7.4 | / 10 |
| Users | 2.5 | |
| Reviewer | 4.5 | |
| Overall | 2.5 |
George is a tough, yet also warmhearted small-time mobster recently released from prison. He agrees to chauffeur Simone, a high-priced prostitute. She enlists him to search for her closest friend, another prostitute named Cathy. During their time together, George slowly falls in love with Simone.
Starring: Bob Hoskins, Cathy Tyson, Michael Caine, Robbie Coltrane, Clarke Peters| Drama | Uncertain |
| Film-Noir | Uncertain |
| Crime | Uncertain |
| Romance | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region B (A, C untested)
| Movie | 4.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 4.5 |
Bob Hoskins received a well deserved Academy Award nomination and actual wins at both the BAFTAs and the Golden Globes for his nuanced, visceral performance in Mona Lisa as grizzled ex-con George, who after getting out of stir ends up as the driver for high class call girl Simone (Cathy Tyson). This seminal neo- noir is long on mood and style, but it also features an invitingly complex narrative, at least in terms of its detailing of a number of mismatched characters, all in a kind of grimy and disturbing London. Mona Lisa had a relatively early 1080 release from Image Entertainment, followed by a Region B 1080 release from Arrow Films, and then another 1080 release from Criterion in 2021.


Note: This release does not include a 1080 Blu-ray, so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080
and SDR. Color space in particular is therefore not accurate. Since this release does not include a 1080 disc, the 2K video score above has been
intentionally left blank.
Mona Lisa is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Arrow's insert booklet
contains the following information on the presentation:
Mona Lisa was exclusively restored by Arrow Films, and is presented in its original 1.85:1 aspect ratio with original mono audio.As mentioned above in my introductory comments, there's an unabashedly dirty, grimy feel to a lot of the location work, and that quality is emphasized by Roger Pratt's cinematography. The opening optically printed credits sequence understandably offers a bit less clarity and a bit more grain than some of the rest of the presentation, but that said, there is still some very heavy grain in evidence throughout, not necessarily always due to lighting conditions. In fact, some of the heaviest grain can be spotted against brighter backgrounds in some of the more brightly lit outdoor material. All of this said, while occasionally chunky and yellow looking, things are surprisingly tightly resolved throughout this 4K presentation, something that's especially commendable given some of the compression challenges that dim lighting and smoky or misty environments must have presented. The HDR / Dolby Vision grades offer some distinctive pops of color, though it's salient to note that quite often the production design doesn't feature especially vivid tones, as in the clothes shopping sequence, where neutrals are prominent. That said, there are a number of really evocative uses of red, beginning with a door in the opening fight scene, and then the interior of the car George gets into. Later club scenes also have some very gorgeously suffused reds, and selected nighttime scenes can have some almost cobalt blue tones. A fun use of green circa 38 minutes in also has decided pop. Detail levels are generally great, especially in some of the outdoor daytime material, though on the flip side some of the most dimly lit interior scenes can have a bit of murkiness and not a wealth of shadow detail.
The original 35mm camera negative was scanned in 4K resolution. The film was restored in 4K resolution and graded in HDR10 and Dolby Vision. Scanning, grading and picture restoration was completed at Silver Salt Restoration, London.
The soundtrack was remastered from the original mono mag reels by the BFI. Additional audio remastering was completed by The Engine House.All materials for this restoration were made available by Handmade Films via the BFI.
This restoration of Mona LIsa has been approved by Director Neil Jordan.

Mona Lisa features an LPCM Mono track which I'm sure is very similar if not outright identical to the well received tracks on the Region B Arrow release and the Criterion release. The Genesis track is nicely full bodied, and in fact all of Michael Kamen's score sounds well balanced and fluid. The busy urban environments offer a wealth of ambient environmental effects, probably most noticeably in outdoor scenes, but also in some of the crowded interior moments. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

- Neil Jordan (HD; 19:57)
- Stephen Woolley (HD; 13:36)
- David Leland (HD; 19:01)

As Casey Broadwater mentioned in his now long ago review of the original Region A 1080 release of Mona Lisa from Image Entertainment, despite its inherent seediness this is an exceptionally and unexpectedly tender tale a lot of the time. Arrow's 4K edition sports solid technical merits and some appealing if not bounteous supplements. Highly recommended.

Remastered | Special Edition
1980

Indicator Series
1950

Indicator Series
1961

Die Büchse der Pandora / Masters of Cinema
1929

1988

1948

Golden Marie / Vintage World Cinema
1952

Limited Edition
1950

Port of Shadows / Vintage World Cinema
1938

Arrow Academy
1947

Indicator Series
1952

Indicator Series
1948

Le choix des armes | Limited Edition
1981

Masters of Cinema | Limited Edition
1955

Gideon of Scotland Yard | Indicator Series | Limited Edition
1958

The John Cassavetes Collection
1976

Laitakaupungin valot
2006

1955

Standard Edition
1957

1985