7.6 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
On his way to hire a schoolteacher, a homesteader is left a hundred miles from anywhere when the train he is on is robbed. With him are an attractive dancehall girl and an untrustworthy gambler and he decides to get shelter nearby from outlaw relatives he used to run with. They don't trust him and he loathes them but they decide he can help them with one last bank job. Written by Jeremy Perkins
Starring: Gary Cooper, Julie London, Lee J. Cobb, Arthur O'Connell, Jack LordWestern | 100% |
Romance | 5% |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.5 |
In one of his final films, screen icon Gary Cooper slipped into a dark space with 1958’s “Man of the West.” Although early scenes suggest a routine rise-of-the-hero story to come, the picture is actually quite cynical and forbidding. Director Anthony Mann doesn’t pull many punches with this adaptation of a Will C. Brown novel, depending on his aging leading man to articulate the stomach churn of unease as Cooper’s character, reformed outlaw Link Jones, returns to the source of evil that initially sent him down the wrong trail in life, facing malevolent Uncle Dock (Lee J. Cobb) and his band of criminals, who want to keep the one that got away in place as they plan out a new bank robbery.
The AVC encoded image (2.35:1 aspect ratio) presentation has a persistent problem with flicker, which carries through the entire viewing experience. Source material remains in decent shape, with only a few passages of scratches. Colors are a bit drained but acceptable, best when surveying costumes and frontier expanse, while skintones look as natural as the cinematography allows. While lacking profound sharpness, detail is present in wrinkled close-ups and distances, and dusty western textures remain in view. Grain is present and managed.
The 2.0 DTS-HD MA sound mix arrives with a persistent thinness that stretches into shrillness during heated moments of violence and shouted accusation. While dialogue remains intelligible, voices do not sound deep and meaningful, with Cooper's passive demeanor periodically difficult to pick out of the track. Scoring is equally shallow but remains dominant during the movie, carrying tonal bigness as intended. Gunshots are unremarkable and atmospherics are passable, with train travel sequences and horse riding adventures carrying details. No overt damage was detected.
"Man of the West" is emotionally sophisticated but doesn't always pack a proper punch. The gunfights are anticlimactic and the conclusion is weirdly inconsequential, yet it still manages to hit hard in terms of lasting psychological wounds, creating a sense of claustrophobia in wide open spaces, while Cooper's everyman persona seems all the more tragic, doing a splendid job portraying the magnetic pull toward old habits.
1957
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Warner Archive Collection
1948
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1950
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1959
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1980
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1956
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1959