6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The remarkable genius of Orson Welles on the eve of his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker.
Starring: Orson Welles, Peter Bogdanovich, Peter Brook, Norman Lloyd, William AllandDocumentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 5.1
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
There’s an interesting and rather telling disparity lurking as a data point if one attempts to compile a list of 20th century cinematic icons who helped to define film in their era and who are generally accepted as, for want of a better term, auteurs. If we start with the thesis that names like (in no particular order) Ingmar Bergman, John Ford, Alfred Hitchcock, François Truffaut, Akira Kurosawa and, yes, Orson Welles should (perhaps must) be included on such a list, a fascinating element soon becomes apparent. All of the above filmmakers, with the exception of Welles, have a laundry list of classic films to their names, so many in fact that if you were to quiz any two cineastes, chances are you’d get two different answers as to what any given filmmaker’s “greatest” achievement was. But Welles? For better or worse, and admitting that any real Welles aficionado will have plenty of talking points to counter this assertion, Welles is generally consigned to having “only” one true masterpiece to his name. Now it’s notable that that singular achievement is of course Citizen Kane, still considered by many critics (at least those of a certain age) as being the greatest film of all time, but, still—Welles' reputation still is perched precariously on the almost unimaginably daunting achievement of his first film, an achievement which stands in stark contrast to the troubled path the rest of his career would take. This assessment is not to disparage or discredit any of Welles’ later works, as my own reviews of such post-Kane Welles outings as The Lady from Shanghai hopefully indicate. In a way, it’s perhaps even more amazing that Welles should have ascended to the top tier of filmmaking luminaries based largely (if not solely) on one (undeniably epochal) film. The foregoing is both covered and countered in Magician: The Astonishing Life and Work of Orson Welles, an interesting reassessment of this titanic figure of 20th century Art (not necessarily limited to film) made by Chuck Workman, the Academy Award winning documentarian (What Is Cinema?, Precious Images) who is perhaps best known to the public at large for having helped to create the In Memoriam montages for many Oscar broadcasts.
Magician: The Astonishing Life and Work of Orson Welles is presented on Blu-ray courtesy of Cohen Film Collection with an AVC encoded 1080p transfer in a rather bewildering array of aspect ratios, but with the baseline (newer sequences especially) hovering at 1.78:1. As should be expected from something cobbled together out of such disparate source material, there's a rather wide disparity in sharpness and clarity, though of course the newly filmed interview sequences look sharp and appealingly well defined, with a natural appearing palette and some nice fine detail in close-ups. Archival interviews are somewhat more variant, with some elements culled from television video having various anomalies like ghosting on display. Older (filmed) interviews fare a bit better at times, though can look fairly soft when compared to the newer interview segments. Film clips generally look very good to excellent, while some on the fly backstage footage of theatrical outings is relatively ragged looking.
Hey, Cohen! Stop it! (There, do I finally have your attention?) Once again whoever is authoring Cohen's discs has had this default to the lossy Dolby Digital 5.1 track included on the Blu-ray, rather than the preferable lossless DTS-HD Master Audio 5.1 track (so for you audiophiles, make sure to check your settings once the feature starts). The 5.1 track may be a bit of an overkill in any case, as this is by and large a talky enterprise, one not able to offer a lot of immersive opportunities. Fidelity remains excellent, though there are of course disparities in source quality given the huge array of archival material Workman has knit together. Aside from "built in" damage in some older elements (all of which is relatively minor and never problematic), there's nothing to cause concern.
"It was all downhill from there." Welles seemed to have a somewhat trenchant sense of humor of how quickly he ascended to the top echelons of Hollywood, only to have the veritable magic carpet snatched from beneath his levitating feet. There's a certain bitter melancholy running through some of Welles' later comments, but always within the context of a sort of impish sense of self deprecating humor. The Welles elements in this "super montage" are often extremely interesting, as are many of the other interviews, especially with those who knew and/or worked with him (as is often the case, "fans" like Julie Taymor or Simon Callow don't offer quite the same level of insight). Not especially profound, but full of fantastic archival material, Magician: The Astonishing Life and Work of Orson Welles helps to make the case that judging a man solely on the basis of one (however singular) achievement is a fool's errand. Technical merits are generally strong on this release, and Magician: The Astonishing Life and Work of Orson Welles comes Recommended.
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