6.6 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The complex relationship of Maleficent and Aurora continues to be explored as they face new threats to the magical land of the Moors.
Starring: Angelina Jolie, Elle Fanning, Harris Dickinson, Michelle Pfeiffer, Sam RileyAdventure | 100% |
Fantasy | 91% |
Family | 82% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
French: Dolby Digital Plus 7.1
Spanish: Dolby Digital Plus 7.1
German: Dolby Digital Plus 7.1
Italian: Dolby Digital Plus 7.1
Japanese: Dolby Digital Plus 7.1
English SDH, French, German, Italian, Japanese, Spanish, Norwegian, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Why pick up a fairy tale to read or sit down to watch a beloved Disney fairy tale classic when they all end the same way, with the boy and girl falling in love? Cinderella and her Prince get married, Snow White wakes up to Prince Charming, Ariel stays with Eric on land, Belle saves the Beast, and Philip awakens Aurora. But what happens after the book's last page is read or the movie's credits roll? How does happily ever after play out in real life? Can a maid be happy as a princess? Can a mermaid enjoy a life on two feet? Can virtual strangers make a relationship work? Countless films and sequels have tried to answer that “what’s next?” question. Entire genres of books exist to flesh out fairy tales beyond the Disney accounts (see, for example, this). Enter Disney's own live action account of "what's next?" with Maleficent: Mistress of Evil, Director Joachim Rønning's surprisingly good but unsurprisingly effects-happy visual overload film about Maleficent's origins, chronologically occurring following Maleficent.
The included screenshots are sourced from a 1080p Blu-ray disc.
Maleficent: Mistress of Evil's 2160p/HDR UHD presentation is sourced from a 2K digital intermediate. The movie was, per the same linked source, photographed at
a
resolution of 8K, but considering the effects-heavy nature of the production the 2K master is not a surprise. The picture is stout and visually rewarding,
offering a quality viewing experience that does indeed find greater textural intricacies compared to the 1080p Blu-ray. While not a wholly dramatic transformation, viewers will assuredly
appreciate the obviously finer qualities that the UHD reveals, particularly the enhanced visibility and clarity of core elements, such as character skin and
makeup and
costumes, all of which are greatly accentuated from start to finish. The Blu-ray appears almost fuzzy in an A-B comparison, but even without conducting
such
an exercise, and simply watching the UHD in close proximity to the Blu-ray, the increases are clear. The sharper elements extend to natural
environments and digital renders as well, but for all the complexity at this
resolution there's an air of artificiality to the computer generated works which isn't quite so evident on the lower resolution Blu-ray. The HDR color
palette brings not a radical
departure from the Blu-ray's SDR tones but rather a tonal deepening that gives the image a slightly darker feel but also a more authentic color
temperature as well as far greater color nuance that brings impressive vitality to robust greens and eye-popping costumes. Flesh tones are more stable
and natural, less pasty and more dynamic and accurate. Black levels are also more dense and accurate without devouring detail while whites are more
brilliant and pure. Don't be discouraged by the upscale source; Maleficent: Mistress of Evil is a looker on UHD.
Maleficent: Mistress of Evil arrives on the UHD format with a Dolby Atmos soundtrack. Listeners will find this track ever-so-slightly more full and favorable compared to the Blu-ray's 7.1 track. Considering larger effects, such as amassing armies and the business of readying for war; or more subtle effects, such as haunting blowing winds in chapter eight, reverberating voices in chapter nine, or a loudspeaker announcements heard through all the land in chapter 11, there's a distinctly greater spacial awareness at play in the Atmos track. This also includes the large-scale battle in chapter 16, with explosions popping all over and Fey flying overhead. In these effects there's a modest feel for greater dynamic range and low end usage compared to the 7.1 track. Neither are perfect but the Atmos track seems a little less restricted in terms of its losses within critical areas. On the plus side, and as is the case with the 7.1 track, there's no wanting for front end stretch and general surround integration. The track is more than capable of placing discrete effects in their proper position, and movement comes seamlessly and agreeably, with sounds matching on-screen action to eye-ear perfection. Dialogue is clear and centered. It is also well prioritized.
Maleficent: Mistress of Evil's UHD disc contains no supplements, but the bundled Blu-ray disc includes the following extras. A Movies Anywhere
digital copy code are included with purchase. This release ships with an embossed slipcover.
Maleficent: Mistress of Evil sometimes threatens to lose sight of story and focus on its visuals, which are these days barely distinguishable one from another and from one film to the next. Fortunately, it's not the soulless experience that is Nutcracker and the Four Realms, even if it often teeters on finding its identity in the computer rather than in the characters. There's a bit too much visual overflow in the movie, but Joachim Rønning and his high quality cast help keep the film in line with the story, upping the digital ante but also working to find meaning in flesh and blood. Mistress of Evil isn't the factory film it might have been, but a little less might have been more. Maleficent: Mistress of Evil looks terrific on UHD and represents a clear step forward from the 1080p Blu-ray. The Atmos audio requires upward volume adjustment but is not at all bad once there. Supplements are of little value. Recommended.
2019
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Lenticular Faceplate
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