7.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Ollie Dee and Stanley Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby into marrying Stanley Dum instead of Bo Peep. Enraged, Barnaby unleashes the bogeymen from their caverns to destroy Toyland.
Starring: Stan Laurel, Oliver Hardy, Charlotte Henry, Felix Knight, Henry BrandonFamily | 100% |
Comedy | 45% |
Holiday | 41% |
Music | 24% |
Fantasy | Insignificant |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Blu-ray 3D
Region A, B (C untested)
Movie | 3.5 | |
Video | 3.0 | |
Audio | 2.0 | |
Extras | 0.0 | |
Overall | 3.0 |
There are a number of offerings in various media that have become associated with certain seasons or holidays despite having little if anything to do with them. A perfect example might be the Rodgers and Hammerstein classic “My Favorite Things”, from their enduring musical The Sound of Music, a song which makes a couple of tangential wintry holiday references (brown paper packages tied up in strings and snowflakes on eyelashes, to be specific), but which has become a rather long lasting Christmas music (and/or Muzak) “evergreen” (pun intended). In the religious irony department, The Ten Commandments has become an Eastertide regular due to being regularly broadcast for years around the Christian holiday, when of course it is actually about the Jews and their sometimes (not always) relatively simultaneous holiday of Passover. (Older viewers may well remember a similar circumstance with The Wizard of Oz, which for years was broadcast around Thanksgiving, despite having absolutely nothing to do with that—or really any—holiday.) In another case of perhaps unintended irony, Legend Films via their imprint 3D Classics is marketing March of the Wooden Soldiers (originally titled Babes in Toyland, after its supposed source operetta by Victor Herbert) as a Christmas release, replete with opening menu featuring a wintry scene and charming falling snowflakes. The irony is that while Herbert’s original outing did indeed have at least a tangential relationship to Christmas, the film version jettisons so much of Herbert’s original conception that any real connection to the holiday is all but lost in the cinematic treatment. The film is still often a charming entertainment (if awfully strange at times), and Legend, long known for its 3D post- conversions, has now gone back to the stereoscopic drawing board and refitted one of the few feature length movies to star the legendary Laurel and Hardy.
There has been a bit of confusion over these newer 3D offerings from Legend Film's 3D Classics imprint, including
previous releases of The Three
Stooges in 3D and The Best of The Little Rascals in 3D. Like those releases, March of the Wooden Soldiers in
3D offers both MVC (3D) and AVC (2D) encoded 1080p transfers in 1.34:1. While there is no option to play either the
2D or 3D version, the discs automatically recognize the playback equipment and boot the appropriate version depending
on whether 3D capability is sensed. This new 3D release does not feature the original black and white version of
Babes in Toyland that was included on March of the Wooden Soldiers.
As I mentioned in my review of the first release of this title, Legend typically does
very good to excellent work in restoring older films, and they have sourced this March of the Wooden Soldiers
from what appears to be a
very good condition 35mm print in what I'm assuming is the full running time (if any scholar out there can provide
documentary evidence of the
difference between the claimed 79 running minute time and this feature's 77 minute-plus running time, let me know and I
can update the
review). While there are still flecks and scratches to be seen, the print has been cleaned rather well, and while there's
little doubt that noise
reduction has been applied, it hasn't risen to smeary, waxy levels. While the image is never crystal clear or eye-
poppingly sharp and well
detailed, it's definitely well above average for a public domain title sourced from a print. What may bother some
videophiles are some issues
with contrast, as well as recurrent registration and flickering issues.
Overall, though, the transfer
is remarkably spry considering the age and public domain provenance of the film. It's to Legend's credit that their
colorizing process doesn't
slather on slabs of impossible hues, and is in fact really rather subdued as far as these efforts usually go.
In terms of the 3D post-conversion, Legend, one of the forerunners in this technology, has once again done a largely
admirable job, though the film doesn't really offer enough source material in terms of depth of field or framings to really
totally justify the effort. When the film does offer an object or character clearly in the forefront, there is an
appealing dimensionality, but a lot of this film is rather "flat" looking, obviously one of the limitations of its early vintage
when camera setups were more challenging (a great example is the dolly into Mother Goose at the head of the film,
where you almost feel like the camera is going to fall over from its bobbing and weaving). This particular effort is
probably about halfway between The Best of the Little Rascals in 3D and The Three Stooges in 3D in
terms of its depth and visual immersion. What's here looks fine, but there simply isn't a lot to work with.
Perhaps surprisingly, unlike the first release of March of the Wooden Soldiers (which featured only a lossy mono track delivered via Dolby Digital 2.0), Legend has gone the extra step by upgrading the audio on this release to DTS-HD Master Audio 2.0 (once again pumping out the mono track on two channels). Despite the common assertion that "lossless is necessarily better", the results here are decidedly mixed and ironically some may actually prefer the Dolby Digital version on the previous release, as it better masks the very audible hiss and brittleness that are very much in evidence on this track's high end. This lossless rendering also reveals more of the "warts and all" damage the track has endured through the years. While there may be some negligible boosting of the lower end of things, the midrange sounds decidedly boxy and narrow and overall this isn't an extremely pleasing sonic experience, especially in the musical moments which simply don't gain much if anything from the lossless offering.
Unlike the first release of March of the Wooden Soldiers, which featured some appealing supplements (not to mention the film in its original black and white version), this new 3D release offers no supplements whatsoever.
This new 3D release of Babes in Toyland (or March of the Wooden Soldiers if you prefer) is one of those "glass half full or half empty" quandaries. While those who have upgraded to 3D equipment and are jonesin' to see Oliver Hardy's rotundity protruding out into their home theater environment may well want to spring for this release (or double dip if they purchased the previous version), they should keep in mind that while there's nothing horrible about the 3D post-conversion here, there's also not much that's truly spectacular either. And while the upgrade to lossless audio may sound (pun intended) like a good idea, it turns out to have its own drawbacks as well. Still, the film is charming, and downright weird in its own way. With a number of caveats, this release comes marginally Recommended.
Babes in Toyland
1934
Babes in Toyland 3D
1934
2008
Lenticular Faceplate
2012
2007
2017
2006
2020
1964-1972
1991
2012
Grinchmas Edition
2000
2010
2018
1964
1998
2009
Nanny McPhee and the Big Bang
2010
1988
1996
2007
2012