Massacre 4K Blu-ray Movie

Home

Massacre 4K Blu-ray Movie United States

Slipcover in Original Pressing / 4K Ultra HD + Blu-ray
Vinegar Syndrome | 1989 | 93 min | Not rated | Apr 28, 2026

Massacre 4K (Blu-ray Movie)

Price

List price: $54.98
Third party: $35.72 (Save 35%)
Listed on Amazon marketplace
Buy Massacre 4K on Blu-ray Movie

Movie rating

6.5
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.5 of 54.5
Overall4.5 of 54.5

Overview

Massacre 4K (1989)

A red gloved killer sporting gaudy Miami Vice style mirrored shades, brutally assaults a prostitute with a blade. The killings continue and it all has something to do with the film crew that's in town making a horror movie.

Starring: Pier Maria Cecchini, Robert Egon, Lubka Lenzi, Paul Muller, Maurice Poli
Director: Andrea Bianchi

HorrorUncertain
ForeignUncertain
ThrillerUncertain

Specifications

  • Video

    Video codec: HEVC / H.265
    Video resolution: 4K (2160p)
    Aspect ratio: 1.33:1
    Original aspect ratio: 1.37:1

  • Audio

    Italian: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)

  • Subtitles

    English

  • Discs

    Blu-ray Disc
    Two-disc set (2 BDs)
    4K Ultra HD

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie2.0 of 52.0
Video4.5 of 54.5
Audio4.0 of 54.0
Extras4.5 of 54.5
Overall4.5 of 54.5

Massacre 4K Blu-ray Movie Review

Reviewed by Brian Orndorf May 7, 2026

Making a movie is hard enough, but 1989’s “Massacre” combines the stress of film production with a serial killer story, looking to blur the line between fantasy and reality. At least, that’s the idea of the feature. Writer/director Andrea Bianchi doesn’t have the resources to really go wild with the endeavor, struggling with the basics in mystery and murder in the offering, which isn’t big on frights or suspense. “Massacre” is mostly a jumble of scenes, with Bianchi attempting to create red herrings and indulge a little sexploitation, but he’s mostly caught up in dullness as a multitude of characters compete for screentime. And there’s the issue of the mysterious killer, which doesn’t give the effort enough of an intimidation factor, keeping the picture quite mild and meandering.


Jennifer (Patrizia Falcone) is the star of “Dirty Blood,” a new film in production, with director Frank (Maurice Poli) aiming to create something shocking with his tale of occult events. Frustrated with the footage, Frank changes the story, seeking help from Madame Yurich (Anna Maria Placido), a medium with access to the other side, helping to inspire new horrors for the helmer. While the crew deals with this change in direction, a serial killer emerges from the shadows, putting Jennifer’s lover, Inspector Walter (Gino Concari), on the case, hunting for clues as bodies begin to pile up. The murderer soon turns his attention to the cast and crew of “Dirty Blood,” interrupting their secret trysts and antagonisms, putting Jennifer into a panic as she fears she’ll become the next victim.

The killer’s identity is obviously guarded until the climax, but “Massacre” provides an early look at butchery in the opening sequence, where the madman takes an ax to a local prostitute, creating a mess for the police to find. Walter is on the case, but Bianchi is also interested in the happenings on the “Dirty Blood” set, where Frank is overseeing a seemingly terrible tale of horror with help from his dysfunctional cast and crew. Properly identifying most of these characters proves to be a major challenge for Bianchi, but he makes Jennifer’s participation in the film quite clear, keeping the actress on edge as she deals with Walter, who’s distracted by the investigation.

There are a lot of faces to keep track of in “Massacre,” and the writing tends to follow a few subplots in an effort to expand the list of victims. Sex games are common, with secret affairs in motion, and Bianchi loads up on nudity, taking time to watch one character offer a striptease for her object of desire. More supernatural events arrive with Madame Yurich, who’s prepared to summon a demon to help Frank energize his ridiculous picture, but she opens a door she can’t close, creating additional trouble for the characters and some confusion for viewers. However, the basics in stalk-n-kill action are present, as the mystery murderer takes more lives, and Bianchi displays as much bodily harm as he can afford, often loading up on screaming actresses to secure a necessary fear factor.


Massacre 4K Blu-ray Movie, Video Quality  4.5 of 5

Screencaps are taken from the Blu-ray.

The image presentation (1.33:1 aspect ratio) for "Massacre" is listed as "presented in Dolby Vision and newly scanned and restored from its 16mm original camera negative." While the feature is a low-budget endeavor, the UHD viewing experience remains quite colorful, with rich hues on period fashion and costuming. Greenery is distinct, and skin tones are natural. Blood red retains its slightly Crayola appearance, and well-lit interiors examine decorative additions and paint choices. Detail reaches as far as possible, exploring ample skin particulars on the cast, picking up on fine hairs and surgical scars. Clothing remains fibrous. Makeup effects are limited but textured. Exteriors maintain excellent depth, and interiors are dimensional, securing a look at group activity. Blacks are deep throughout, preserving evening interactions and shadow play. Highlights are tasteful. Grain is nicely resolved. Source is in decent condition, with light scratches on occasion, and some damaged frames. An inherent issue with debris is also present, finding hairs a common sight.


Massacre 4K Blu-ray Movie, Audio Quality  4.0 of 5

The 2.0 DTS-HD MA mix provides a straightforward understanding of dialogue exchanges, with dubbed performances remaining intelligible throughout. Excitable behavior and screaming fits are also reasonably balanced. Scoring supports with a decent synth sound. Sound effects are blunt but appreciable.


Massacre 4K Blu-ray Movie, Special Features and Extras  4.5 of 5

  • Commentary features film historians Eugenio Ercolani and Troy Howarth.
  • "The Remains of the Genre" (11:00, HD) is an interview with assistant director Michele De Angelis, who returns to the rise of commercial television in Rome, which took a major bite out of movie theater revenue, inspiring a state-funding system for film production. Lucio Fulci eventually participated in a certain monetary situation, launching a "Presents" line, and De Angelis eventually worked his way into a meeting with the filmmaker, creating a connection. Production experiences on "Massacre" are shared, with the interviewee offering candid memories of the gig and production participants.
  • "The Sleepless Composer" (18:13, HD) is an interview with composer Luigi Ceccarelli, who began his career in bands, eventually accepting a chance to work on a movie with director Claudio Fragasso, which resulted in positive reviews. Other professional opportunities soon followed, and Ceccarelli examines his influences and musical appetites, trying to find his own way through the business. Some talk of "Massacre" is presented, with the interviewee careful when discussing the quality of the film. Technical achievements and professional challenges are highlighted as well.
  • "Dr. White, or How I Learned to Stop Worrying and Love 'Massacre'" (21:49, HD) is an interview with actor Pier Maria Cecchini, who shares his initial impression of the shoot, asked share a scene with an adult film star who spoke gibberish, inspired the thespian to do away with English and make up his own language. Cecchini also encountered an evolving script, giving him little time to consider the changes being made to his character. Hoping to forget about the "Massacre" experience, the interviewee was eventually confronted by an early DVD release, returning the picture to his memory, learning to live with the acting credit. While he's not sharp with BTS details, Cecchini delivers a few amusing anecdotes and a provides some advice for young professionals.
  • "Family Run Horror" (19:09, HD) is an interview with soundman Davide Magara, who followed his father into the business, eventually setting off on his own after the death of his parent. Talk turns to "Massacre," with the interviewee sharing his memories of the cast and crew, dealing with a lot of creative forces on the set. He also notes the difference between the violent material and the warmth of collaborators, making for a friendly, but financially unstable shoot.
  • "When Lucio Sold Off His Name" (26:56, HD) is an appreciation piece from film historian Eugenio Ercolani.
  • A Trailer has not been included on this release.


Massacre 4K Blu-ray Movie, Overall Score and Recommendation  4.5 of 5

There really isn't much to "Massacre," which doesn't offer enough focus on terror to really create a more involving study of survival. And the film production side of the picture is limited by Bianchi's focus issues, often pulling the endeavor into strange tangents with a cross-dressing member of the crew, who Frank elevates to the star of the show. "Massacre" certainly has its inscrutable moments and B-movie interests, but its lack of intensity is its true downfall, ending up a tale of unimaginable horror that mostly triggers yawns.


Other editions

Massacre: Other Editions