6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A savage work that explores human sexuality and its articulations with political stances and religion: Two couples of university students swap their partners, one, Yukiko and Shinichi experienced and one, Hirochi and Yasuko unmarried and first time in an isolated motel. Later, at the seaside one of them is attacked by two maniacs, who leave the husband unconscious and rape the woman. After the event that was supposed to be traumatic, the attacked couple find themselves interested in the two aggressors and the gratuitousness of their act, and goes to look for them in the surroundings of the motel. They discover that they are part of a sect that has sexual freedom and self-support as slogans. At first reluctant, but soon giving way, the couple end up joining the secret sect and isolate themselves from the world, but things get complicated when the other couple decides to look for them.
Starring: Kôji Shimizu, Akiko Mori (I), Ryô Tamura, Hiroko Sakurai, Shin KishidaForeign | 100% |
Drama | 60% |
Erotic | 7% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Japanese: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available as part of
Akio Jissoji: The Buddhist Trilogy.
This provocative triptych by Akio Jissôji may have attained the sobriquet The Buddhist Trilogy, but that may in turn beg the question of
whether Jissôji might be subliminally proferring Heraclitus and/or the Marquis de Sade as proponents of the religion. Hercalitus famously
(supposedly) proclaimed that
it’s impossible to step in the same river twice, giving philosophers a nice visual trope for the evanescence of life, something Japanese New Wave
expert David Desser, who is on hand here as a commentator, mentions is a key element of Jissôji’s work. But as Desser also gets into in one of his
introductions to the films which are
included as bonus features, there’s also a fairly kinky sex aspect to these films that some may feel arguably places them pretty squarely in what
Desser refers to
as the “Roman porno” genre. That may not mesh especially well with the vaunted Buddhist concept of non-attachment, since several
pairs of
lovers in these films are very attached to each other (so to speak), in sometimes shocking ways. The Buddhist Trilogy was
released courtesy of
the Art Theater Guild, a production house noted for its contributions to the Japanese New Wave, and as Desser also gets into, some of Jissôji's
stylistic flourishes at least if not always all of his content "qualify" him for membership in that movement. One of the kind of funny things about
Jissôji, though, is that for many
Western fans, and for fans of another kind of Japanese entertainment, he'll be forever celebrated as the creator of Ultraman, which in and of itself probably
speaks as well as anything to Jissôji's versatility.
Mandala is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 1.85:1. Arrow really hasn't provided my technical information on the transfer, other than some generic verbiage that masters were provided by Toho and that addtional grading work was done by R3Store. This is one release where I frankly wouldn't have minded a bit more information on the provenance of whatever element or elements were used for this transfer, for this has some pretty wide variances in detail levels and (in particular) thickness of the grain field. The high contrast opening understandably doesn't offer much in the way of fine detail, with whites that come close to blooming, but the main part of the film often offers secure, more "normalized", contrast and a generally healthy looking palette, albeit one that is arguably a bit faded and brownish at times. However, there are pretty wide variances between scenes and even within scenes, with some of the bedroom and beach material almost resembling 16mm at times. At other moments, there's a much finer and better resolved grain field and clarity and detail levels improve. Interestingly, some of the interstitial black and white material doesn't have much noticeable grain at all, making it look more like video at times. There is some minor damage along the way, but nothing very distracting.
Mandala features an LPCM Mono track in the original Japanese. This has a somewhat boxy sound throughout, with a "dry" (i.e., little to no reverb or hall acoustics) sound permeating the dialogue in particular. Ambient environmental sounds in the many outdoor scenes are realistically rendered without any major issues.
All three of the films in this set feature audio introductions (that play like commentaries to scenes from the film) and selected scene commentaries by David Desser. Kind of oddly, the selected scene commentaries have all been authored separately and there's no Play All option.
The treatment of women in this film in particular may raise some serious hackles in some viewers, and so this is probably not a film for those with more squeamish tendencies. Video has some fairly wide variances in general clarity and grain resolution, for those who are considering a purchase.
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