7.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
One hundred years ago, a demonic priest from Hell passed through a seaside town, carrying a blood-crazed contagion that reduced all the good citizens to mindless, cannibal zombies. Following a frenzied, flesh-eating orgy, the dark priest walked straight into the sea, promising to return a century later to lead a new zombie apocalypse. This time around, the vile contagion precedes him. As spaced-out followers gather on the beach, awaiting their master's return, the town is already in the grip of a carnivorous epidemic of madness. When innocent young Arletty comes to town searching for her missing father, she realizes too late that the demon priest of the "blood moon" is coming for her...
Starring: Michael Greer, Marianna Hill, Joy Bang, Anitra Ford, Royal DanoHorror | 100% |
Surreal | 8% |
Supernatural | 7% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 3.5 |
The late, great secret agent spoof Get Smart rather amazingly provided an outsized number of catch phrases that took hold and became a major part of the cultural zeitgeist of the mid- to late sixties (and well beyond), including such evergreens as "sorry about that" and "would you believe. . .?". A third recurring running gag was "missed it by that much", and in that regard, my dear, departed mother was a fan of typographical errors which she delighted in sending to me, and one especially memorable mistake she clipped and mailed was from a Salt Lake City Tribune television listing advertising an upcoming Utah Public Broadcasting documentary about a legendary pioneer tragedy which the paper had entitled "The Dinner Party". Oops. (Some of you may have seen the considerably more recent meme of an exit sign on a freeway pointing to the location of the Donner Party tragedy, where the littler signs indicating food and drink are underneath.) This is all to say that the wild and wacky film under discussion here actually kinda sorta references the Dinner, um, Donner Party late in its "Moishe the Explainer" sequence, and there is in fact one fairly unforgettable, um, buffet scene in the film, but any attempt to make "sense" out of much of the proceedings in Messiah of Evil is probably doomed to failure, since, as some of the supplements on this disc get into, the film is long on mood and "feeling", but rather short on narrative logic.
Messiah of Evil is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.35:1. Radiance's insert booklet contains the following information on the transfer:
The only surviving element of Messiah of Evil is a 35mm print in the collection of the Academy Film Archive. The Archive created the 4K scan at Roundabout Entertainment. The film was restored using Digital Vision's Phoenix Finish and color correction was carried out using DaVinci Resolve. Audio restoration was performed with Ozotope RX8.The Blu-ray era has probably spoiled fans with its emphasis on transfers culled from either negatives or "close relatives" like interpositives, so a certain baseline of expectation probably needs to be appropriately adjusted for this presentation, which, considering the source, is really rather nice looking, at least contextually. There are some color timing issues that I found a little distracting at times, including what I'd call a slight emphasis on magenta on occasion, and more of an orangish tone at other moments. There are also noticeable variations in clarity and grain structure, sometimes from edit to edit within the same general scene. All of this said, the bulk of this transfer is rather appealing, with some especially impressive blacks (a lot of the film takes place at night), and some very evocative blue grading which can be seen in some of the screenshots I've uploaded to accompany this review. Detail levels can ebb and flow along with clarity and thickness of grain, but several close-ups in particular offer some squirm inducing fine detail in some of the more gruesome moments.
Messiah of Evil features an LPCM 2.0 Mono track which capably delivers dialogue (including Arletty's voiceover) and some nice ambient environmental effects, courtesy of both scenes set at the ocean, but also some interstitials snippets featuring crashing waves (moments that kind of subliminally recall some of the Corman Poe efforts). Phillan Bishop's score also sounds fine. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
While there are any number of questions left lingering in the film (like, what's up with the bleeding eye stuff?), kind of hilariously the most salient question that occurred to me was how the production staff got permission to film at recognizable brand names like Mobil gas stations and (this is the funniest part for those of us on the west coast) a Ralph's supermarket? Of course I joke, but as mentioned above even for those who find Messiah of Evil more baffling than terrifying should still be interested by some of its "meta" aspects. With an understanding of the element utilized for this transfer, technical merits are generally solid, and the supplements are extremely well done. Recommended.
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