6.8 | / 10 |
Users | 4.5 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A police lieutenant resigns from the force to hunt dope dealers involved in killing police officers.
Starring: John Wayne, Eddie Albert, Diana Muldaur, Colleen Dewhurst, Clu GulagerCrime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
French: Dolby Digital 2.0 Mono
Spanish: Dolby Digital 2.0 Mono
Japanese: Dolby Digital 2.0 Mono
Spanish=Latin & Castillian; Japanese is hidden
English SDH, French, Italian SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
After John Wayne turned down the role of Inspector Harry Callahan, which he later admitted was
a mistake, he starred in McQ, his first major role as a cop. With an original script by Lawrence
Roman (A Kiss Before Dying),
McQ reflects the influence of Dirty Harry
in pitting Wayne's
maverick detective against the system (and just about everyone else), but it also confirms what a
different film Harry would have been with Wayne in the part. At age 66, Wayne could no longer
be convincing as an angry rebel. Wayne's seen-it-all McQ shares Harry Callahan's cynicism, but
McQ has passed the point of outrage. Unlike Harry, he already knows that "the system is crazy",
and he doesn't waste time or energy battling it. It takes Callahan the entire running time of Dirty
Harry to throw away his badge in disgust, but McQ tosses his at the outset, freeing himself to do
what he thinks is right.
Although both Wayne and director John Sturges (The
Magnificent Seven) were famous for
Westerns, their only film together was this modern police procedural, shot on location in Seattle
and heavily influenced by the kinetic style of Bullitt and The French Connection. But despite
heavy gun fire, elaborate car chases and a memorable encounter with a pair of menacing tractor
trailers, McQ plays less like an action movie and more like a Seventies version of film noir.
Wayne's gravitas provides the film with the equivalent of a hard-boiled narration, conveying the
world-weariness of a man who long ago lost his illusions and is no longer surprised at just how
low people can sink.
McQ was shot by Harry Stradling, Jr., who was previously nominated for Oscars for the
widescreen photography of 1776 and The Way We Were. (He would later reteam with Wayne for
Rooster Cogburn.) For this 1080p, AVC-encoded
Blu-ray, Warner has newly scanned an interpositive at 2K, and the result effectively captures Sturges' expressive widescreen framing
and his creative use of Seattle locations. As is typical of Seventies productions shot with
anamorphic lenses, the image has a soft texture, but detail is plentiful and the film's grain pattern
has been finely resolved. The film's palette isn't eye-popping, but it has its share of bright colors;
McQ's shirts, for example, seem to have been chosen to counterbalance his dour personality.
Nightime blacks are deep and solid without crushing detail. Overall, McQ is a fine
demonstration of how well a Seventies film can be represented by a fresh scan with the latest
technology.
Following the practice of the Warner Archive Collection, Warner has mastered McQ on a BD-50
with a high average bitrate of 35.00 Mbps.
McQ's original mono track has been encoded in lossless DTS-HD MA 2.0, and it's fairly robust in both fidelity and dynamic range. The gunfire is authoritative (most noticeably from McQ's MAC-10 submachine gun), as are screeching tires and the impact of crashing vehicles. The dialogue is clear (though some is obviously post-dubbed). The brassy score by the prolific Elmer Bernstein (Cahill U.S. Marshal) sounds very much of its time.
Warner previously released McQ in 2005 on a DVD that was reissued several times. The extras
have been ported over from the DVD, except for the additional Wayne trailers. As per its now-standard procedure, however, Warner has remastered
McQ's trailer in 1080p.
McQ may not be top-tier Wayne, but in both form and content, it's very much a product of its
time and has become progressively more interesting as a period piece. In an era where much of
the best filmmaking went against the studio grain, it's a studio picture with a traditional star that
can't help but reflect the contemporary malaise. Warner's presentation is first-rate and highly
recommended.
1990
2012
Import
1978
2018
2018
2010
1975
2K Remaster
1974
Reissue
1977
2018
1972
2019
1988
1986
2019
2020
2014
Limited Edition to 3000
1973
1974
1975