| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
| Comedy | 100% |
| Crime | 8% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
French: Dolby Digital 2.0
Spanish: Dolby Digital 2.0
French 2.0 = Mafia!, Spanish 2.0 = The Crew
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 2.5 | |
| Audio | 2.5 | |
| Extras | 0.0 | |
| Overall | 2.0 |
Mafia!
Score: 3.0/5
Jim Abrahams is one of the modern masters of the Parody genre and the accompanying Comedy landscape. His films -- on which he works in any
number of capacities -- have delighted audiences
for decades and hold up well years after release for a myriad of reasons, chief amongst them their inherent sense of humor that never goes out of
style
as well as their service as offbeat companions of sorts to the classic, time-tested, long-lasting films they spoof. Films like Airplane!, Hot Shots!, and The Naked Gun: From the Files of Police Squad! show that the least
serious side of the filmmaking business can be big fun and well-received cinema both; more modern
spoof artists should take note. But not everything Abrahams ever touched turned to
comedy gold. Mafia! is a perfect example of a great idea that didn't quite hit the mark like those other films. It's a noble effort that falls
short of
greatness but that should nevertheless please Mafia movie aficionados looking for something a little lighter than that genre generally has to offer.
Tony Cortino (Jay Mohr) runs the mighty Peppermill Casino. He's rolling in the dough he so easily separates from his guests -- and even those who
never step foot in his establishment -- and living the high life in Las Vegas. He's also a top figure in the mafia. As his story unfolds, so too does that
of Vincenzo Cortino (Lloyd Bridges), an Italian immigrant and head of a powerful crime family. Vincenzo escaped Italy as a young boy after an
altercation left a drug runner without a key shipment and, worse, without a thumb. In America, Vincenzo makes it big but decades later is shot
some 74 times at
his son Joey's (Billy Burke) wedding celebration. When Tony -- recently returned home from the Korean Conflict with fiancé Diane (Christina
Applegate) in tow -- vows to kill the man who attempted to murder his father, Diane leaves him and the life of crime behind. Tony's hit leads him to
big things -- including the casino business -- but also opens up new dangers in the process.
Mafia! hits hard in its opening act with a barrage of "funny" that really pulls the audience into the film. The opening casino sequence is a
collection of all things hilariously brainstormed to turn a house of gambling into a playground of the ridiculous where family board games and rigged
slot
machines absurdly demonstrate the futility of gambling. Of course, Abrahams takes it a step or two further with a gut-busting scene in which the
"smarter" people just mail in envelopes full of cash, foregoing the time of travel and the process of actually participating in the gambling and
just cutting
ties
with their money the easy way. The film never finds quite so much steam as it expends in its opening minutes, but not for lack of effort; there are
some moments to treasure throughout the film ("run, florist, run!," Chucky killing off a character) but only few are those moments when the
picture sometimes struggles to elicit laughs. Mafia! goes gleefully over the top in its efforts with the aid of slapstick, music, and
just rearranging bits and pieces to be slightly off for heavy comedic effect. That seems to be the real secret here, of finding the right balance
between
"extreme" and "slightly off." The film often finds that middle ground to good effect; it's not as consistent as Abrahams' other films, but it's a solid
ride
nevertheless.
Additionally, the cast is quite adept at playing things straight and handling the material with a sincerity that only accentuates the humor. It's a
trademark of these sorts of films but only as effective as the actors make it. While there's no Leslie Nielsen, Charlie Sheen, or Robert Hays to sell
the concept and the story, Mafia!'s cast proves at least adequate in delivering its lines and playing for the camera with suitable proficiency.
Jay
Mohr does the deadpan thing quite well, taking on his role with a subtle absurdity but overlying seriousness that befits the style, the character, and
the films Mafia! spoofs. Likewise, veteran Lloyd Bridges handles the material like an old champ, soaking it up and letting it all back out
tenfold, turning some potentially "miss" jokes and physical gags into substantially better ones. Of course, Mafia!'s failure rate is a bit higher
than other Abrahams films. The script feels a little too forced at times, particularly in those moments when the material just doesn't lend itself to
humor and the scriptwriters pull at straws to keep the laugh ratio where it is during the rest of the movie. Can't win 'em all, but more often than
not Mafia! makes for a delightful little venture; just don't expect Airplane!-quality filmmaking.

Godfatherin'

Mafia!
Score: 3.0/5
Mafia!'s high definition presentation, courtesy of Mill Creek, doesn't sleep with the fishes, but it's not exactly alive and kicking, either. This is a
rather pedestrian Blu-ray transfer that offers solidly unremarkable details and colors. It's sometimes soft and a bit fuzzy, but at other junctures -- the
extended wedding celebration, for example -- it offers some rather nice details, good clarity, sharp images, and nearly vibrant colors. Generally, then,
details prove
rather middling, basically sufficient for a high definition picture but hardly breathtaking. Ditto colors. There's some very light dirt here and there, pale
blacks, inconsistent flesh tones, and a grain
field that disappears and spikes. Noise can be substantial in some scenes. It's a watchable image but not one Blu-ray fans will turn to to dazzle their
friends.
The Crew
Score: 3.0/5
The Crew's budget Blu-ray release does the film no visual favors. Mill Creek's high definition transfer is a bland, lifeless thing, not unwatchable
by any means but certainly not the sort of brilliant, film-like image enjoyed by upper-tier and even higher mid-level Blu-ray discs. The transfer offers
serviceable details at the increased Blu-ray resolution, but the picture certainly lacks an organic life to it. Grain seems wiped away, leaving behind a
flat,
pasty sort of image. Colors, likewise, lack brilliance and pinpoint accuracy. There's little range around the more subtle shades, leaving the film
wanting
for a more even palette. There's some very light scattered dirt and wear, but nothing that would warrant more than a mention. Some edge
enhancement appears throughout, but not often very heavily. Banding and blocking are minimal. This is a watchable image, suitable given the
rock-bottom pricing, but videophiles should probably stay away or prepare themselves ahead of time before diving in.

Mafia!
Score: 3.0/5
Mafia! features a minimalist sort of soundtrack. Mill Creek's sound presentation is the definition of "passable;" the film by its nature offers
nothing
of note beyond the basics, and the DTS-HD Master Audio 5.1 lossless track strives to only deliver the basics with little attention to finer details.
Dialogue
is this presentation's primary element. It's serviceable, clear, and unimpeded by other elements. It remains centered in the front and the backbone
of
the track for the duration. Other pieces of the sonic puzzle play with little energy or clarity; the track has a certain blandness about it, a decided lack
of
effort to push itself further than the delivery of simple musical and supportive elements that exist beyond what's needed to get the point across.
Music
spacing is
fine
across the front, and basic sound effects take basic sonic shape. That's all the movie really needs, but listeners will rightly want
something more.
The Crew
Score: 3.0/5
The Crew features a bland but generally effective, on a base level, DTS-HD Master Audio 2.0 lossless soundtrack. Mill Creek's sound
presentation
does just enough to get listeners through the film without any inconvenience. Dialogue is delivered firmly and with the sort of clarity, ease of delivery,
and focus a basic listen demands. Still, the rest of the track plays disappointingly flat. Fair front-end spacing gives a slight sense of space,
but sound effects struggle for even a hint of immersion and, oftentimes, raw clarity. An early rainstorm sounds more like a glob of sound more so than
a
natural element. An explosion, also early in the film, lacks punch, and a strip club scene later on fails to find much energy. All in all, it's a
disappointing
affair,
but once again considering the bargain pricing it's hard to complain too much.

This twofer Blu-ray bundle from Mill Creek contains no extra content.

This is a decent two-pack that offers two gently entertaining movies, not hallmarks of the Comedy genre but certainly watchable little films that will satisfy the urge for a fair experience over ninety minute runtimes. Mill Creek's double Blu-ray release contains no extra features. Both films offer lackluster video and audio. Even though the presentations aren't up to snuff, fans of either or both films should purchase given the ridiculously low selling price.