7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become influential to the global movement of street artists.
Director: Selina MilesDocumentary | 100% |
Biography | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
Martha Cooper was once a young woman with a dream to become a working photographer, facing a male-dominated industry that wasn’t particularly interested in her talents. Cooper ultimately didn’t allow such discouragement to break her spirit, and “Martha: A Picture Story” charts her rise in the industry, gaining widespread respect and fame for her interest in the world of street art, with this artful “writing” finding an unusual guardian in Cooper, who fell in love with the subculture in the 1970s and never looked back. Director Selina Miles is offered access to Cooper, splitting time between interviews and photographic activity as the subject continues her research into the ways of graffiti and its creators.
The AVC encoded image (1.78:1 aspect ratio) presentation works especially well with Cooper's photographic imagery, capturing bold colors with "writing" and additional displays of street art, finding reds and yellows especially potent. Clothing is also compelling, securing period hues with B-boy style. Documentary footage with Martha provides natural skintones. Detail surveys deep distances with community tours, and the grungier side of subway life is evocative. Facial surfaces are precise, highlighting age. Photos, paper, and canvases retain touchable textures. Delineation is acceptable.
The 5.1 DTS-HD MA sound mix secures clear interview audio, with the production often following Cooper around different cities, meeting various interviewees. Information is crisp and clean. More active are soundtrack selections, with carry heavier beat and sharper synth. Surrounds offer circular engagement with music, and street atmospherics are mild.
"A Picture Story" has some trouble maintaining its vision to be a feature-length documentary on Cooper, with her work commanding but her personality isn't nearly as interesting. The film is a bit slight at times, not pushing enough to explore Cooper's psychological history, and the world of street art is fairly one-note, with old white guys screaming about vandalism, while the artists are allowed to express themselves soulfully about imagery. "Martha: A Picture Story" does contain fascinating footage from the 1970s and '80s, but it's basically a lengthy commercial for the "Subway Art" book, which ultimately captured what Cooper does best, noting her participation in the birth of a movement.
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