6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
He's broad shoulders, hooded eyes and laconic wit: the cool male. She's voluptuous curves, lushly lipsticked mouth and sardonic comebacks: the incendiary female. They're Robert Mitchum and Jane Russell, dead-on talented and drop-dead gorgeous stars who brought out the best in each other in His Kind of Woman and Macao, the two gutsy film noirs they made together. In Macao, audiences know they're in for a dynamite ride from the moment he saves her from a lecherous goon - and she picks his pocket. The story, set in the exotic East Asian port, involves stolen diamonds, undercover New York cops, mistaken identities, double crosses and murder. The action races, the plot twists and the stars... well, be glad the film stock didn't melt.
Starring: Robert Mitchum, Jane Russell, William Bendix, Thomas Gomez, Gloria Grahame| Film-Noir | 100% |
| Crime | Insignificant |
| Drama | Insignificant |
| Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
The second half of RKO's back-to-back pairing of Robert Mitchum and Jane Russell (which began with the bloated but oddly entertaining His Kind of Woman), 1952's Macao seems streamlined by comparison but nonetheless also wasn't a smooth, trouble-free production. The majority of it was directed by Josef von Sternberg: be both reluctantly returned to Hollywood and left for good because of it, as his pointed style of working was reportedly not well-liked by several cast members including Russell herself. The younger Nicholas Ray, later known for Rebel Without a Cause, was eventually brought in to reshoot a climactic fist-fight sequence (which is great, of course), but his contributions were uncredited. So, is Macao yet another case of behind-the-scenes turbulence overshadowing the film itself?

It's a solid enough setup for these three likable characters, all of whom contribute to Macao's plot as its characters explore and interact with each other inside the titular Chinese territory. We'll also meet several others including local American kingpin Vincent Halloran (Brad Dexter), who's the owner and operator of a popular gambling den alongside his girlfriend Margie (Gloria Grahame); he soon hires Julie for her ability to turn heads... but also does so in order to keep tabs on Nick, who's suspected of being an undercover cop. Another factor is the presence of Lt. Felizardo José Espirito Sebastian (Thomas Gomez), who seems loyal to Vincent but may have an agenda of his own.
The story gets a little convoluted as Macao unfolds, at least in relation to its deceptively scant 81-minute running time. Those expecting a film that's as seemingly straightforward as its first act won't get one but, like His Kind of Woman, the end result is nonetheless entertaining due to several factors. The first is the camaraderie of its primary cast: our three "teammates" played by Mitchum, Russell, and Bendix enjoy a loose, amiable level of comfort with each other and it's easy to see that the first two were friends off-set as well. (It's also one reason why Mitchum was reportedly able to fire back at director Josef von Sternberg's demands, either of himself or his co-stars, confident in the realization that he'd be the one to keep his job if any major trouble ensued.) The second is its production design, as Macao was mostly shot on RKO backlots but aided by ample amounts of stock footage from real locations, which were captured by cameraman Dick Davol to boslter Macao's authenticity. While these strengths don't fully make up for some of the story's jagged direction (which again, seems like a result of "too many cooks in the kitchen"), they certainly help.
Speaking of help, Warner Archive once again comes to the rescue by lavishing attention on Macao in a way similar to last year's Blu-ray
edition of His Kind of Woman. It's led by another top-tier restoration, of course, and similarly aided by a legacy audio commentary as well
as a vintage TCM interview with Mitchum and Russell.

Warner Archive has deliver yet another five-star effort that makes Macao look like new on this stunning new 1080p transfer which, as usual, has been sourced from a recent 4K scan of the original nitrate camera negative. This mostly backlot-shot adventure often passes for the real McCoy, whose illusion is aided by generous amounts of exclusive stock footage and only occasionally interrupted by rear projection. All things considered, it casts a convincing spell and this restoration plays to its strengths, revealing new levels of fine detail and textures while preserving almost every ounce of film grain even though it's been thoroughly cleaned of all prevailing damage. Only a handful of scenes slightly drift into softer territory, which may either be due to baked-in issues or a quick swap for secondary source materials due to unavoidable damage, but Macao's strengths are so overwhelmingly seamless that it's almost impossible to award this Blu-ray with anything less than a perfect score. As usual, the encoding is supportive as the film runs at a continuously high bit rate with no obvious signs of macro blocking, black crush, or other compression-related issues.

The audio runs a close second, as this DTS-HD 2.0 Master Audio track repurposes the original mono audio in a split two-channel container for wider playback. The film's ample dialogue is very nicely supported... and so is the original score by Anthony Collins, as well as Jule Styne & Leo Robin's "You Kill Me" and "Ocean Breeze" and "One for My Baby" by Harold Arlen & Johnny Mercer, all performed by an uncredited Jane Russell. I wasn't able to hear any prevailing signs of damage, save for a very brief and forgivable moment of distortion during one of Russell's lines at the 39:15 mark, and overall this is a polished and pleasing "light touch" restoration effort that gets the job done.


Josef von Sternberg's Macao begins like a travelogue of its titular territory, slowly morphs into a lightweight romantic drama, and eventually ends up being a full-fledged film noir... and like His Kind of Woman before it, feels like a simple excuse to get Robert Mitchum and Jane Russell together on screen. Again, the end result isn't exactly bulletproof but it's still entertaining, thanks to its exotic flair and cast chemistry, and it even earns bonus points for brevity. Ultimately, this is a decent little excursion and Warner Archive's new Blu-ray serves up ample support including another top-tier restoration and two retrospective DVD-era featurettes that are well worth your time. Recommended.
(Still not reliable for this title)

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1951

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Collector's Edition
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Limited Edition to 3000 - SOLD OUT
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