7.7 | / 10 |
Users | 3.5 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A graduate history student is unwillingly trapped in a killing game of intrigue involving a Nazi fugitive.
Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane, Marthe KellerPsychological thriller | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 3.0 |
John Schlesinger's "Marathon Man" (1976) arrives on 4K Blu-ray/Blu-ray courtesy of Kino Lorber. The supplemental features on the release include three archival programs that examine the conception and production of the film; new audio commentary by critics Steve Mitchell and Nathaniel Thompson; and vintage promotional materials for the film. In English, with optional English SDH subtitles for the main feature. Region-Free.
You have quite a cavity here
Kino Lorber's release of Marathon Man is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray release is Region-Free. The Blu-ray release is Region-A "locked".
Please note that all of the screencaptures that are included in this article are from the Blu-ray. We have not provided screencaptures from the 4K Blu-ray.
The film has been fully remastered in 4K by Paramount Pictures. The 4K makeover can be seen with HDR or Dolby Vision. I viewed the entire film with HDR and only sampled a few areas with Dolby Vision.
I found the new 4K makeover of Marathon Man as frustrating as the recent 4K makeover of Nobody's Fool. It is very easy to tell that the 4K scan that was used to produce it is excellent and could have delivered a definitive home video release, but the film does not look as it should. In fact, there are several areas of it that look very, very strange now.
Generally speaking, the film looks healthier in native 4K and 1080p than it does on the this release Paramount produced for the European markets. (I am sorry. I do not have the U.S. release in my library. However, you should know that the U.S. release is sourced from the same master that was used to produce the European release. The U.S. release simply came out a few months after the European release, so I did not have to upgrade). For example, the surface of the visuals is healthier and grain exposure is more convincing. The previous release looked good too because the older master was not compromised by digital corrections, but its age shows. On the 4K makeover, density levels are better as well. Unfortunately, the color grade is unconvincing. For example, rather strong turquoise replaces several ranges of native blues, causing some visuals to have a very contemporary appearance. Elsewhere turquoise and cyan destabilize other primaries -- some appear more prominent during daylight or indoor footage, while some appear more prominent during nighttime footage. You can see examples of the alterations in screencaptures #4 and 20. Cyan completely alters the color temperature of another shot which can be seen in screencapture #28. Furthermore, there are a couple of different segments that produce very odd magenta-timed visuals. See screencaptures #5, 12, and 25. The sequence where Roy Scheider is having a drink right before he is attacked just randomly switches to magenta even though the footage that precedes it is timed differently. To be honest, I do not understand why such drastic switches occur, but it is very easy for me to tell that the turquoise and cyan affect whites, grays, and blues in many different ways, so once the balance is off there are entire ranges of nuances that begin to produce different anomalies affecting the overall temperature of the visuals. (For what it's worth, the same issue is responsible for the anomalies that make
different areas of the new 4K makeover of Nobody's Fool look odd as well). (I have included additional screencaptures from the previous release to highlight the color shifts at the bottom of this review). Image stability is outstanding.
How do these areas where color fluctuations are very obvious look with HDR? Most enhance the turquoise more, so there is less blue to see, plus in darker areas, some grays are lost. However, color saturation can be much more convincing when the turquoise and/or cyan are greatly minimized or absent. For example, the segment at the fountain with the reds in the background looks vastly superior now. See screencapture #2. In some darker areas, however, I think that even in native 4K there is light crushing that could have been avoided. In other words, in native 4K, with HDR or Dolby Vision, the dynamic range of the visuals is very clearly superior, but color balance is unconvincing.
There are two standard audio tracks on this release: English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature.
The older release of Marathon Man that I have in my library has English DTS-HD Master Audio 5.1 and English Dolby Digital 2.0 tracks. The 5.1 track is very good on both releases, so if there are any improvements on the 5.1 track that is included on this release, I could not tell. I viewed large portions of the film with the 2.0 track and liked it a lot. In a few areas, I thought that the audio could have been slightly more expanded as the action intensified, but I would recommend that I test this track first before you move to the 5.1 track.
4K BLU-RAY DISC
I am not a big fan of this film. Excluding Michael Small's claustrophobic soundtrack, everything in it could have been a lot better. None of the supposedly important relationships are believable, which is why the tension and paranoia the film tries to sustain are also quite underwhelming. If you wish to upgrade an older Blu-ray release, I suggest that you find a way to test Kino Lorber's 4K Blu-ray/Blu-ray combo pack. Marathon Man has been fully restored in 4K at Paramount Pictures, but I think that right now there are various sections of it that look unconvincing because they are not graded properly. If you test the 4K Blu-ray/Blu-ray combo pack, you could disagree and find the discrepancies that are highlighted in our review irrelevant.
Limited Edition to 3000
1973
1977
Limited Edition to 3000 - SOLD OUT
1941
Special Edition
1974
2019
1978
2018
1976
Standard Edition
1979
1977
Ten Years a Counterspy
1960
1979
1985
1965
30th Anniversary Edition
1992
1974
Limited Edition
2002
1932
1998
2010