7.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Jack Walsh is a tough ex-cop turned bounty hunter. Jonathan "The Duke" Mardukas is a sensitive accountant who embezzled $15 million from the Mob, gave it to charity and then jumped bail. Jack's in for a cool $100,000 if he can deliver The Duke from New York to L.A. on time. The FBI is after The Duke to testify, the Mob is after him for revenge, and Walsh is after him to just shut up.
Starring: Robert De Niro, Charles Grodin, Yaphet Kotto, John Ashton, Dennis FarinaCrime | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
German: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
German, English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.5 |
Martin Brest's "Midnight Run" (1988) arrives on Blu-ray courtesy of German label Koch Media. The supplemental features on the disc include an archival promo piece and promotional materials as well as new interviews with Charles Grodin, Joe Pantoliano, John Ashton, George Gallo, and Yaphet Kotto. In English, with optional English and German subtitles for the main feature. Region-B "locked".
"Is this moron number one? Put moron number two on the phone."
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Martin Brest's Midnight Run arrives on Blu-ray courtesy of German label Koch Media.
The release is clearly sourced from an older master, almost certainly the same master which British distributors Second Sight Films accessed when they prepared their Blu-ray release in 2015. However, the very obvious traces of filtering corrections that are present on their release are missing here. As a result, many close-ups and wider panoramic shots are better defined, and depth is certainly more pleasing. The biggest difference, however, is that the very distracting smearing that pops up on the previous release is missing. This being said, the limitations of the current master remain obvious. Grain is now visible, but it is not as well distributed and resolved as it should be. Noise is also visible and destabilizing detail (see screencapture #20). Light traces of built-in sharpening are also visible, though I should make it clear that the severe edge-enhancement that is present on so many catalog titles that have come out through Universal Studios is not present here. Generally speaking, colors remain stable, but there should be a better and bigger range of healthy nuances. Overall image stability is very good. There are no large debris, damage marks, or cuts, but a few tiny flecks can be spotted here and there. Ultimately, ideally Midnight Run should have a much better balanced organic appearance, but for this to happen the film obviously needs to be rescanned. On the other hand, despite the various limitations on display, this presentation does have some pleasing organic qualities that have been wiped out from the previous release. Currently, it is the best presentation of the film on the market. My score is 3.25/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There are three standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 5.1, English DTS-HD Master Audio 2.0, and German DTS-HD Master Audio 2.0. Optional English and German subtitles are provided for the main feature.
I viewed the film with the DTS-HD Master Audio 2.0 track. Its basic characteristics are identical to that of the LPCM 2.0 track from the British release. It is obvious that it has not been fully remastered and it times depth seems a bit inconsistent. The dialog is still quite easy to follow. There are no audio dropouts or digital distortions to report in our review.
Currently, this recent German release of Martin Brest's Midnight Run has the best technical presentation of the film. It appears to have been sourced from the same dated master that Second Sight Films accessed when they prepared their release last year, but it does not have the various obvious traces of filtering corrections that are present on the British release. As a result, the film has a more pleasing appearance. Additionally, all of the new supplemental features from the previous release are included. I am going to recommend Koch Media's release, but you should keep in mind that Midnight Run can and should have a much more convincing organic appearance. For this to happen, however, it needs to be remastered. RECOMMENDED.
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