6.6 | / 10 |
Users | 4.0 | |
Reviewer | 2.0 | |
Overall | 2.2 |
A martial arts rock band goes up against a band of motorcycle ninjas who have tightened their grip on Florida's narcotics trade.
Starring: Vincent Hirsch, Joseph Diamand, Maurice Smith (XIV), Y.K. KimMartial arts | 100% |
Music | 25% |
Crime | Insignificant |
Action | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Digital 2.0 (192 kbps)
Package listing DTS-HD MA 2.0 is incorrect
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Digital copy (as download)
Region A (locked)
Movie | 1.0 | |
Video | 2.0 | |
Audio | 2.0 | |
Extras | 3.5 | |
Overall | 2.0 |
Miami Connection is a curious case where the story of the film is far more interesting than the story in the film. Of course, that implies the film has a story. The people who made Miami Connection worked from an outline, not a script. The performers improvised their dialogue, and not one of them had any prior experience. The acting isn't amateurish so much as non-existent. The "plot", if you can call it that, doesn't bother with exposition or logic; it just hops from one set piece to another with minimal set-up and occasional stabs at attitude. After every distributor in the country had passed on the finished product, one industry insider took pity on producer and star Y.K. Kim and suggested that he reshoot the ending. Only then did Kim and his co-star (and now associate producer) Joseph Diamond decide that maybe they should read a few books about screenwriting. Y.K. Kim was a successful Tae Kwon Do instructor and motivational speaker who had emigrated from Korea as a teenager and Horatio Alger-ed his way to success. Korean film director Woo-Sang Park a/k/a "Richard Park" saw Kim interviewed on Korean TV and thought he could turn him into an action star. Park somehow persuaded Kim to bankroll Miami Connection from a story outline they hatched together. Apparently for one of the few times in his life, Kim made a bad business decision. The film was shot in Orlando, Florida, where Kim had settled. Kim filled out the cast and much of the crew with friends and martial arts students, none of whom had any prior experience in motion pictures. When the results were cut together, potential distributors didn't just reject it; they told Kim to throw it in the garbage. Eventually, with a reshot ending, Miami Connection played for two weeks in a handful of Orlando theaters—and disappeared. Two decades later, enter Zack Carlson, a programmer at the Alamo Drafthouse Cinema in Austin, Texas. On a whim, Carlson bought a print of Miami Connection from an eBay seller for $50 and fell in love. The result was a two-year odyssey to reunite the original participants, restore the film, arrange a theatrical release (through the Drafthouse Films label) and, ultimately, create this feature-laden Blu-ray. Hard though it is to imagine, a sequel is currently being considered. Then again, anything is possible for fans and creators so convinced of the greatness of their long-ignored masterpiece that they actually released a "for your consideration" Oscar promo trailer touting Maurice Smith for best supporting actor on the strength of a crying scene of which (as Oscar Wilde said of a passage in Dickens) one must have a heart of stone to get through it without laughing.
For Your Consideration
A brief disclaimer appears before the Blu-ray's menu loads:
Miami Connection was almost lost when a hurricane destroyed the film's original negative in 2004. Our transfer was assembled from the best existing materials and scanned at 2K resolution. Due to the nature of the available elements, some imperfections and inconsistencies may occur.The "we" behind "[o]ur transfer" is nowhere identified, but presumably it refers to Drafthouse Films, because no one else was investing any money in Miami Connection before Drafthouse acquired it. (The hurricane in question must be Hurricane Charley, which caused extensive damage to Orlando in August 2004.) Sure enough, the source materials for Miami Connection are of inconsistent quality, with portions in relatively good shape and others showing considerable wear and tear in the form of scratches, blotches, dirt and dust. Clarity and detail are only fair, although I suspect they were never particularly good, especially in night scenes where lighting would have been less than ideal. The cinematographer was Maximo Munzi, who has continued to work in TV and independent film, but this was only his second feature, and he was working with a director who could barely speak English and a cast and crew of non-professionals. It's a minor miracle he got anything at all on film. I have never seen a screening of the restored Miami Connection, but I'm willing to bet that the image on Drafthouse/Image's 1080p, AVC-encoded Blu-ray is as strong as the source will allow. Blacks are weak, detail is inconsistent and colors are washed out. The film's low-budget origins, plus the lack of an OCN, are evident in the graininess of the image, but the grain is accentuated by an overlay of video noise that is most noticeable in fine detail in the background of long shots; instead of the "alive" and shifting patterns of film emulsion, we get the rapidly vibrating particles of agitated pixels. Fortunately, Drafthouse's technical crew made the correct decision not to strip away the noise at the expense of removing detail. Unfortunately, the detail that remains is in service of a movie that I can't be convinced is good, no matter how many times its creators tell me otherwise.
Although the Blu-ray jacket indicates a sound format of DTS-HD MA 2.0, the only soundtrack on the disc is Dolby Digital 2.0 at the standard DVD format of 192 kbps. The original audio format was "Ultra Stereo", which was the generic form of Dolby Surround. Although no disclaimer appears regarding audio elements, scratchiness at the very beginning announces that they are in rough shape, but perhaps that was always the case. Voices have a thin, compressed quality that I suspect would not improve with lossless encoding. (Neither would the tin-eared dialogue.) The sound effects have the artificial quality of a badly dubbed Hong Kong film, and the synth-heavy score has a muddy, blurred quality that, again, is most likely not a result of the encoding format. Despite repeated assertions in the commentary and other extras that the songs by Dragon Sound are "classics" and "catchy", I found them generic and instantly forgettable—and that's coming from someone who was there in the Eighties and loves the music. Even the cheesiest pop tunes have to be well-crafted. Dragon Sound's are not.
Cult classics are made by the audience, not the filmmakers, and certainly not by critics and reviewers. According to Zack Carlson, Miami Connection was lifted from obscurity by the audience at a Drafthouse event known as a "Reel One" party, where a non-paying audience watches the first twenty minutes of four or five films and their reaction dictates whether the theater adds the film to its future schedule. According to Carlson, the "Reel One" audience went "bananas" for Miami Connection, and subsequent bookings at the Alamo Drafthouse in Austin sold out on word of mouth. The magic seems to have carried over to the limited theatrical release in November of this year. At Rotten Tomatoes, the movie currently has a score of 80% fresh (with 10 reviews) and an audience rating of 79% (with 149 user ratings). Maybe it's your thing. If so, the Blu-ray is a decent presentation with an informative crop of extras. Don't say you weren't warned.
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