7.2 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In the second season, Lucifer Morningstar deals with the unexpected arrival of his mother, who has escaped from her prison in hell and assumed human form.
Starring: Tom Ellis, Lauren German, Kevin Alejandro, D.B. Woodside, Lesley-Ann BrandtComic book | 100% |
Supernatural | 36% |
Drama | Insignificant |
Fantasy | Insignificant |
Crime | Insignificant |
Horror | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Four-disc set (4 BDs)
Region free
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Spoiler warning: The discussion below assumes familiarity with the prior season. If you have
not seen Season One of Lucifer (reviewed here), proceed at your own risk.
The second season of Fox TV's Lucifer expanded the series' mythology and answered a few
nagging questions about its title character while simultaneously raising new ones. Central to the
season's larger arc is the appearance of Lucifer Morningstar's (Tom Ellis) mother, or "Mum",
who is described as the spirit of all creation and who, at the conclusion of Season One, was
discovered to have escaped her confinement in hell. Urgently seeking Lucifer and her other errant
son, the angel Amenadiel (D.B. Woodside), Mum hops from one body to another across L.A.
until she finally lands in the skin of a recently murdered attorney, Charlotte Richards (Tricia
Helfer, the duplicitous Number Six in Battlestar Galactica). From there, Mum proceeds to wreak
havoc in the lives of her boys, all the while having to learn how to navigate an unfamiliar
environment and the inconvenient limitations of a physical body (not to mention the challenges
of pretending to be a wife, mother and high-powered criminal lawyer). The fact that Mum now
inhabits a youthful and gorgeous figure of the kind her fallen son usually takes to bed leads to
endless embarrassment for Lucifer, routinely cracking his customarily smug and self-assured
demeanor.
Mum says that she only wants to reunite her family, but she turns out to have much grander
designs. Her efforts are complicated by the sudden appearance of yet another of her sons, the
angel Uriel (Michael Imperioli), who is the grumpy younger brother of Lucifer and Amenadiel
and has his own unique powers. Uriel has managed to acquire a powerful weapon called Azrael's
Blade, which turns out to have properties that are crucial to Mum's ultimate plans.
Lucifer still runs his glitzy nightclub, Lux, and continues to serve as a civilian consultant to the
police force in partnership with Det. Chloe Decker (Lauren German), but his mother's presence
is a constant irritant, especially since Lucifer made a deal with "Father" to return her to hell. He
also remains perplexed by Chloe's peculiar effect of making him lose his supernatural
invulnerability whenever she's nearby. That mystery is explained (at least in part) midway
through the season, but Lucifer finds the answer even more unnerving than the inconvenience of
being randomly susceptible to injury. Indeed, throughout Season Two, the Chloe/Lucifer
relationship is a roller-coaster of conflicting emotions that routinely overshadows their efforts at
criminal investigation (which isn't a bad thing; the weekly police procedurals have always been
Lucifer's least interesting element, even when the crimes are spiced up by quirks like a zombie
wedding or a mental patient who claims to be God).
As heaven's former First Family struggles with its issues—including Amenadiel's grim
discovery that he's losing both his wings and his angelic powers—supporting characters also find
themselves on unfamiliar ground. Chloe's ex-husband, Det. Dan Espinoza (Kevin Alejandro),
has been demoted, following the official misconduct revealed during the course of Season One,
and he must now report to his former wife. Lucifer's demon caretaker, Maze (the wonderful
Lesley-Ann Brandt), continues to pull away from her old boss, as she realizes that he's intent on
remaining among mortals and will never take her back to the underworld. As Maze struggles to
adapt to surroundings she's previously regarded as temporary, she is buoyed by a new-found "gal
pal" friendship with Lucifer's therapist, Dr. Linda (Rachael Harris), and by a new living
arrangement that has her sharing a house with Chloe and the detective's cheerful daughter, Trixie
(Scarlett Estevez), who thinks the former demon is a terrific playmate. As for Dr. Linda, she
continues to confront Lucifer in his therapy sessions, insisting that his accounts of being the
devil and warring with "Father" are all just metaphor—until one day when the good doctor is
shocked to discover that her most intractable patient may be telling the truth.
A new addition to the law enforcement crew is Ella Lopez (Aimee Garcia, Dexter), a skilled
forensic technician whose unfiltered pronouncements and disregard for personal boundaries
make her an unpredictable element in any situation. Ella also happens to be a devout Christian,
but her faith is the traditional sort that expects angels and demons to remain mysterious and
unseen. She never for a moment imagines that in her current job she's chatting with them daily.
Lucifer continues to be shot digitally on Alexa by a revolving team of cinematographers. The Warner Archive Collection has spread the eighteen episodes over four BD-50s, all of which exhibit a superbly detailed image that reproduces the series' deep blacks, richly saturated palette and elegant production design with an almost tactile sense of depth and texture. If you have only seen Lucifer on broadcast or streaming platforms, these discs will be a revelation, especially when the image is shown on larger screens. Noise, interference, aliasing or other artifacts are wholly absent. The average bitrate varies from disc to disc, ranging from a low of just over 23 Mbps to a high of 29.5 Mbps, with a solid encode.
Lucifer's 5.1 soundtrack, encoded in lossless DTS-HD MA, provides an effective otherworldly presence for the occasional manifestation of supernatural powers by Lucifer and his otherworldly clan. The music and merriment of Club Lux during business hours fills the listening room, and the occasional instances of gunfire register with authority. The sounds of L.A. traffic accompany outdoor scenes, and a wide array of interior environments have appropriate sonic ambiance. Scoring duties are now performed by Ben Decter (whose numerous TV credits include Silk Stalkings and Lethal Weapon) and Jeff Russo (Power). The soundtrack continues to benefit from thematically appropriate pop tunes used as incidental music—or, on occasion, performed by Tom Ellis at the piano in what has become a fan-favorite feature of the series.
The extras can be found on disc 4.
Lucifer's cast and crew shot twenty-two episodes for Season Two, but Fox decided to postpone
the final four until Season Three, reportedly because of scheduling issues. The result will be an
exceptionally long third season picking up from a head-spinning cliffhanger that left Lucifer
(and us) wondering what just happened. Answers should be forthcoming when the series returns
on October 3, 2017, along with clues about the show's future direction after the revelations,
confrontations and shifting allegiances of Season Two. Throughout most of Season Two, Lucifer
remained a dark comedy anchored by Tom Ellis' finely calibrated performance as a supercilious
Prince of Lies. It remains to be seen whether the creative team will attempt to maintain that tone
or to take the show in a more serious direction, but Lucifer's sophomore outing admirably fulfills
the promise of the show's debut season. WAC's Blu-rays are excellent, as usual. Highly
recommended.
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