6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A desperate man robs a pill mill to dangerous results.
Starring: John Travolta, Stephen Dorff, Kevin Dillon, Ashley Benson, Shiloh Fernandez| Thriller | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
If Pulp Fiction reintroduced John Travolta to the masses, parading him into the spotlight and giving him a second chance at stardom, what was the movie that shoved him back in the cinematic woodshed? Some might argue it was turn-of-the-century megabomb, Battlefield Earth, which in every way is exactly as terrible as you've heard. But a few against-type action-lite dramas followed -- Swordfish, Basic, Ladder 49 and The Taking of Pelham 123 -- keeping Travolta's head above the waves. (Not to mention Wild Hogs and Old Dogs, which kept knee-slapping dads the world over eager to see what ol' Johnny would get up to next.) Others might point to The Forger, Life on the Line or In a Valley of Violence, which reached... but couldn't quite connect. His turn as Robert Shapiro in American Crime Story, though, would disagree. No, the film I'd enter into consideration would be 2016's I Am Wrath, or perhaps even 2018's Gotti or Speed Kills, all of which feature Travolta's face blown up to poster-size enormity, were barely released in theaters before being tossed on Blu-ray and DVD, and represent a significant decline in the actor's star power. Brilliantly titled masterpieces like Trading Paint, The Poison Rose, (my favorite) Pitbull: 3 to Tango, Paradise City (the worst of the bunch) and, as (bad) luck would have it, 2023's Mob Land, one big bore of a peacekeeping western-noir afternoon nap.


Cinematographer Nick Matthews's biggest project to date has been Saw X, which sets a bit of a low bar for Mob Land, even if both were released in 2023. Here, predictable sepia, amber and teal tones are used to give the film's palette a distinctly neo-noir, western flavor, despite a muddy, ruddy disposition that sometimes renders colors and black levels murky and inconsistent. Skin tones follow suit, dragging Mob Land's 1080p/AVC-encoded video transfer into a danger zone of problematic stylization. Fortunately, detail remains exceedingly impressive, with sharp definition, precisely refined textures and unobtrusive grain, and the encode is a technically proficient one, free of banding, blocking and errant noise. This is the film and aesthetic Matthews and Maggio intended, so go easy on Lionsgate if it all comes across trope-y for the genre. You'll be moderately pleased but you won't walk away labeling Mob Land a great- looking flick either.

Mob Land's DTS-HD Master Audio 5.1 surround track is pretty good... decent... fine? There isn't a whole lot to evaluate sonically in such a slow, plodding crime film. Dialogue is clean and intelligible, with solid prioritization, and ample rear speaker activity creates enough of an immersive sense of space and place to earn points. Substantial LFE support is sparse and dynamics are merely fine, although there are a handful of scenes that give the mix something to work for courtesy of shotgun blasts, gunfire, burning trucks and other more climactic fare. Again, this is Mob Land as it was designed, so it's hard to lay much blame at the feet of the film's lossless audio if you come away shrugging your shoulders.

Unlike most Lionsgate DVD-cased Blu-ray releases, Mob Land actually comes with two extras: an audio commentary with writer/director Nicholas Maggio, cinematographer Nicholas Matthews and actor Shiloh Fernandez, and an 18-minute HD featurette, "Walking the Line", allows the same three men to discuss the film further (although there is quite a bit of overlap).

Mob Land is not the film that will resurrect John Travolta's career (which was already resurrected once, in 1994). It's dull, tiresome and ultimately far more predictable than its "unpredictable" tag suggests. Fortunately, Lionsgate's Blu-ray release is better thanks to a faithful AV presentation and a decent pair of bonus features.
(Still not reliable for this title)

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