6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
When a once-fabled campfire tale becomes real, a group of campers uncover a profound secret that questions their very existence.
Starring: Kue Lawrence, Kai Cech, Paul Soter, Max Malas, Giorgia Whigham| Horror | 100% |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Note: Allusions to certain twists in the narrative of this tale are hard to avoid, so those wanting to stay away from even any hints of spoilers
are hereby forewarned.
Films that rely upon "big twists" to achieve their impact have probably rightly been lambasted for outright trickery in the wake of what might be
jokingly referred to as M. Night Shyamalan-ism. What's kind of interesting about Marshmallow, though, is that it doesn't offer a plot
twist so much as a genre twist, and that may be the biggest clue to anyone who may have seen marketing efforts for the film and
come to the conclusion that it's just another "summer camp slasher" flick. Well, at least the first part of Marshmallow sure
seems to be in the general vicinity of Camp Crystal Lake, so to speak, even if the camp attendees are a good deal younger than amorous teens,
but that's part of an intentional subterfuge that takes arguably a bit too
long to be revealed. The twist in this case is definitely outright trickery, but it's also kind of gobsmacking simply because it's so gonzo, and for that
reason alone, Marshmallow probably deserves at least a few kudos.


Marshmallow is presented on Blu-ray courtesy of Toy Robot Video with an AVC encoded 1080p transfer in 2.39:1. The back of the sole art card included with this release has a brief description of the presentation, though with an error in the aspect ratio:
Marshmallow is presented in its original 2.35:1 aspect ratio with lossless DTS-HD 5.1 and 2.0 stereo sound.As of the writing of this review the IMDb really has no technical information to speak of, and I wasn't able to dredge up anything authoritative online, but this is an intentionally spooky looking digital capture that tamps down the palette, giving everything a just slightly sickly looking green tint, and with a generous helping of what I used to refer to in the early days of digital capture as "Alexa murk" (though I have no information that Alexas were utilized for this shoot). The ubiquity of dimly lit (and actual "overnight") material throughout the film can intermittently hamper fine detail levels, but there also seems to have been a deliberate stylistic choice to keep things kind of soft and dreamlike (nightmare-esque?) throughout the story. Detail levels are quite expressive in better lit moments. Both dream material and a frantic vignette where Morgan starts to realize what's going on are even less clear by design than the bulk of the presentation.
The HD master was provided by Quiver.

Marshmallow features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options. The surround track definitely opens up the soundstage for all sorts of ambient environmental effects, notably some water sounds that recur throughout. The camp material has a lot of outdoor vignettes, and those feature some good engagement of the side and rear channels to help establish the locale. Dialogue is rendered clearly throughout. Optional English subtitles are available.

- Growing Up Weird (HD; 9:54) features director Daniel DelPurgatorio.
- Everything Feels Like a Haunted House (HD; 10:25) features writer Andy Greskoviak.
- Summer Camp Shenanigans (HD; 11:01) features Daniel DelPurgatorio and actor Dylan Friedman (and several others).
- Other (HD; 14:10)
- Body(s) (HD; 17:08)
- Teaser Trailer 1 (HD; 00:32)
- Teaser Trailer 2 (HD; 00:32)
- Trailer (HD; 1:34)

Who amongst us hasn't wondered what a mashup of Friday the 13th and A.I. Artificial Intelligence (maybe with just the slightest hint of The Stepford Wives thrown in for good measure) would be like? Well, Marshmallow is here to answer that question, for better or worse. Arguably more audacious in concept (and/or concepts, as the case may be) than in execution, the film is most definitely best approached with foreknowledge that it deliberately subverts slasher tropes. To close this review with yet another cinematic referent, an already announced sequel will no doubt exploit the little tidbit mentioned (and overtly seen) in the final minutes of the story that is curiously similar to plot underpinnings in Westworld. The fact that Toy Robot's Obi sleeve, which features some "fine print" identifying genres lists both horror and sci-fi is another salient clue for would be viewers. Technical merits are solid and the supplements are bountiful and generally very enjoyable, for anyone who may be considering making a purchase.
(Still not reliable for this title)

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