7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A headstrong journalist whose investigative podcast uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story.
Starring: Lily Sullivan, Ling Cooper Tang, Ansuya Nathan, Erik Thomson, Terence Crawford (I)Thriller | Insignificant |
Sci-Fi | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 0.5 | |
Overall | 3.5 |
Film funding is evidently hard enough that there are seminars built around writing micro budgeted features, which is according to some supplements on this disc exactly what helped to spark Monolith, a rather interesting film whose "high concept" may frankly have been more effective on paper than it ends up being on the screen. That said, the fact that this is a perceived "science fiction spectacular" with virtually no special effects and only one on screen character for the duration of the story certainly may make it a curio for some audiences. The fact that it also starts with a rather long sequence with no imagery whatsoever might comically be thought of as a way the filmmakers saved a little moolah as well as starting things off with an emphasis on audio, something that is salient to the entire plot, which ends with the focal character importuning the audience to "listen".
Monolith is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.00:1. I haven't been able to track down authoritative info on this shoot, but cinematographer Michael Tessari's website actually lists his gear, which includes Arri Alexas, and this has what struck me as an "Alexa like" look. Virtually the entire film is almost slathered ina kind of blue-green ambience which supports a quasi-tropical Australian setting. Even interior scenes can have a predominance of cooler tones, but that said, close-ups of the the Interviewer are at least relatively natural looking in terms of flesh tones and the like. Detail levels are somewhat variant dependent on framings and lighting conditions, but almost without exception midrange and close-ups offer excellent fine detail levels. There's a slightly hazy look at time which may be the result of slightly wonky contrast, but which doesn't seriously deplete clarity or general detail.
Monolith features a really immersive and nicely layered DTS-HD Master Audio 5.1 track. While the narrative elements of the film are relatively straightforward, offering the Interviewer making audio recordings of various people (which she later tweaks to her own purposes with editing software), the entire sound design here is often awash with weird hallucinatory thumps, those aforementioned Ligeti-esque voices, and other seemingly spectral events which waft through the side and rear channels quite disturbingly at times. All spoken material is delivered cleanly and clearly. Optional English subtitles are available.
A duplicitous "journalist" on the hunt for the next "big" story has been the fodder for untold previous films (Ace in the Hole of course springs instantly to mind), but for better or worse Monolith has a lot else on its mind than that "simple" fact. Monolith's reach may indeed exceed its grasp, but this is a really ambitious project that manages to sustain interest if not always complete coherence. Lily Sullivan is impressive in a role which requires her non-stop presence. Technical merits are solid, and with a few passing caveats noted, Monolith comes Recommended.