7.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A middle-aged butcher and a school teacher who have given up on the idea of love, meet at a dance and fall in love.
Starring: Ernest Borgnine, Betsy Blair, Esther Minciotti, Augusta Ciolli, Joe MantellRomance | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1, 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.0 |
Delbert Mann's "Marty" (1955) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the disc include an exclusive new audio commentary by journalists/authors Bryan Reesman and Max Evry as well as vintage trailer for the film. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Presented in aspect ratios of 1.85:1 and 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Marty arrives on Blu-ray courtesy of Kino Lorber.
Marty made its high-definition debut with this release in 2014, which was again produced by Kino Lorber. However, the original release offered a presentation of the film only in the 1.37:1 ratio. Also, the original release was sourced from a remaster that was prepared by MGM, while this new release is sourced from an exclusive new 4K master.
I viewed the 1.85:1 presentation of Marty, which should be the one you want to see as well. Obviously, this particular presentation is what makes the release very attractive because it places the visuals in the proper 1.85:1 ratio. It has solid organic qualities, which means that the new master is free of problematic digital tinkering. However, if we ignore the new framing, the 1.85:1 presentation isn't quite the revelation it could have been. In fact, in many areas, the visuals look very similar to the ones from the previous release. (This isn't quite the case when you perform a direct comparison between the old release and the new 1.37:1 presentation of the film). For example, in these areas, a lot of the grain tends to look mushy and even flattened. Why? Well, less than optimal encoding is definitely a factor, but sometimes there is just very little proper grain. You can see how the grain can collapse in screencapture #10. The original cinematography most definitely introduces fluctuations such as the one seen in screencapture #13, but this is a different effect that only exacerbates the issue I am trying to describe. Also, in the 1.85:1 ratio, the new master struggles to accurately reproduce some shadow nuances and finer details as well, so this also contributes to the general flatness that you will likely observe on your screen.
Now, if you move again to the problematic 1.37:1 ratio, the visuals tighten up quite a bit, and some that look good in 1.85:1 can look very good. An example can be seen in screencapture #34. However, trained eyes will recognize that even in 1.37:1 some of the encoding inconsistencies from the 1.85:1 presentation can affect delineation and ultimately depth. In darker indoor or nighttime footage the same issues that are highlighted above can be recognized as well. Image stability is good, but there are a few shaky moments. Finally, the new master retains some minor blemishes and dark spots, even a few light scratches, but it is most definitely healthier than the previous remaster. All in all, because of the new option to view Marty in 1.85:1 this is undoubtedly the release to have, but for various reasons, the technical presentation of the film could have been more convincing. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
I did not encounter any troubling issues to report in our review. The audio is very clear, sharp, and always easy to follow. Balance is very nice, too. When the music comes in occasionally you may notice some extremely light hiss in the upper register, but it is harmless, so you don't have to worry about it. There are no encoding anomalies.
Kino Lorber's upcoming Blu-ray release of Marty finally offers the elusive widescreen presentation its fans have been asking for, which means that it is very easy to recommend. Also, the release is sourced from an exclusive new 4K master. The technical presentation is fine, but I must say that a proper 4K restoration would have produced a superior end result. Regardless, if you are a fan of Marty, you should plan to pick up this release for your library. RECOMMENDED.
Limited Edition to 3000 - SOLD OUT
1955
1940
1962
Limited Edition to 3000
1959
1991
2010
Warner Archive Collection
1938
Young Man of Music / Warner Archive Collection
1950
1940
1932
Warner Archive Collection
1966
Warner Archive Collection
1949
80th Anniversary Edition
1936
1935
The Woody Allen Collection
1979
1955
Warner Archive Collection / Includes German-Language Alternate Version
1930
1937
Fox Studio Classics
1947
1948