6.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
A red gloved killer sporting gaudy Miami Vice style mirrored shades, brutally assaults a prostitute with a blade. The killings continue and it all has something to do with the film crew that's in town making a horror movie.
Starring: Pier Maria Cecchini, Robert Egon, Lubka Lenzi, Paul Muller, Maurice Poli| Horror | 100% |
| Foreign | 34% |
| Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
Italian: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.5 | |
| Overall | 4.5 |
Making a movie is hard enough, but 1989’s “Massacre” combines the stress of film production with a serial killer story, looking to blur the line between fantasy and reality. At least, that’s the idea of the feature. Writer/director Andrea Bianchi doesn’t have the resources to really go wild with the endeavor, struggling with the basics in mystery and murder in the offering, which isn’t big on frights or suspense. “Massacre” is mostly a jumble of scenes, with Bianchi attempting to create red herrings and indulge a little sexploitation, but he’s mostly caught up in dullness as a multitude of characters compete for screentime. And there’s the issue of the mysterious killer, which doesn’t give the effort enough of an intimidation factor, keeping the picture quite mild and meandering.


Screencaps are taken from the Blu-ray.
The image presentation (1.33:1 aspect ratio) for "Massacre" is listed as "presented in Dolby Vision and newly scanned and restored from its 16mm
original camera negative." While the feature is a low-budget endeavor, the UHD viewing experience remains quite colorful, with rich hues on period
fashion and costuming. Greenery is distinct, and skin tones are natural. Blood red retains its slightly Crayola appearance, and well-lit interiors examine
decorative additions and paint choices. Detail reaches as far as possible, exploring ample skin particulars on the cast, picking up on fine hairs and
surgical scars. Clothing remains fibrous. Makeup effects are limited but textured. Exteriors maintain excellent depth, and interiors are dimensional,
securing a look at group activity. Blacks are deep throughout, preserving evening interactions and shadow play. Highlights are tasteful. Grain is nicely
resolved. Source is in decent condition, with light scratches on occasion, and some damaged frames. An inherent issue with debris is also present,
finding hairs a common sight.

The 2.0 DTS-HD MA mix provides a straightforward understanding of dialogue exchanges, with dubbed performances remaining intelligible throughout. Excitable behavior and screaming fits are also reasonably balanced. Scoring supports with a decent synth sound. Sound effects are blunt but appreciable.


There really isn't much to "Massacre," which doesn't offer enough focus on terror to really create a more involving study of survival. And the film production side of the picture is limited by Bianchi's focus issues, often pulling the endeavor into strange tangents with a cross-dressing member of the crew, who Frank elevates to the star of the show. "Massacre" certainly has its inscrutable moments and B-movie interests, but its lack of intensity is its true downfall, ending up a tale of unimaginable horror that mostly triggers yawns.

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