Cover coming soon |
6.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A mercenary joins forces with 2 crooked cops in an attempt to steal a fortune in gold bullion from a corrupt Arab country.
Starring: Michael Latimer, Luan Peters, Derek Aylward, Maurice Kaufmann, Derek FrancisDrama | 100% |
Crime | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
1971’s “Man of Violence” (billed on the print as “Moon”) represents co-writer/director Pete Walker’s continuing exploration of the gangster genre, arriving soon after “The Big Switch.” Acquiring a slightly larger budget and considerably more ambition, Walker expands his scope with “Man of Violence,” trying to achieve a crisscrossing sense of antagonism and sexuality, using the dying light of Swinging London to his advantage, allowing for a darker but still unbearably paced picture that struggles to fill its permissive 109 minute run time.
The AVC encoded image (1.66:1 aspect ratio) presentation represents a restoration from the BFI, who manage to refresh "Man of Violence" for modern HD consumption. The boost in quality from "The Big Switch" is noticeable, offering a slightly more modern look, though scratches, speckling, and debris are detected, but never distract. Colors are secure, with costuming providing a range of hues that look comfortable and fresh, and skintones are natural. Detail is satisfactory, providing inviting textures with apartment interiors and facial reactions, while the overall movie carries a textured, filmic look. Delineation is acceptable, battling some crude day for night work in the effort's last act.
Also showing improvement over "The Big Switch" is the 2.0 LPCM sound mix for "Man of Violence." The range here is more comfortable, with crisp dialogue exchanges and clear accents, managing inherent sonic limitations adequately. Scoring is bold and supportive, with passable instrumentation, while nightclub visits carry a slightly more chaotic soundtrack presence. Atmospherics are acceptable for a low-budget production, offering group activity and changes in locales. Violent surges are defined.
"Man of Violence" suggests homage to gangster cinema, only Walker doesn't follow through on familiar tension. Guns are drawn, threats are made, and yet the feature feels endless, never heading in any particular direction, even with a community of crooks competing for screen time.
(Still not reliable for this title)
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