6.6 | / 10 |
Users | 3.8 | |
Reviewer | 4.0 | |
Overall | 3.8 |
In this epic and romantic new version of the classic film, the creature (Robert De Niro) is driven to revenge when his master rejects him after giving him life.
Starring: Robert De Niro, Kenneth Branagh, Tom Hulce, Helena Bonham Carter, Aidan QuinnHorror | 100% |
Sci-Fi | Insignificant |
Drama | Insignificant |
Romance | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Considering what an indelible impact it has had for literally over two centuries now, Mary Shelley's Frankenstein; or, the Modern Prometheus wasn't especially well received when it first appeared in 1818, and in fact as one of the supplements included on this disc gets into, it really wasn't until there was a stage adaptation called Presumption; or, the Fate of Frankenstein by one Richard Binsley Peake which debuted in 1823 that public notice and/or acclaim started to dramatically accelerate. It understandably took more than century for the legendary Boris Karloff version of Frankenstein to reach movie houses in 1931, but as another supplement on this disc proves, as early as 1910 silent filmmakers, including the venerable Thomas Alva Edison himself (or at least the studio which bore his name), were adapting Shelley's iconic tale for the screen. There have been so many film and television adaptations by this point that it might have almost been passé in a way for screenwriter Frank Darabont and director Kenneth Branagh to consider yet another one. But despite a kind of ungainly monster of a film that resulted (one which Darabont in particular seems to loathe), there's a certain "authenticity" to this particular adaptation, at least in terms of hewing more faithfully to Mary Shelley's rather labyrinthine plot (which isn't only about "the man who made a monster"). That tether to source material is commendable, but the result here is often florid and affected, making it kind of hilariously "in tune" with Colin Clive's excited and exaggerated cries of "It's alive!" in the first Universal version.
Note: Screenshots are sourced from the 1080 Blu-ray. This release does not include a 1080 disc.
Mary Shelley's Frankenstein is presented on Blu-ray courtesy of Arrow Video with a 2160p transfer in 1.85:1. Arrow's insert
booklet contains the following verbiage on the transfer (and it should be noted that Arrow has provided the same booklet for both its 1080 and 2160
releases, which may account for the reference to HDR even in the 1080 booklet):
Mary Shelley's Frankenstein was restored in 4K by Sony Pictures Entertainment. 4K scanning by Prasad Corporation, Burbank from 35mm Original Picture Negative.Aside from the kind of curious prevalence of sentence fragments in the above, the information imparted may at least offer assurances that this was handled with the typically excellent curation by Sony of its catalog and that Kenneth Branagh was included. There are manifest and quite noticeable differences in this presentation and the one offered over a decade ago on the original Sony Blu-ray and a few perhaps more subtle ones between Arrow's 1080 and 2160 presentations. I'll simply refer those interested to my Mary Shelley's Frankenstein Blu-ray review of Arrow's 1080 release for my thoughts on the overall look and with regard to certain specific differences I noticed when comparing this new transfer to the now positively ancient one from Sony. Rather interestingly, while there's still the same general warmness in this 2160 presentation that I discuss in the 1080 review, there are some kind of interesting changes in the palette courtesy of HDR and/or Dolby Vision, and in fact the red-purple cape that Helena Bonham Carter wears in a garden scene and which I specifically mention in the 1080 review has a definite crimson undertone in the 2160 presentation that brings it arguably closer to the tone seen in the Sony release. The increased resolution definitely adds noticeable fine detail at times, as with the bristly fur on the unfortunate monkey hand that is made to "do tricks". As with the 1080 presentation, grain is noticeably grittier looking throughout this version as well, not just with regard to the Sony release but I'd say also with regard to Arrow's own 1080 release, That tendency can lead to one arguable deficit here, and that is somewhat chunky, yellowish grain that can accompany darker scenes in particular, and which can at least slightly mask otherwise excellent fine detail levels at times. The chunkiness of the grain field is especially noticeable throughout the opening arctic sequences, where a prevalence of dark and/or blue graded material makes it all the more noticeable and frankly kind of rough looking. Things improve materially once the story shifts to more secure lighting, though rather thick grain is still the order of the day and can easily be spotted against bright backgrounds in particular.
Digital Image Restoration by Prasad Corporation, India. HDR color grading by colorist Trent Johnson at Roundabout Entertainment in Santa Monica.
Audio conform at Sony Pictures Entertainment, sourced from the original 35mm stereo magnetic tracks, upmixed to 5.1 by Chace Audio, in 2009. Restoration supervised by Rita Belda for SPE, with color approval by director Kenneth Branagh.
Mary Shelley's Frankenstein features DTS-HD Master Audio 5.1 and LPCM 2.0 tracks, both of which offer solid support for the film's intermittently ambitious sound design. The surround track definitely opens things up for some of the big set pieces, like the film's opening storm sequence, one place where Marty felt the original Sony Blu-ray provided decent immersion (no pun intended). Marty's observation that surround activity ebbs and flows is certainly still very much in evidence here, but I found the surround track to be decently consistent and to offer increased spaciousness in any number of outdoor scenes in particular, and also with regard to underscoring. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
While Arrow continues with its standard operating procedure of offering only separate 1080 and 2160 releases, commendably both formats sport the same array of supplements:
- Stitching Frankenstein (HD; 14:53) features costume designer James Acheson.
- We'll Go No More A Roving (HD; 12:40) features composer Patrick Doyle.
- Making it All Up (HD; 14:22) features make up artist Daniel Parker.
- Trailer #1 (HD; 1:29)
- Trailer #2 (HD; 1:53)
I'm not quite the fan of Mary Shelley's Frankenstein that Marty is/was, but I certainly appreciate the efforts to deliver a more "literary" horror film, and there's absolutely no question in my mind that this release offers arguably improved video as well as inarguably better supplements than the original Sony release. While the film is a kind of hit and/or miss affair, this release offers secure technical merits and excellent supplementary material, always one of Arrow's most defining calling cards. With caveats duly noted, Recommended.
1994
1994
1994
1994
1939
1969
1933
1979
Collector's Edition
1964
1958
Collector's Edition
1967
1959
2012
Includes "Drácula"
1931
1941
1932
2015
Collector's Edition
2023
2015
Warner Archive Collection
1933
1956
1955
1953
Slipcover in Original Pressing
1977