7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
A visionary, innovator, and originator who defied categorization and embodied the word cool: a foray into the life and career of musical and cultural icon Miles Davis.
Starring: Miles Davis, Wayne Shorter, Juliette Gréco, Quincy Jones, Carlos Santana (I)| Music | 100% |
| Documentary | 52% |
| Biography | 4% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English, French, German, Portuguese, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.5 |
A lot of recording artists perhaps understandably base the success of their careers on how much “chart action” they’re able to whip up with various releases, and in that regard it’s kind of amazing to look over Miles Davis’ long and obviously legendary life in music and realize that he had relatively few really high charting albums, and absolutely no “hit singles” of any import (I was actually kind of surprised to see that his latter day version of Cyndi Lauper's "Time After Time" evidently never made any charts, because it got a lot of airplay back in the day in this particular market). And yet, is there another trumpet player who has had such an inimitable influence on the entire course of jazz, and perhaps more widely, music in general? There have certainly been at least a few trumpeters who probably sold more albums and had more hit singles than Miles, but I doubt even any of them would want to “compete” in any real way with Miles’ undeniable legacy. Miles Davis: Birth of the Cool should be welcomed with open arms by not just jazz lovers, or even Miles fans, but anyone with an interest in 20th century music and perhaps in a more general way, the Arts as a whole.


Miles Davis: Birth of the Cool is presented on Blu-ray courtesy of Eagle Vision, an imprint of Eagle Rock Entertainment, and Universal Music Group with an AVC encoded 1080p transfer (mostly) in 1.78:1 (occasional archival video and stills can be in narrower aspect ratios). This is often a very appealingly sharp and well detailed looking presentation, at least with regard to the contemporary interview sequences and many of the still photographs, all of which offer good detail levels and nice clarity. Some of the archival video and even some of the occasional stills certainly show the ravages of time, but some (like the repeated use of Miles sparring in a ring at a gym) are so fascinating that the quality deficiencies are probably easier to overlook.

Miles Davis: Birth of the Cool features LPCM 2.0 and DTS-HD Master Audio 5.1 tracks. The disc is authored to default to the stereo track, and for all intents and purposes it suffices perfectly well since the music in this piece tends to be used as interstitials and it's quite often relegated to the background while various people talk over it. The surround track does open up the music, especially in the live performance material, but probably not to the extent that some audiophiles (who would want uninterrupted songs in any case) might prefer.

The Blu-ray disc does not come with any supplementary material. This comes packaged in an oversized DigiBook (approximately 7.5" high by 5.5" wide by 3/4" deep) with an essay by Matt Phillips, some cool stills, technical data, and listings of the tracks that are found on the following Bonus DVD included with this release:
- 1973
- Ife
- 1984 (Afternoon)
- Star People
- It Gets Better
- Hopscotch; Star on Cicely
- Lake Geneva
- 1985 (Evening)
- Star People
- Hopscotch

Those wanting a hagiography had best stay far, far away from Miles Davis: Birth of the Cool, because this riveting documentary doesn't shirk in the slightest from some of Miles' own darker impulses, some of which are shared in Miles' own inimitable words. It's hard to even try to calculate Miles' contributions to 20th century music in particular and culture in general, but Miles Davis: Birth of the Cool makes it quite clear that those contributions came with an at times pretty steep cost, including dysfunctional relationships, drug addiction and a personal style that many found out of control. Filled with memorable reminiscences by a whole coterie of people who knew, worked with and (in some cases) loved Miles Davis, along with some very smart choices of clips, stills and snippets of music make Miles Davis: Birth of the Cool a really outstanding documentary. Technical merits are solid, and Miles Davis: Birth of the Cool comes Highly recommended.
(Still not reliable for this title)

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