7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Mail Order Murder: The Story of W.A.V.E. Productions is the first true and uncensored account of the New Jersey based horror and custom video movie studio W.A.V.E. Productions. Since its start in 1987, W.A.V.E. founder/director Gary Whitson has produced a staggering filmography of over 400 shot on video features by allowing his fans to script and finance their custom movies specifically tailored to satiate their own idiosyncratic video obsessions. In this all-new documentary, directors Ross Snyder and William Hellfire chart the history and subsequent 30 year phenomenon of W.A.V.E. Productions with in-depth and candid interviews from a multitude of Gary's stars and collaborators, including Tina Krause, Pamela Sutch, Debbie D, Dave Castiglione, Laura Giglio, Deanna Demko, Aven Warren, Clancy McCauley and many more.
Starring: Tina Krause, Debbie D, Pamela Sutch, Michael Raso, Ron BonkDocumentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
“Mail Order Murder: The Story of W.A.V.E. Productions” initially seems like a standard offering of geek love to a filmmaking subculture, with the world of video moviemaking the subject for the documentary. Directors William Hellfire and Ross Snyder are quick to deliver their valentine to the ways of no-budget productions, asking writers and enthusiasts to recall their interactions with such bottom shelf entertainment, finding most impressed that something so awful could feel so right. And then “Mail Order Murder” finally focuses on what W.A.V.E. Productions actually achieved during their run, which takes the endeavor into a strange direction, examining the questionable ways of the company and their eventual quest to capture any sort of fetish for any sort of customer. No questions asked.
The AVC encoded image (1.78:1 aspect ratio) presentation manages the extremely low-res clips from the W.A.V.E. catalog with interview footage. The conversations offer comfortable commercial-grade camera clarity, highlighting facial surfaces and textured hairstyles. Colors are satisfactory, presented in lighting choices and outfits, and old video footage retains limited hues. Skintones are natural. Delineation is acceptable.
The 2.0 LPCM mix doesn't offer anything extravagant, primarily dealing with interview audio, which ranges in quality but always remains clear. Scoring is limited, but the synth sound is deep and sharp.
While analyzing some depraved releases from Whitson, "Mail Order Murder" manages to remain amusing and relatively honest about the whole W.A.V.E. Productions experience, talking to actresses who had a great time with the company, and fans who unironically (I think) adore the whole shot-on-tape revolution. "Mail Order Murder" is informative, covering Whitson's business plan and, perhaps inadvertently, the extent of mental illness in America. It also manages to surprise, including the reveal of a particular fetish involving the sight of a woman using a shrink way on victims to ease the consumption of these innocents (sold with terrible visual effects). I could've gone my entire life without knowing that was a thing.
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