7.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
This sequel to 1986's Jean de Florette stars Emmanuelle Beart as Manon (the daughter of Jean de Florette's protagonist). Manon has grown up to become a beautiful woman, a shy and resourceful shepherdess who lives in relative seclusion from the townspeople of her provencal village, haunted by the tragic death of her father (played by Gerard Depardieu in part one). An outsider, like her father, Manon stays high up in the rugged hills preferring the company of her sheep to her nearby neighbors Cèsar (Yves Montand) and Ugolin (Daniel Auteuil). One fateful day, Manon discovers the real reason why her father's spring ran dry and comes up with a powerful revenge to exact on the men responsible for her father's downfall. Manon's action changes her life forever and uncovers long-hidden family secrets that powerfully affect the local villagers.
Starring: Yves Montand, Emmanuelle Béart, Daniel AuteuilForeign | 100% |
Drama | 80% |
Romance | 38% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 4.0 |
Despite rather august achievements in a variety of media, Marcel Pagnol is strangely unremembered or at least underappreciated today. A number of Pagnol’s novels like La Gloire de mon père and Le château de ma mère have been acclaimed as undisputed masterpieces, while his trilogy of plays located in the evocative port of Marseilles provided the source material for the Broadway musical Fanny (the show that gave future Carol Brady, Florence Henderson, one of her first big breaks), which in turn became the largely nonmusical film Fanny in 1961 (and later a remake by Daniel Auteuil). Pagnol’s translations of Shakespeare into French are still considered among the best ever done, even if some occasionally criticize them for being quirky. But Pagnol was also a filmmaker, and while his oeuvre doesn’t rise to the heights of his contemporaries Jean Renoir or Jean Cocteau, Pagnol created some inarguably memorable characters and stories in this medium as well. He in fact filmed all three parts of his Marseilles triptych, with Fanny and Marius appearing in 1931, followed five years later by César. In 1952 Pagnol got into skirmishes with his distributor over his four hour opus Manon des Sources, and the film was radically cut against its creator’s wishes. Though it took him about a decade after that debacle to recast his vision in a new medium, in 1963 Pagnol brought out his two part novel L'Eau des Collines, a convoluted, almost Edna Ferber-esque multigenerational saga that detailed the exploits of a scheming Provençal family whose plans to start growing carnations (carnations!) on an arid field shortly after World War I brings them into conflict with a neighbor whose property contains a supposedly secret spring. In 1986, Claude Berri filmed both parts of L’Eau des Collines simultaneously, releasing the films separately as Jean de Florette and Manon des Sources, which became Manon of the Spring in its English iteration.
Manon of the Spring is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p transfer in 2.35:1. My comments about this film's sibling in the Jean de Florette Blu-ray review hold largely true here as well, with a couple of minor exceptions. This film is a bit darker than Jean de Florette, and some of the early footage, notably some sequences involving Manon and the squatter family she takes up with, have lackluster shadow detail and a couple of passing instances of outright crush. The grain field is a bit more variable in this film as well, notably in some later sequences where darker scenes see some unnatural clumping and coarseness in what is otherwise an organic looking presentation. As with Jean de Florette, the sun dappled daytime scenes shot out of doors are often breathtaking, filled with a beautifully natural looking palette and excellent clarity in close-ups.
As with Jean de Florette, Manon of the Spring features both 2.0 and 5.1 versions of the soundtrack presented via DTS-HD Master Audio 5.1. This offering is very much in line with the prior film's, with a nicely wide array of sound effects and score in the 5.1 mix (with perhaps less of the slightly phased sound of Jean de Florette). As with the first film, dialogue is very cleanly and clearly presented, and there are no issues of any kind to report.
Manon of the Spring is perhaps a trifle more basic and in some ways even a trifle silly than Jean de Florette, but the peculiar whimsy of scenes like the water returning to the village are offset by the devastating revelation that caps the film. Performances are once again authentic and wonderfully realized, and Berri and cinematographer Bruno Nuytten make the most of the ravishing countryside. Technical merits are generally strong if perhaps not quite as strong on Jean de Florette in terms of video, and Manon of the Spring comes Highly recommended.
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