7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A corroded diving bell descends amidst a ruined city and the Assassin emerges from it to explore a labyrinth of bizarre landscapes inhabited by freakish denizens.
Starring: Alex Cox, Niketa Roman, Anthony RuivivarHorror | 100% |
Animation | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
Advertised as a "nightmare 30 years in the making", Phil Tippett's Mad God is a stop-motion fever dream that actually began production in the late 1980s when the director, largely known for his special effects contributions to Star Wars, The Empire Strikes Back, Robocop, and later Jurassic Park, poked away at an unrealized project that would eventually become this feature-length film. But this wasn't a continuous labor of love; after the CGI spectacle of Jurassic Park, Tippett was all but convinced that stop-motion animation was extinct and reluctantly pushed it to the back of his mind. He reconsidered in 2010 and, on the strength of a very successful Kickstarter campaign (one that tripled his initial goal), resurrected the unfinished film; with the benefit of much more cost-effective digital photography at his disposal, Tippet and company were able to complete it despite his penchant for the slow, methodical approach.
My only real reservations about Mad God begin with the unavoidably uneven tone generated by that several-decade lapse in time between portions of its content. (Consider me part of the cynical minority that dismisses "30 years in the making" as a somewhat misleading marketing tactic.) This obviously includes the separate recording formats -- 35mm and digital photography, both of which are sometimes intentionally degraded -- but also extends to Mad God's screen subjects, including a number of actors shot in live action. Although this film's unsettling atmosphere almost lends itself to a collage-like visual approach, the live-action footage largely took me out of the experience and almost felt like a cheap way to cut corners. (This is combined with some of their equally distracting performances, including Alex Cox as "Last Man", a bespectacled figure with filthy teeth and absurdly clean, long fingernails and toenails.) The potential enjoyment of this material is also dependent on your tolerance for torture porn: several parts of Mad God justify their extreme visuals, but others just seem like fully-realized versions of an edgelord's high school sketchbook.
But make no mistake about it, Mad God is nothing if not a uniquely bizarre film with as much a singular mindset as possible considering
this was made with the help and participation of countless Tippett friends, contemporaries, and contributors. There's a real handmade craft to the
material that fans of stop-motion and practical effects will certainly enjoy, elevating the end result comfortably above most in this narrow genre. RLJ
Entertainment's new Blu-ray edition may be even more impressive, though, with a outstanding A/V presentation flanked by plenty of
creator-driven bonus features and standard-issue Steelbook packaging to boot. It's a good enough effort that I had to hastily append my
forthcoming "Top 10 of the Year" list to make room for one more well-deserved honorable mention.
It's tough to judge a film that prides itself on being endlessly dark and sometimes intentionally degraded, to the point where it might be even more visually unsettling on a third-generation VHS dub. Truth be told, though, there's a beauty to Mad God's nightmarish scenarios with their excessive noise and film grain (again, during some scenes), scattershot color palette, and deep shadows, and RLJ Entertainment's 1080p transfer seems to capture these key visual attributes as accurately as possible. There are no obvious compression issues or other such anomalies to report, though from a perspective of full disclosure it's my first time seeing the film, which likely holds true for anyone who didn't see it at a festival or stream it on Shudder. Either way, I'd image that this safely exceeds the latter's limitations, as it really is an impressive presentation that immediately grabs you with its odd compositions, interesting color choices, and of course visceral subject matter. Short of a 4K release, there's not much room for improvement here.
The DTS-HD 5.1 Master Audio mix offers perhaps a more uniformly impressive presentation overall, at least one that isn't as easy to differentiate between the older-shot footage and material recorded in more recent years. I'm guessing either the earlier sound design was either incomplete or just reworked entirely to match modern surround sensibilities, as all the expected echoing clangs and unsettling noises you'd anticipate from a film of this nature echo frequently and deeply into the rears, as does most of composer Dan Wool's original score. It's invigorating at times but not surprisingly a bit taxing on the senses after awhile, what with no real (or at least extensive) dialogue to use as any kind of sonic anchor point. Yet like the video, there's precious little room for improvement here... maybe an Atmos track?
This two-disc set ships in Steelbook packaging with terrific cover art, an inner print, and a promotional insert. Both discs sit on overlapping hubs on the right-hand side. Extras are plentiful and all are found on the Blu-ray.
Phil Tippett's long-gestating stop-motion film Mad God is a uniquely nightmarish ride whose visual impact and intense atmosphere should appeal to fans of H.R. Giger, Alejandro Jodorowsky, and H.P. Lovecraft. RLJ Entertainment's Blu-ray is a release of merit with strong visuals, an equally impressive audio mix, plenty of solid extras, and even standard-issue Steelbook packaging. New viewers should probably stream it on Shudder first if they can, but anyone halfway interested in Tippet's brand of visuals should consider a worthwhile blind buy. Firmly Recommended.
Collector's Edition | Theatrical Cut 4K + BD / Director's Cut BD
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