5.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
Detectives Jake Doyle and Mary Kelly seek the help of an incarcerated serial killer named The Artist when a copycat killer strikes. While Mary searches for clues in The Artist's brilliant but twisted psyche, she and Jake are lured into a diabolical game of cat and mouse, racing against time to stay one step ahead of The Artist and his copycat.
Starring: Martin Lawrence, Melissa Roxburgh, John Malkovich, Robert Knepper, Neb Chupin| Thriller | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 2.0 |
Hopefully without getting too "meta" with cinematic referents, but at the same time considering some of the plot machinations of the film about to be referenced, John Malkovich gets to "don the skin" of one Anthony Hopkins in Mindcage, in that this film was by the admission of its own creatives (as revealed in the two supplements on this disc) "inspired" at least in part by The Silence of the Lambs. Director Mauro Borrelli also gives lip service to a number of other films, including a film with an actual number in its title, Seven, but the tether to Jonathan Demme's multiple Oscar winning triumph is the most noticeable, and frankly the most obvious. Once again a young female detective is on the hunt for a copycat killer, and, pretty much exactly as with Clarice Starling in The Silence of the Lambs, she's tasked with meeting with "the original", a demented criminal who's locked away in a psychiatric facility and is awaiting a lethal injection which is imminent. Here the villain isn't a gourmet cook (so to speak), but instead a "visual artist" with a penchant for creating "works of art" out of people he's unceremoniously (or, considering the religious subtext of the film, maybe ceremoniously) murdered.


Mindcage is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. The closing credits roll disclosed Red cameras were utilized, and I am assuming a 2K DI (if anyone has authoritative data to the contrary, let me know via Private Message, and I'll happily update things here). I've long been on record as having a personal preference for Red captures over Arri Alexa captures, but this is something of an exception, due at least in part to recurrent grading flourishes but also due to a really gritty and to my eyes somewhat noisy looking digital grain field that has been slathered over the proceedings. The gradings tend to range from the ever popular yellows to blues, and those, when combined with any number of very dimly lit scenes, result in deficits in fine detail. The digital grain tends to make things look slightly dirty, especially against brighter backgrounds. Some apparent green screen material (as in one sequence with Lawrence and Roxbburgh in a car) isn't especially convincing and actually makes things look almost intentionally artificial. Still, in brighter moments and especially in close-ups, detail levels are commendable. Detail levels on the "angels" are suitably disturbing and offer some of the best production design elements in the film. This is another Lionsgate offering that has noticeable banding during the masthead, but no other major problems.

Mindcage features a DTS-HD Master Audio 5.1 track that offers some nicely immersive sound design that helps to create a subliminally spooky atmosphere, though quite often with pretty hoary techniques like odd low frequency washes and occasional startle effects. Dialogue is rendered cleanly and clearly throughout (for better or worse, given the dialogue). Optional English and Spanish subtitles are available.


Mindcage is simply too derivative for its own good, and its halting attempts to deliver a supernatural element never completely pan out. Fans of the cast may find this a reasonable enough time killer, but if Lawrence was expecting this film to jump start a dramatic career, he may be in for a rude awakening. Technical merits are generally solid for those who may be considering making a purchase.
(Still not reliable for this title)

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