5.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Inspired by actual events, director Michael K. Goi's harrowing cautionary drama tells the story of two typical teenage girls who vanished without a trace after being accosted by an internet predator. 14 year old Megan Stewart and 13 year old Amy Herman were best friends. Like most typical adolescents, they enjoyed chatting on the internet, and partying with their friends. Then on January 14, 2007, the unthinkable happened. Megan simply disappeared into thin air. Her friends and family searched frantically, but to no avail. Three weeks later, Amy, too, went missing. To this day, neither of the girls has ever been found. The feature offers a disturbing glimpse into the events as they may have unfolded in the days leading up to Megan and Amy's disappearances.
Starring: April Stewart (I), Kara Wang, Rudy Galvan, Tammy Klein, Lauren Leah MitchellHorror | 100% |
Thriller | 14% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0 (192 kbps)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 3.0 |
It should be noted from the start that as much as I did not appreciate Megan Is Missing as its filmmakers intended, the movie has
at least one fierce advocate: Mark Klaas, founder of the KlaasKids Foundation and father of Polly Klaas, a 12-year-old girl from California who was
abducted, assaulted and murdered in 1993. He says, "Megan is Missing is a powerful, important film that deserves both attention and
discussion. It should serve as a wake-up call for parents everywhere." So, with that in mind...
When does a horror movie go too far? When does decency give way to bad taste? And where is the line that stops a filmmaker from pushing an
audience beyond fiction, past the point of no return? These are the questions Michael Goi's Megan Is Missing will leave viewers asking, but for
all the wrong reasons. Not because he offers a thoughtful plot by which to explore such ideas. Not because his approach to his chosen subject matter
is so necessary and meaningful as a cautionary tale that he needs to go as far as he does. And not because Megan Is Missing is a film
designed to protect teenagers from falling prey to a predator. I don't think it is. Goi wants it to be. But there's a line, and it's a fine one. Instead of
functional, groundbreaking found-footage horror, this plays instead like thoughtless exploitation of very real, very deviant criminal behavior for the
sake of boundary-obliterating genre moviemaking. Is an exploitative tone worth the message behind it all? That's the real question.
Megan Is Missing remains true to its found-footage trappings, meaning the film's 1080p/AVC-encoded video transfer looks pretty rough at times... as it's meant to. Clearly high definition but clearly mimicking amateur photography, which always makes for a tricky critical experience. Are we grading the subjective quality of the imagery? Or the objective quality of the encode? And how does one evaluate a technical presentation that is intentionally littered with the issues that would typically result in a low score? Banding, blocking, unsightly noise, fluctuating grain, inconsistencies in color and contrast: it's all present and accounted for. As far as I can tell, there isn't anything out of sorts, and even if there were, it would simply contribute to the overall intended effect of the cinematography. Add to that a complete lack of Steadicam (other than when cameras like webcams are mounted) and you have visuals designed, from the ground up, to put viewers through the ringer. (Particularly in the final twenty minutes.) With all that in mind, Megan Is Missing's Blu-ray release can't really be faulted for its image quality. This is the movie as it was meant to be seen.
I suppose the same argument could be made for Megan Is Missing's lossy 192kbps Dolby Digital 2.0 stereo track. It's true to its source elements and enhances the illusion of a film comprised of found footage. But the lack of lossless audio is an odd decision, and feels more like a shoulder shrug of an oversight than a compelling aspect of the production. Dialogue is decently prioritized at least, clarity only dips when situations on screen dictate muffled or distorted audio, effects are fairly clear, and nothing seems especially out of sorts.
Is it worth it? Your mileage will vary. For someone like Mark Klaas, I'm sure Megan Is Missing is the sort of thing he wishes his family had seen prior to his daughter's kidnapping. (Although would he, prior to such a tragedy, have allowed his daughter to watch? I highly doubt it.) As a horror fan, and someone who understands the danger lurking in the real world, I'm not sure what I watched involved lines I needed to "see" being crossed, no matter what point was meant to be driven home. The Blu-ray is a bit all over the place too. The video presentation really leans into the found footage aesthetic, the audio options are limited to a lossy stereo track, and the supplements, while numerous, don't amount to much (at least beyond the two audio commentaries, where the most value can be found). It's available at a bargain price. It's truly frightening and disturbing. If convincing torture, rape and murder is high on your horror list, well, you found an effective one in Megan Is Missing.
מי מפחד מהזאב הרע / Mi mefakhed mehaze'ev hara
2013
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Uncut
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Director's Cut
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