6.9 | / 10 |
Users | 4.2 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss.
Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Pixie DaviesFamily | 100% |
Fantasy | 70% |
Comedy | 47% |
Musical | 40% |
Period | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital Plus 7.1
Spanish: Dolby Digital Plus 7.1
English SDH, French, Spanish, Korean
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Everything is possible, even the impossible.
Mary Poppins Returns has almost as much in common with Christopher Robin as it does its namesake, 1964's beloved classic Mary Poppins. Both Mary Poppins Returns and Christopher
Robin deal with the idea that it's never too late to regain that childhood enthusiasm for discovery, that vivid imagination, the carefree approach
to life. Neither film
espouses shunning responsibility, but they do advocate finding balance between work and play. Christopher Robin did it better, more
dramatically, more sincerely, while Mary Poppins Returns offers a more playful and musically inclined take on the idea. Poppins, here
portrayed by Emily Blunt who capably stands in Julie Andrews' shoes, opens a new world to the Banks family and the new generation of children she
nannies. The film works remarkably well 50+ years after the original, though obviously not quite that much time has passed in-film.
The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
Mary Poppins Returns' UHD release offers a modest upgrade over the 1080p Blu-ray. This is not a wholly revelatory image but rather a good
fundamental tweaking of the material to add color depth and contrast as well as modest gains in sharpness and clarity. The film was digitally
photographed, reportedly at a resolution of 3.4K. The resultant upscaled 4K image,
bolstered by HDR color enhancements, produces a mild increase in sharpness, offering slightly more clear and nuanced textures across the board,
whether considering London streets, attire, or faces. There's not a sudden or massive increase in raw detail, but the perceptible and predictable adds to
sharpness do help bring
out a little more textural finesse than the Blu-ray can offer.
Most of the image's areas of improvement can be traced to the enhanced HDR color
palette, which offers an expanded color gamut and a deepening of the film's colors, whether the bleary and gray/blue opening all the way to the film's
finale, where abundant color has taken over. The picture sees a gradual increase in color saturation as a stylistic visual aid to reinforce themes,
and by the time the picture reaches its end, the HDR colors explode with extreme vitality that is much more intense and agreeable than the Blu-ray,
where blue skies, green grasses, and colorful balloons offer greatly improved depth and contrast. The animated sequence is likewise a beneficiary
mid-film, where the pastels enjoy the greater color depth and improvements to finely tuned contrast. Even the bleaker blue and gray scenes and
locations enjoy added color depth, as do some of the warmer interiors, such as inside Wilkins' office at the bank. The UHD handles would-be
problematic areas, like a few scenes featuring dense fog, with nary a hiccup or sign of banding. Light noise remains but no other encode or source
flaws are apparent. This is not a significant upgrade over Blu-ray, but fans will appreciate the added sharpness and color boost the format provides;
this is certainly the definitive home video version of the film.
Mary Poppins Returns' Dolby Atmos soundtrack is not radically different from the counterpart Blu-ray's DTS-HD Master Audio 7.1 lossless soundtrack. It requires the now obligatory volume increase from calibrated reference listening levels. The track is proficient in all areas, though certainly not magnificent in any area. It's cheerful and carefree, offering plenty of surround usage in all of its key scenes and smaller moments alike, whether whimsical and magical adventures or when recreating city bustle and bank lobby din in chapter 11. The previous chapter yields one of the more prominent examples of overhead usage in the movie when Poppins and the children meet Topsy in her rotating room. The track never makes fully discrete use of the top end, but the added channels do create a fuller sense of spatial awareness and immersion in more involved scenes. Music is lively and clear with appropriately wide front end engagement and a healthy allotment of back channel support. The subwoofer chimes in to support a few canon shots used to signal time in the film. None of the blasts are prodigious, but they do offer enough of a low end push to satisfy the moment's sonic requirements. Dialogue is clear and well prioritized for the duration. It plays from a natural front-center position.
Mary Poppins Returns contains no extras on the UHD disc, but the bundled Blu-ray does offer a healthy allotment of extra content which is
reviewed below. A Movies Anywhere digital copy code is
included with purchase. This release ships with an embossed slipcover. Note that a commentary track with Director Rob Marshall and Producer John
DeLuca is available, but only with the digital version.
It's not an accident that the film's climactic finale involves manipulating time. That's the central idea here, both in terms of returning the children to childhood and the adults towards the whimsies and wonders of their youths. It's also about crafting a movie that is very much on point in its loving return to the simpler times when Mary Poppins dazzled audiences so many decades ago, finding an appropriate balance between respecting the original source and style and making this movie on its own terms. It's a very good return to a beloved world, and it is hands-down the best sequel ever made that's been 50-some years in the making. Disney's UHD offers modest improvements over the Blu-ray in terms of its video presentation, offering a slight increase in clarity and sharpness and a more pronounced improvement to color. The Atmos track isn't a massive upgrade from the Blu-ray's 7.1 presentation. Supplements aplenty are included, but the commentary track is digital only. Highly recommended.
50th Anniversary Edition
1964
2019
2014
2005
2018
Special Edition
1971
Dance Party Edition
2020
2017
2020
DVD Packaging
1977
35th Anniversary Collector's Edition
1983-1987
2008
2007
Ultimate Collector's Edition
2009
Nanny McPhee and the Big Bang
2010
Grinchmas Edition
2000
2019
2011
1971
2016