7.7 | / 10 |
Users | 5.0 | |
Reviewer | 4.0 | |
Overall | 4.4 |
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
Starring: Dane DeHaan, James Hetfield, Lars Ulrich, Kirk Hammett, Robert TrujilloMusic | 100% |
Action | 59% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
None
50GB Blu-ray Disc
Two-disc set (2 BDs)
Digital copy (as download)
Blu-ray 3D
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.0 |
What begins as a live concert film starring a roadie named Trip (actor Dane DeHaan, The Place Beyond the Pines, The Amazing Spider-Man 2) tasked with delivering a can of gas across town soon becomes a surreal, hallucinatory journey across a hellish cityscape ripped straight off a thrash metal album cover. Burning buildings. Fleeing crowds. Faceless riot police. A throng of homicidal, Mad Maxian anarchists. Blood. Gasoline. Mayhem. Ultra-violence. Hangings. A gas-masked horseman hellbent on Trip's destruction. And that's just the beginning. As the concert draws closer and closer to a fever pitch, with frontman James Hetfield, guitarist Kirk Hammett, bassist Robert Trujillo and drummer Lars Ulrich turning in a performance any band would kill for, Trip's fight for survival begins to fray and unravel, growing more bizarre the farther he pushes into the chaos. By film's end, Metallica stands triumphant and Through the Never proves its metal's mettle, even as director/co-writer Nimród Antal's (Armored, Predators) story sequences are revealed to be as arbitrary and abbreviated as they are visually arresting.
"I do what they tell me. I go where they send me."
Through the Never's 1080p/MVC-encoded presentation and 3D experience impress, both on the stage and off. Beams of light, sparks, flashing video monitors, lasers and belching flames are vivid and white-hot, while vibrant swaths of blue, green and purple douse the band and crowd. Skintones are nicely saturated, black levels are satisfying, and delineation is quite good. Detail also delivers, although not with the consistent crispness or clarity you might expect. Softness, artifacting, noise and other minor, infrequent eyesores creep into the concert, as do other anomalies tied to a few low-res, steadicam shots; all attributable to the various cameras and source photography, sure, but a bit distracting all the same. The only real downside, though, is that each distraction is exacerbated by the 3D presentation, as any unsightly nuisances are that much more in-your-face than they are in 2D.
Even so, the 3D experience is a proficient one. Filmed in native 3D, stage shots are striking, with notable depth and pop (particularly when the stage is bathed in light), while scenes that take place throughout the city exhibit excellent dimensionality. Aliasing and crosstalk are rarely a problem either, and the 3D encode fares as well as its 2D counterpart. Trip's journey still steals the show, though, with more cinematic 3D than the slightly gimmicky 3D of the concert stage. Darker and grittier than Metallica's live show, Antal's war-torn cityocalpse looks great, with deeper, richer hues, an earthier palette, more refined edge definition, more exacting fine textures and more remarkable 3D prowess. Clearly the cameras employed are of a higher quality. Fewer issues plague the story sequences as well, and close-ups are more revealing. Surprisingly, it doesn't result in an erratic image, and the stage show dovetails neatly into the segments starring Trip. All told, there's little here to complain about, and even less to worry over. Metallica fans will certainly get their money's worth.
Through the Never's DTS-HD Master Audio 5.1 surround track is angry, aggressive and loud, just as it should be. The LFE channel latches onto Trujillo's bass runs and Ulrich's drum beats with thundering tenacity and low-end ferocity; the more the music surges, the more the crowd roars and the more hell erupts in the city streets. The rear speakers are full and rowdy, spreading the cries of Hetfield and Hammett's guitars, the screams of their fans and the noise of the arena across the entire soundfield, making for an immersive, ground-pounding, ear-piercing concert. (Did I mention Through the Never is loud?) Hetfield's throaty vocals are as clear and carefully prioritized as they could be, as are the brief, and I mean brief, bits of dialogue that grace the story segments. Even when the cameras follow Trip, it's Metallica's music that remains front and center at all times; the film bits never dominate the soundscape, despite the macabre madness and surreal post-apocalypsing that goes down. Non-thrash metallers may be left rubbing their temples and popping two Excedrin Migraine, but the louder and louder it gets, the more ecstatic and amped up Metallica junkies will become.
Those expecting more "film" from Metallica's experimental concert film will be disappointed to learn the ambitious, surreal side story starring actor Dane DeHaan is short and scattered. Those looking for a bit of music video flair and a few cinematic flourishes while watching the band do what the band does best, though, will be pleased to hear the story segments aren't the primary focus. Fortunately, whichever way you lean, the concert delivers and Metallica puts on one helluva show. As to the film's Blu-ray release, the disc's video presentation is strong, its 3D experience solid, its DTS-HD Master Audio 5.1 surround track shreds the heavens, and its supplemental package is quite extensive, adding more than three hours of content alongside the feature film (all in HD no less). All in all, if you have any love of Metallica, you'll love Through the Never and its Blu-ray release.
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