5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A 30-year-old writer spends a wild weekend in Palm Springs and wakes up to find she has magically transformed into a 70-year-old woman.
Starring: Diane Keaton, Taylour Paige, Elizabeth Lail, Wendie Malick, Dustin Milligan| Drama | Insignificant |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 3.0 |
It's probably a good, or at least an honest, thing that Mack & Rita director Katie Aselton overtly refers to both Freaky Friday (and/or Freaky Friday) and Big in her comments about this film in a making of featurette included on this disc as a bonus item. It's almost preposterously easy to imagine this effort being pitched by some overcaffeinated writer type with a simple, "It's Freaky Friday, only with a girl and her grandmother!" or "It's Big, only with a thirty something woman yearning to be a senior citizen!" As much as either Freaky Friday (in either of its iterations) or Big is a more than evident influence on this film, Mack & Rita may actually remind some curmudgeons (ahem) of a little remembered and very short lived television series, not because of any plot or concept confluence, but more along the lines of how an iconic star like Diane Keaton is utilized for her inherent comic abilities. Some who enjoy television trivia may recall that the 1986-87 television season was notable for any number of interesting series debuts, including such ultimate stalwarts as Designing Women and ALF, and halfway through the season in spring 1987 a little upstart called Fox began broadcasting shows like Married with Children. But long before that network jumped into the weekly broadcast fray, a comedy legend had almost shockingly already come and gone with a series that managed to only eke out eight episodes before cancellation. Life with Lucy was supposed to be Lucille Ball's reentry into the Top 10 of sitcoms, but it ended up being an embarrassing and way too old fashioned series that tried to rely on Lucy's dependable physical comedy shtick without really providing much in the way of intelligent comedy support in terms of things like, you know, characters, dialogues and, well, jokes. Now, Mack & Rita is not a disaster of the proportions of Life with Lucy, but it's still kind of sad in a way to see Keaton mugging so frantically in order to try to gin up at least a smile, if not outright laughter.


Mack & Rita is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 1.85:1. I haven't been able to track down any authoritative technical data on the shoot, but this is a perfectly competent digital capture that I'm assuming had a 2K DI. As has been the case lately with Lionsgate releases, there's noticeable banding on the studio masthead (which I'm assuming is an "archival" masthead, though kind of curiously the banding does not accompany every Lionsgate release I review), but once the actual feature begins, nothing of any major import (there are arguably some very minor "ripples" in a couple of segues where light values change suddenly. The production design here emphasizes almost a candy colored ambience, and suffusion is typically excellent throughout. Detail levels are generally consistent, though there are some passingly softer looking moments in some outdoor material in particular.

Mack & Rita features an intermittently robust DTS-HD Master Audio 5.1 track, one which perhaps utilizes fewer source cues than might be expected, but which still provides some nice "thump worthy" pop moments, especially in the opening and closing sequences. Surround activity is most noticeable in some of the scenes that offer larger groups of people, where there's clear engagement of the side and rear channels for background clamor and ambient environmental sounds. The "transformation" scenes also offer some good whirlwind activity that wafts through the surround channels. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles.


Keaton is also one of the producers on this project, which suggests she saw it as an opportunity to strut her inimitable stuff, but frankly it's some of the supporting performances in this film that may generate more audience empathy and engagement. The film is obviously more than reminiscent of at least a couple of other productions, but fans of the cast will probably find enough here to enjoy. Technical merits are generally solid for anyone who may be considering making a purchase.
(Still not reliable for this title)

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