6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Set in a little restaurant in an inconspicuous lane of Shanghai, which opens at midnight everyday. The owner is a man of about fifty, makes a set of special food for each guest who visits the restaurant, and listens everyone's story.
Starring: Tony Leung Ka Fai, Yo Yang, Tao Liu (I), Yibai Zhang, Elaine Jin| Foreign | 100% |
| Drama | 7% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Mandarin: DTS-HD Master Audio 5.1
Mandarin: Dolby Digital 2.0
English, Mandarin (Simplified), Mandarin (Traditional)
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
Some audience members watching Midnight Diner might understandably come away from their viewing experience thinking something along the lines of "this seems like the setup for a television series", and in fact they'd be right, and more than once, if that's a possibility in terms of correctness. Midnight Diner has been a sensation in the manga world as Shin'ya Shokudō for well over a decade, and the manga in turn has given birth to (different) television series in Japan, Korea and China. The reason Midnight Diner seems tailor made for television is that its conceit offers a kind of quasi-portmanteau structure that might be compared at least in some ways to shows like The Love Boat or perhaps especially Fantasy Island where various "guest stars" arrive at a recurring locale and then their personal stories play out there. In this case, customers wander into the titular food emporium, and under the watchful eye of the chef, known only as Chef, Master or occasionally Uncle (Tony Ka Fai Leung), various vignettes involving those customers then take center stage.


Midnight Diner is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. I haven't been able to track down any authoritative information on the shoot, and despite a plethora of logos during the closing credits, I didn't spot anything listing any cameras, though this is obviously digitally captured and I'm assuming had a 2K DI. The presentation here is completely competent and generally well detailed, but it's never mind blowing, perhaps due at least in part to the kind of hardscrabble environment of the diner itself, which doesn't exactly look like a Michelin Star eatery. That said, fine detail levels are often quite impressive on things like fabrics, or even the scar the chef has (which is fitfully explained in a brief flashback). The palette is generally natural looking, though there are occasional moments where things are either lit or graded toward blues or yellows, and there are some iffy CGI moments including a flashback to a snowy day. Leung and cinematographer Chor Keung Chan exploit a number of stylistic quirks, including use of fisheye lenses and the like, but detail levels remain surprisingly consistent throughout despite these artifices.

Midnight Diner features a DTS-HD Master Audio 5.1 track in the original Mandarin. There's really not a ton to the sound design of this film, which alternates between some voiceover by the chef and actual dialogue in either the restaurant scenes or the vignettes that develop from them. As such, the film is pretty resolutely talky, and the real immersive capabilities are only exploited in passing, as in some of the visceral boxing scenes involving the first group of characters dropping by the restaurant. All spoken material is delivered cleanly and clearly, with no problems whatsoever. Optional English and Chinese (as they're listed in the Setup Menu) subtitles are available.


Midnight Diner has been a staple of the Asian diet (sorry) for years in a number of different forms (and nations, actually), and my hunch is this feature film will probably resonate best with those who have a history with the franchise in one way or the other. Midnight Diner may also appeal to those wanting to check out Tony Ka Fai Leung's directorial acumen, as well as for a chance to see the star in what might be termed a "kinder, gentler" characterization. This is reasonably engaging and occasionally kind of heartwarming and/or slyly humorous, but it never really rises much above what some may call "typical television" levels. The cast is quite good, though they're often saddled with some pretty melodramatic and/or silly material. Technical merits are generally solid for those who are considering making a purchase.