5.7 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
The most romantic place in town becomes the scene of a bloodbath in this grisly horror story. Mandy Anderson (Erin J. Dean) is a pretty teenager who has more than her share of emotional baggage to deal with. When she was five years old, Mandy's mother was killed by a psychotic who tore her apart with a metal hook. Adding shame to Mandy's shock, her mother was murdered at a notorious local make-out spot with her lover, while her husband, Tom (Matt Riedy), was the police officer sent to investigate the murder -- and young Mandy was with him while he was on patrol. Thirteen years have passed, and Mandy is attending high school along with Michael Lamson (Riley Smith) and Chloe (Sarah Lancaster). Mandy isn't especially close to either Michael or Chloe, as she's still trying to keep an emotional distance from the trauma of her past, but they're forced to come together when Mandy learns the man who killed her mother has escaped from a mental hospital and is on the loose.
Starring: Richard Sanders, Riley Smith, Anna Faris, Sarah Lancaster, Jim RossHorror | 100% |
Thriller | 11% |
Mystery | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1, 1.85:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 2.5 |
Sometimes the behind the scenes stories of what were essentially the straight to video productions of their day can be at least as entertaining as the films themselves, and in that regard, Arrow has aggregated some kind of sweet supplementary interviews with various people who were associated with Lovers Lane, a 1999 production that, if it's remembered at all, may be recalled for having offered Ana Faris her first big screen role. While the absence of either a singular or plural possessive "s" in the Lovers part of the film's title might have the potential to raise the ire of the grammar police, it may indicate a certain lo-fi approach to filmmaking which nonetheless had a bunch of people involved who knew they probably weren't creating Timeless Art, and went with what they had. This is just one of countless offerings that sprang up in the wake of Scream, albeit without that franchise's winking self awareness and with an arguably way overstuffed narrative that attempts to weave a bunch of disparate characters together in various convoluted ways, before, of course, dispatching several of them in semi-splatterific splendor.
Lovers Lane is presented on Blu-ray courtesy of Arrow Video with AVC encoded 1080p transfers in either 1.33:1 or 1.85:1. Arrow's insert booklet contains the following information on the restoration:
Lovers Lane has been restored in the 1.33:1 aspect ratio, in keeping with its straight to video release origins. The film is also presented in 1.85:1 aspect ratio. Both versions are presented with stereo sound.I've uploaded screenshots in both aspect ratios to accompany this review, so that those interested can personally compare framings, but as with the recently reviewed Region B release of The Sunday Woman where I mentioned that some may understandably find an either/or issue with either not enough headspace or too much headspace at times, the same qualms may be evident here as well, though watching both versions nothing struck me as hugely problematic in either aspect ratio. Both versions offer a generally great reproduction of a nicely diverse palette, with primaries popping especially well. Detail levels may be marginally better in the 1.85:1 version if only because of a more "up close and personal" look to many of the framings, but they're secure in both versions. Both versions also offer some pretty obfuscated low light material at times, as can be seen, for example, in screenshots 10 and 18, among others. Grain spikes pretty noticeably in these darker moments, and can occasionally look splotchy and yellowish.
The original 35mm camera negative as scanned in 4K resolution at Company 3, Los Angeles. The film was graded and restored in 2K resolution at R3Store Studios, London. The original audio mix was remastered by MGM.
All materials for these new restorations were made available by MGM.
The main title has been graded to be presented in its original pink, as per the original materials.
Lovers Lane features a robust LPCM 2.0 track. This was produced in Seattle during the late nineties, and some may have wished for some higher profile Pacific Northwest artists on the soundtrack, but there is some rambunctious material offered as source cues which adds some energy to the mix. There are some good ambient environmental effects as well in some of the outdoor material in particular. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
My review frankly didn't even begin to address the sometimes labyrinthine ways various characters in this tale are interrelated, because it's all equally frankly kind of unnecessary. There are some good, if rote, aspects to this production, but it might have done better to have taken a more deliberately winking quality, since even some of its kill scenes may not be overly exciting. This is another cult release where memories of late night television viewings may evoke a certain wave of nostalgia which may help to dissipate any niggling qualms about actual competence and/or coherence of various aspects of the production. Arrow provides a release with solid technical merits and some enjoyable supplements, for anyone who may be considering making a purchase.
Al filo del hacha
1988
2000
Remastered
1981
Collector's Edition
1986
2022
Rosemary's Killer
1981
1980
2005
2023
Ladrones de Tumbas | Standard Edition
1989
Night of the Dark Full Moon / Death House
1972
Scre4m
2011
1982
2011
2012
1972
Extended Cut
2021
2015
Collector's Edition
1988
2018