanced grays and whites, while the blacks are lush but natural. There are no traces of problematic degraining or sharpening adjustments. There are a few areas where some light fluctuations are present -- temporary soft spots can be seen -- but it is very obvious that these are inherited limitations. Predictably, from start to finish the film has a solid organic look. Overall image stability is outstanding. There are no large damage marks, debris, cuts, warps, stains, or scratches. Lastly, the encoding is excellent. (1080p/LPCM 1.0/ 01.28.56).
Original version: The gap in quality between the restored rerelease version and the original version Les vacances de M. Hulot is substantial. Generally speaking, the original version looks very soft and flat. Also, color stability is average at best. Some light scratches and debris can be seen, though there are no big cuts or splices. Ultimately, it is good to have the original version of the film for basic comparisons, but the restored rerelease version is very clearly the one to see. (1080p/Dolby Digital 1.0/ 01.40.05).
Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
There are two standard audio tracks on this Blu-ray release: French LPCM 1.0 and English Dolby Digital 1.0. For the record, Criterion have provided optional English subtitles for the main feature.
As it is the case with the majority of Jacques Tati's films, there are random sounds and noises that are frequently far more important than the dialog. This film, however, is also complimented by a relaxing soundtrack courtesy of Alain Romans. The film's dynamic amplitude is still quite limited, but the music opens up select sequences and eases certain transitions. There are no pops, cracks, audio dropouts, or distortions to report in this review.
There are different opinions as to what exactly makes Jacques Tati's films so special -- the magnificently choreographed gags (sometimes involving hundreds of different people), the visuals, the remarkable set designs, or simply the charm of his legendary character. Whatever it is that you like the most, I assure you Les vacances de M. Hulot has plenty of it. This is one of my favorite Tati films and I frequently revisit it. Until recently I have been enjoying BFI's Blu-ray release, but Criterion's upcoming Blu-ray release has a fantastic selection of supplemental features which make it the one to own. VERY HIGHLY RECOMMENDED.
(Still not reliable for this title)
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