6.2 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability to communicate with sharks telepathically, setting out to destroy anybody who harms sharks. People enter into his strange world to exploit his weird passion, and he uses the animals to gain revenge on anybody who double crosses him.
Starring: Richard Jaeckel, Jennifer Bishop (I), Buffy Dee, Harold Sakata, John Davis ChandlerHorror | 100% |
Comedy | Insignificant |
Adventure | Insignificant |
Action | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 2.0 | |
Audio | 2.5 | |
Extras | 3.0 | |
Overall | 2.0 |
Note: This film is available as part of He Came from the Swamp: The William Grefé Collection.
Anyone who thought Arrow Video had already released the mother lode of Florida based exploitation fare with their gigantic The Herschell Gordon Lewis Feast set
from a few years ago had best be prepared to realize that the intrepid folks at this label known for catering to (cinematic) cultists of various stripes
may have in fact only been offering an appetizer of sorts. It’s kind of amazing in a way to hear Herschell Gordon Lewis himself singing the praises of
William Grefé in the feature length documentary They Came From the Swamp included in this new set devoted to Grefé’s work, but Lewis
actually makes a point of stating that he was the interloper on territory Grefé had already staked out, and that Grefé couldn’t have been
more gracious in welcoming Lewis to the far south fold, so to speak. It may be a little odd, then, that for at least some fans of exploitation cinema
Herschell Gordon Lewis’ name may be better remembered than that of William Grefé, something that may seem especially unexpected given the fact
that Grefé was at least occasionally able to muster A-list (or formerly A-list) talent like Rita Hayworth for some of his projects, an
accomplishment that probably never would have even occurred to Lewis to attempt.
Mako: Jaws of Death is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's hardcover insert book has a full page devoted to the transfers of each of the films, starting with some generic overview verbiage and then some brief comments on each film:
All the films included in this collection have been restored from the best available materials. Whilst every effort has been made to offer up the best possible presentations, the results inevitably vary according to the condition of the source materials, some of which were in poor shape. We hope that this does not affect your enjoyment of the films.Mako: The Jaws of Death looks pretty ragged in this presentation, with manifest scratching and other signs of age related wear and tear recurring regularly throughout the running time. Some scratches fill the entire frame and last for quite a while. The palette is pretty badly faded a lot of the time, though kind of surprisingly some of the more brightly lit outdoor footage still pops decently if not optimally. The underwater material has some inherent murk which defeats fine detail. Some of the dark material here suffers from really bad crush, and there are some scenes where it's definitely hard to make out what's going on. As befits its 16mm source, grain is pretty chunky looking quite a bit of the time, but resolves naturally.
Sting of Death was scanned from its original 35mm negative. The audio was sourced from a 35mm optical track negative.
Death Curse of Tartu was scanned from a 16mm print. The audio was also sourced from this print. The 16mm print - presumably a TV print - was found to have been trimmed for gore, so these missing shots were sourced from a lesser copy 35mm print and reinstated.
The Hooked Generation was scanned from a 16mm internegative. The audio was sourced from a 16mm optical track negative.
The Psychedelic Priest (AKA Electric Shades of Grey ) was scanned from a 16mm Ektachrome release print. The audio was also sourced from this print.
The Naked Zoo was scanned from its original 35mm negative, which had been recut to the Barry Mahon version of the film. In order to recreate William Grefé 's original director's cut, the footage unique to that version was sourced from a badly faded and warped 35mm workprint. The audio was sourced from a 35mm double edged track print and a 35mm track negative.
Mako: Jaws of Death was scanned from two 16mm prints, which were composited for best quality sections of each. The audio was also sourced from these prints.
Whiskey Mountain was scanned from a 16mm scope print. The audio was also sourced from this print.
All materials used in these restorations were supplied William Grefé , Lisa Petrucci / Something Weird Video, Vinegar Syndrome, Ed Tucker, and AGFA (American Genre Film Archive).
Mako: The Jaws of Death features a DTS-HD Master Audio Mono track that has its own fair share of age related wear and tear, including a kind of low frequency "thrum" that can be heard at times, as well as hiss, pops and cracks. There are amplitude variances throughout, some of which I'm attributing to "live" recording out in the wilds of Florida. Dialogue is generally well rendered. Optional English subtitles are available.
All of the films in this set save for Whiskey Mountain are presented two per disc, and so some supplements are more generalist in nature. This disc has the following supplements:
- Original Trailer (720p; 1:35) also has the "SWV" (Something Weird Video) watermark seen in some other trailers.
- Original Promo (720p; 10:24)
- CBS Promo (720p; 00:33)
- Behind the Scenes News Segment (720p; 2:09)
- The Naked Zoo (1080p; 2:00)
- Mako: Jaws of Death (1080p; 8:10)
Jaeckel is surprisingly engaging in this film, and the underwater footage is also well done. The basic story here is a little smarmy at times, but it's nice to see sharks, to paraphrase Rodney Dangerfield, finally getting a little respect. This presentation has both video and audio issues, but once again the supplementary material is great, for those who are considering a purchase.
(Still not reliable for this title)
1966
1977
1966
Jaws 5: Cruel Jaws | Standard Edition
1995
2017
1987
1978
1978
Slipcover in Original Pressing
1986
Special Edition
1982
The Horror Star
1983
Collector's Edition
1989
Collector's Edition
2003
1980
Standard Edition
2022
2017
2015
The Presence / The Haunted
1989
Stryker's War
1985
2023