6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Bobby Parker is a poor kid from the wrong side of the tracks. He and his best friend are new to Oceana High and their presence is not welcome. James can't stand any outsider and he doesn't like someone who "doesn't know his place".
Starring: Noah Blake, Lisa Rinna, Jason Lively, Julianne McNamara, Brandon HooperThriller | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.0 |
Two households, both alike in dignity,That famous prologue from Romeo and Juliet may have been William Shakespeare's own private precursor to the fluttering Marvel Comics frames that precede some MCU films, summarizing what's about to come and whetting the audience's appetite with basic plot pronouncements and some putative "backstory". But it also introduced or at least popularized the idea of "star crossed lovers", supposed paramours whose "astrological incompatibility" at least contributes to their downfall, though the fact that these kinds of would be couples are almost always depicted as having come from "different sides of the tracks", so to speak, also plays into events, even if that particular metaphor would have been foreign to Shakespeare himself. Monday Morning has at least some aspects akin to Romeo and Juliet at play in a plot focusing on peripatetic high schooler Bobby Parker (Noah Blake), who has moved so much that maybe he doesn't even know anymore what side of the tracks he's from, or at least currently on.
In fair Verona (where we lay our scene),
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows
Doth with their death bury their parents’ strife.
The fearful passage of their death-marked love,
And the continuance of their parents’ rage,
Which but their children’s end nought could remove,
Is now the two hours’ traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
Monday Morning is presented on Blu-ray courtesy of the MVD Rewind Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.85:1. The back cover states this was transferred from the original camera negative. Several online sites, including some news postings here, state there was a 4K restoration, though I'd note that the release itself does not state that and there's no information in that regard that I could find on MVD's website. This is a nicely organic looking presentation for the most part, with a naturally resolved grain field which can be quite thick at times but has no "clumpiness" or other oddities. The palette is beautifully suffused for the vast bulk of the film, with some really deep primaries and good accountings of the various colors in the classroom. Detail levels are typically quite good throughout, and can be excellent in close-ups. There are some variances in densities (things get a bit desaturated and cooler about two thirds of the way through), and there's also persistent if minor damage that can be spotted in several of the screenshots I've uploaded to accompany this review. I'd probably be rating this at the 4.0 level were it not for some really strange anomalies that I've documented in screenshots 18 and 19. The only way I could capture these fleeting nanoseconds was to actually frame advance with my player and keep it on pause for a single frame, which is why you'll see the pause icon in the lower left (the screencapture technology we use wasn't quick enough to actually get the frames I needed without me employing the player's pause button). I also left the display information on so that those interested could go to those exact timecodes to see, but as you'll clearly be able to notice in these screenshots, there are totally weird "interpolations" in horizontal "strips" of other scenes suddenly inserted in the center of the frame. How or why this could have happened is frankly beyond me. This is the only time I've had to include screenshots taken under these circumstances, but I thought the weirdness of the situation required it. I will say that these are most definitely fleeting, almost at the subliminal level, and so may not cause much concern for some.
Monday Morning features a nice sounding LPCM 2.0 Mono track that offers good support for a film that kind of surprisingly is not chock full of circa 1990 pop tunes (my hunch is a less than fulsome budget may have prevented licensing any "hits"). Bill Johnson's score reverberates with sufficient energy, and all dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
Absolutely hilariously (to me, anyway), I was watching the interview with writer and director Don Murphy on this disc before watching the actual film, and my wife walked in and immediately said, "Hey, I know that guy, he went to USC with my brother!" As Don continued to talk, my wife continued to recognize names and events, and so she texted her brother about it, who then had the temerity to suggest we actually look at the credits for the film (helpfully printed on the back cover of this release), which disclosed that he was the editor on the project (he didn't let us know he has a cameo late in the film as a sharpshooter who ostensibly takes out a major character). In order to facilitate any future family reunions, let me just state that the editing of this feature is impeccable, and the moment with the sharpshooter is the undeniable dramatic highlight of the story. All joking aside, there's some actually interesting content here, especially in terms of an "outsider" trying to find his foothold in a challenging situation, though this has a somewhat slapdash feeling at times that probably keeps it from being completely successful. Video has some "unexplained mysteries" as documented in both my comments and screenshots, but for those who can ignore them, provides a generally solid account of the gritty, lo-fi look of the film. Audio and supplements are fine, for those who may be considering making a purchase.
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Limited to 1000 Copies
1976
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