6 | / 10 |
Users | 2.5 | |
Reviewer | 4.0 | |
Overall | 3.4 |
As the free-spirited Mary flees the marriage her family has arranged for her, she finds refuge and purpose in a radical new movement led by the charismatic, rabble-rousing preacher Jesus. The sole woman among Jesus' band of disciples, Mary defies the prejudices of a patriarchal society as she undergoes a profound spiritual awakening and finds herself at the center of an earth-shaking historical moment.
Starring: Rooney Mara, Joaquin Phoenix, Chiwetel Ejiofor, Ariane Labed, Ryan CorrHistory | 100% |
Drama | 90% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.20:1
Original aspect ratio: 2.20:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
Director Garth Davis won accolades and reasonable box office for his last feature, “Lion,” which detailed a young man on a special emotional and spiritual journey. Now Davis tackles unfinished business with the Bible, examining a more famous story of self-inspection, giving the saga of Jesus a special spin with “Mary Magdalene,” which sets out to right the titular woman’s wronged reputation, isolating her origin story, giving her a modern appreciation in line with current filmmaking trends. Davis doesn’t do explosive, keeping this drama extremely mild, aiming more for poeticism and reflection than prolonged suffering, approaching familiar stories from the Bible with a more artful perspective. “Mary Magdalene” isn’t a fiery collection of characters and their struggles to define faith, with Davis keeping the effort crawling along, electing to make something visually appealing and insular than traditionally dramatic.
The AVC encoded image (2.20:1 aspect ratio) presentation surveys a largely colorless world for "Mary Magdalene," which retains its austere atmosphere of desert travel and period construction, leaving earthtones to dominate. Grays are preserved, along with moments of greenery, and skintones are natural. Detail is comfortable, with an appealing read of facial particulars, picking out the harshness of aging and the bushiness of beards. Landscapes are dimensional, providing a clear view of foot travel and location visits, securing distinct stonework. Blacks aren't always supportive, with delineation losing some frame information at times. Banding is periodically detected.
The 5.1 DTS-HD MA sound mix offers a very appealing sense of the score, detailed through precise string instrumentation and orchestral fullness, delivering musical purpose to the movie. Dialogue exchanges are sharp, working through various accents and performance speeds, including Phoenix's mumbly ways and Mara's hushed presence. Surrounds are active, offering evocative atmospherics as the story visits open air locations and echoed interiors. Community bustle is memorable as well, with distinct voices and some separation effects. Low-end isn't challenged, but a few aggressive encounters provide light rumbling.
"Mary Magdalene" eventually reaches Jerusalem and experiences the crucifixion of Jesus, but Davis isn't interested in making "The Passion of the Christ," keeping Mary's POV and her compassion for the sacrifice, bearing witness to the resurrection as well. Mara's performance remains primarily expressionistic, challenged to depict a psychological churn with subtle facial reactions, creating one of the finer performances of her career. She's matched well with Phoenix, who makes for a relatable Jesus, portraying him as a man carrying unimaginable spiritual weight, which causes him tremendous doubt, lessened some by time spent with Mary and her innate appeal. "Mary Magdalene" is somewhat cold to the touch, but there's power in character connections and visual poetry, with Davis trying to turn this project, which strives to clear up misconceptions about Mary (who was maliciously identified as a prostitute to diminish her role in the saga), into something beautiful, not necessarily exciting.
(Still not reliable for this title)
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